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For most listeners, you’re probably expecting anything coming from Tim Cohen to somewhat resemble his haunting vocal performances from his main gig, The Fresh & Onlys. But, while that dark tinted vocal is still there, Tim’s been creating music on his own for some time, this being his second solo release in about a year (making that 3 in a year, all work included). Magic Trick establishes itself as his most timeless release to date, making Cohen a hot commodity in the small indie rock community.
“I Am Never Going to Die” sounds precisely like something your father might have listened to if he grew up in the late 60s. It was probably a track played by his roommate while they sat in some bong circle, promising one another that they were going to make themselves happy. Yet you won’t have to travel back in time to enjoy this piece, nor do you necessarily have to partake in recreational drugs; Tim’s music, as well as the themes throughout Magic Trick, apply just as much now as they did then.
The haunting vision of Tim Cohen that I have in my head revolves around those vocals, teetering on the edge of despair, such as you get on a song like “The Flower.” Still, even with his songs having this shady quality, a track like this reminds you of dark crooners such as Richard Hawley, giving you dense pop songs in a simply beautiful format. Similarly, “Ledgerdemain” operates in the same spectrum, using a heavy vocal to discuss themes of love as seen through one man’s perspective. The light piano touches and floating female vocal accompaniment definitely bring an extra punch to this number.
But, perhaps the most notable style present on Magic Trick are the allusions to the psychedelia of years past, only viewed through a more modern lens. It’s hard to go through listening to a track like “The Spirit’s Inside” without noticing the cascading guitars that go with the moody electronic piano. Not only that, but it hints back at those low-budget movies during the black-and-white era where your hero has a pack of cigarettes rolled up in his sleeve. “Season of Fires” definitely has some California vibe to it, almost as if it’s the long lost Doors demo, except a tad bit better, as Cohen’s a better poet in my mind.
One of the remarkable things about listening to Magic Trick in its entirety is that you want to put some many songs in certain generic boxes, pushing influences onto the Tim Cohen, but where he seems to have progressed greatly on this album are the darker pop tracks, like those mentioned above or the album closer, “I Looked Up.” Such touches of songwriting demonstrate that he’s more than just a one-trick pony. While it may seem that Cohen’s been around for quite some time, this record is the first one that really shows he’s heading in the right direction, even if we didn’t see them coming right away. Tim Cohen might be a man who loves the past, but he’s certainly the man of the moment.
[audio:https://austintownhall.com/wp-content/uploads/2011/02/Tim-Cohen-Dont-Give-Up.mp3]
Download: Tim Cohen – Don’t Give Up [MP3]
It’s been quite some time since we’ve had an official release from The Fresh & Onlys, despite getting lots from Tim Cohen and Wymond on solo projects. In my mind, the band are moving further and further away from their psych sound, which isn’t all bad, if you’re asking. Sounds like the band have sort of a rolling rock thing going, kicking out energy, though not going to heavy on the riffs; imagine a softer side of Terry Malts and you’ll get what I’m hearing. Wolf Lie Down is the band’s new record, and it comes out on August 25th via Sinderlyn.
