Sometimes you just want to drift off into the weekend; this track from Alabama’s Witch’s Wall should help you do just that. The notes are soft and gentle throughout, occasionally playful and purposefully thoughtful. A steadiness in the song’s craft allows for the vocals to come in like breaths of air, released into the ether and folding themselves into the melodic texture of the track itself. There’s a more pronounced pop sensibility in the song’s latter half, though a careful ear will still find the band meandering through the finer details just beneath the mix. Their self-titled will be out on April 3rd via Cornelius Chapel.
Subtle pop music is currently one of my favorite things; the sort of pop tune that’s unassuming, but just makes your soul feel good. That’s precisely the spot that this new single from Austin’s Robby hits with their new track “Stay Awhile” off their forthcoming LP, Impressions. The verses are steady, these careful little guitar lines mapping out the pop sensibility that comes in full during the choruses; I love the way the guitar has this gentle turn just before the words “stay awhile” are released. The band will be self releasing Impressions this weekend via their own label collective, No Wisdom; they celebrate the album with a show Sunday night over at Cheer Up Charlies with TVs Daniel and Lolita Lynne.
If you caught our brief wrap up of Levitation late last Fall, then you’ll remember that I raved about the performance of Tan Cologne; their live set was hand’s down one of the best sets I saw the entire festival. Today they’re sharing another single from their forthcoming Cave Vaults on the Moon in New Mexico. I’m totally captivated by the way the band use all the space in their songs; they’re crafting their own landscapes within the confines of their musical craft. You can listen and build your own imagery, or if you’re watching this video, let that suffice, but you’ll find yourself immediately immersed. The new LP drops on February 14th via Labrador.
Last summer, Cozy Slippers released a delightful 7″ for one of our favorite labels, KUS; we raved about it at the time…and I included it in my year-end indiepop wrap-up. Today, we get another chance to celebrate that release, with the band sharing a video for the B-Side “Will You Disappear?” The video was shot on phone cameras by the band in November as the group toured through the UK. You get a little bit of their journey, bringing you closer to the band, but also some live footage spliced in too! So go on, go on tour with Cozy Slippers and enjoy this little pop tune. Still a few copies of the 7″ that you can grab HERE.
Just in case you haven’t heeded my previous warning, you’re going to want to get to know Xetas this year, if they’re not already on your rock n’ roll radar. They’ve got a new video from their forthcoming The Cypher, and I’m freaking in love with this jam. It opens interestingly, with these jagged chords kind of building this nervous tension; it’s juxtaposed by the calm delivery of Kana’s voice, which quickly turns into an explosive howl as the band meets for the chorus. I think my favorite moment comes around the 2:03 mark with the line “have you ever watched the mountain range, change.” The full album is out next Friday via 12XU.
I’m totally in love with this brand new track from Pet Shimmers, the UK act who’ve just announced their debut Face Down in Meta. The song began almost immediately, and I was hooked right there. At first, it sort of sounded like a fuzzy indiepop song, which, of course, had my interest. But, as the song unfolded, the fuzz layer began to feel more like a gloss that coated the song, akin to something you’d hear on a Radio Dept. LP. So there it is, imagine a youthful vibrancy spun through the lens of cloudy pop purveyors and you’ve got exactly what you’ve been looking for all your life. Face Down in Meta will be out on January 31st.
In what seems like Christmas all over, the last several days have given me new music from Rosie Tucker…and now Flying Fish Cove. At Moonset was one of the great indiepop gems of last year, followed quickly by the En Garde EP, so being back at it again only means we’ve got more great music for our ears. A buzzy entry and light churning jangle open the scene with Dena’s voice soon joining; it rises up and down on the natural melody of the tune, warming you with its pop sensibility. Perhaps my favorite part of the tune comes in the middle where it’s just sparkling electronic notes and the strum of the guitar…a special moment for sure. The band pair this new single with a cover of Heavenly‘s “Shallow” off the excellent Heavnly vs Satan LP (1991), which you can find below the video.
Sometimes I think to myself that they just don’t ever make pop music like they used to, and then I’m hit with a song like this new one from Honey Cutt. The song jangles in all the right spots, with spot on bounce provided by the rhythm section. I love how there are two guitar lines, seemingly giving you two different approaches…one jangling and giving energy, while the other seems far more intent on wandering off, much like the song’s theme. It doesn’t hurt that Kaley Honeycutt has the most mesmerizing voice, the sort that sets indiepop hearts a flutter, sort of rising and falling in between notes. This is going to be one hell of a debut LP; Coasting is out March 13th via Kanine Records.
Admittedly, Pintandwefall were not on my radar at all until this year when they announced their new album with our friends over at the Finnish label Soliti Music. But, since then I’ve fallen head over heels for the band’s sound; I can’t help but think they’d be huge if the US/UK press caught on to them. This track opens in more of a brooding fashion, carefully moving before taking on heavier tones, though always employing great melody in the vocals. For me, the biggest success in this song, however, is the bits between the verses…space-y pop vibes galore. I promise you that you’re going to love Your Stories Baby, out next week!
Aside from the fact that I can’t stop giggling at the title of the new LP from Australia’s Girlatones, I’m totally sold on the opening single they’ve shared with the record announcement. It’s this soft bit of pop, crafted beautifully on the back of a piano, touched up with some light percussion and delicate little arrangements; I loved the crisp guitar notes at the 3 minute mark. Honestly, it kind of reminds me of the slow-core stylings of maybe Bedhead, though spun through a different set of influences; the song sort of builds and builds, peaking as the song draws to a close. Horn if You’re Honky will be out on March 20th via Meritorio and Lost and Lonesome.