Tag: tenth court

Sachet Share the Source

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After last year’s The Sewing Machine EP, Aussie outfit Sachet have polished off the last batch of tunes they’ve been working on and offer them to us in the new Taipei Learner EP. This food obsessed video accompanies a brand new track, showcasing the twisting brand of rock n’ roll the group bring to listeners. Lani Crooks’ voice has this variation that seems to walk its own path; it plays with a dreamy punk attitude at times, only to turn towards a bit of indifferent snottiness that’s set up to match the group’s jagged riff work. Those riffs jump back and forth between angular stabs and warmer walls of distortion, all of them subject to Crooks’ vocal prowess. Be sure to order Taipei Learner before it drops via Tenth Court on October 31st.

Tenth Court

Friday Album Streams: Gus Baldwin, Pink Chameleons, and More

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The year is in full swing, and there are tons of great albums already hitting the streets, so wanted to throw my weight behind a few great releases. We’re all over the world today, with one of my favorite Austin artists, Gus Baldwin and the Sketch, getting their new LP out there. Then we bounce over to Finland with our friends Soliti releasing a new Pink Chameleons album. Jump over to Australia with Shrapnel then come home to NYC with Rosa Bordallo. Got those streams below for you.

Gus Baldwin and the Sketch – The Sketch (Permanent Teeth Records)

Rosa Bordallo – Isidiro (Self-Released)

Shrapnel – Sedan Crater (Tenth Court)

Pink Chameleons – Harmony (Soliti)

The Laughing Chimes – Whispers in the Speech Machine (Slumberland)

Shrapnel Share One More Single

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You only have to wait a handful of days before Shrapnel unveil their latest LP, and we’ve been helping cover as much as we can on the lead up, and now there’s one final peek under the covers. This number has this sharpness that pushes some bravado, though their melodic vocal mixture belies their natural pop sensibility. They begin to push that more and more as the track progresses, which ultimately takes the tune into the psychedelic territory; it then becomes apparent you’ve been on this mystical journey all along, only you had no idea where they were taking you until they come back in with a punchy drop of riffs that ride off onto the horizon. Sedan Center is out Friday via Tenth Court.

Shrapnel Share Bugged Anatomy

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Percussion enthusiasts Shrapnel continue to explore their sound on the new Sedan Crater LP. They had a bit of a direct nod to some jangling pop from the Oceanic region on their first single, but this go round, they’ve dropped a kind of slow-burning cruncher. Guitars dance faintly while the front of the mix seems to almost have an off-kilter plod to it, turning carefully into the intoxicating jig from the guitars between verses. And, just as you’ve become accustomed to their approach here, they break it all down with impending musical doom raining upon the listeners. Sedan Crater is out on January 31st via Tenth Court.

Shrapnel Announce Sedan Crater + Share New Video

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When Shrapneldropped their 2021 LP Alasitas, it got a lot of coverage (and plays) on our end of things over here, so when an email came in with a fresh single and an album announce, I was ready to share…and here we are. This new jam jumps right on, twisting jangling guitars into hook-laden distortion machines wielding pop sensationalism for the masses. As the energy ebbs and flows, you can see the band working on their own axe wielding tricks, playing with organized robotics that strike the emphatic notes in all the right spots. They’ll be releasing Sedan Crater on January 31st via Tenth Court, and we’ll keep you posted as more singles pop out!

Cool Aussie Jams: Hooper Crescent + Sachet

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I bought a ticket to the mental struggle-bus last week, so didn’t have a solid albums of the week to run, though there were definitely some things I would have turned you onto, from my end. Both of the below Aussie outfits have already popped up on our end, but we wanted to make sure you got some stream info…with a moderate two cents…you know, to make up for my error.

Sydney’s Sachet dropped their excellent The Seeing Machine, which opens with “Crushing Whims,” which has been on a steady rotation throughout; I’d jam to the EP on this track alone. Personally, Lani Crooks vocals win on every single track; it feels like a new voice that’s begging to be your new best friend. It’s available now from Tenth Court.

Then you’ve got Brunswick’s Hooper Crescent who bring a bit of math-iness to post-punk, creating a sound that definitely bubbles with creativity. It’s a frantic bit of jittery rock n’ roll, with each track offering a different side of the rock n’ roll trends. Grab the Essential Tremors LP from Spoilsport Records.

Sachet Announce Brand New EP, Share Lead Single

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It’s been a hot minute since we last heard from Aussie outfit Sachet; they last released Nets in 2020. But, we can breathe easier knowing the group have a fresh EP on the way for us in 2024. While the band fancy themselves as a prog-pop outfit, they’re not straying too far off from classic punk meets pop vibes. You can hear some of the Debbie Harry playfulness in the vocals this go round, hitting those crystalline disco notes as the band snakes its way through a sort of musical call-and-response. Plus, you’ll find just a bit of punk ethos squeaking in too, adding some sharp licks that build the tension. Totally digging on it, so looking forward to The Seeing Machine EP, out next February via Tenth Court.

Joe Ziffer Shares Night Falls Fast

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I’m really intrigued by what Joe Ziffer is doing on his debut LP; I loved the first single, but was left a bit gobsmacked by this new one. The solemnity of Joe’s voice here is almost as haunting as it is lonesome. It works over this very light strum, with another textural layer placed atop so that you can feel the forlorn nature at play. There are moments when you’ll find yourself drifting, lost entirely within the confines of the little nuanced moments, such as the cleve bit of play just after the 2:30 mark. Long Shadows is shaping up to be a brilliant listen; it’s going to be available via Tenth Court on November 24th.

Joe Ziffer Announces Debut, Shares Ouroboros

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I tried to dive into some Joe Ziffer background, but there wasn’t a lot out there; I can vouch for his new label, Tenth Court, as they’ve been a reliable spot for great Australian pop songs over the years. Joe’s sound is perhaps difficult to pigeonhole (thankfully) as it seems like its made of two minds. On one hand, there’s this natural guitar energy that courses through the song, providing almost a textural backdrop that allows the track to ride in the rock n’ roll sidecar. But, at the core, there’s this home-recording feel, like a guitar magician just noodling about with a melody in mind, strumming and filling the track with just a teaspoon of traditional pop mentality. Another exciting release coming from the label; Long Shadows hits on November 24th.

Friday Album Streams: Lightheaded, Blue Ocean, Mope City and More

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There’s only a few more sleeps until all the music folks decided to hibernate for the year, so better be sure to listen to as much new music as possible, right? Well, on this Friday, we’ve got a couple of really delicious records for you to devour, if that’s your thing. No need to wax poetic here, just links so you can fall in love and spend some quality time with your new favorite LP.

Lightheaded – Good Good Great (Slumberland Records)

Mope City – Population 4 – (Tenth Court)

Blue Ocean – Fertile State (Slumberland Records)

A Beacon School – yoyo (Grind Select)

Half Dream – Will I Still Bloom (Self-Released)

Upchuck – Bite the Hand That Feeds (Famous Class)

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