Ismay Shares When I Was Younger

I don’t often gravitate towards live performance recordings, but it seems fitting considering the aims of Avery Hellman’s project, Ismay. The debut LP is filled with various field recordings and the trickling of nature, perhaps an homage to Hellman’s rural California upbringing, or perhaps just the lifeblood of humanity. For me, I was drawn to two things in this track: the vocals and the fingerpicking. The vocal delivery and storytelling reminds me of early Joanna Newsom; it’s distinctive and sort of takes on its own soul as notes land emphatically here and there, sort of rising and falling with each breath…not to mention the crystalline rise in pitch. In regards to the fingerpicking style, it helps the vocal delivery, sort of giving it a natural rhythm, or perhaps its the other way around; the accent from the fiddle/violin is an added bonus. This tune appears on Songs of Sonoma Mountain, out in February of 2020.

Good Morning Share Classic Quip

If ever there was a non-punk version of Parquet Courts, then that award would go to this brand new track from Good Morning, off their new LP. It’s weird, it has one foot in that sort of nonchalant cool, while also kind of looking back upon the dreaded “dole-wave” sound of the band’s homeland; I can even here parts, however, that sound an awful lot like they just picked up where Beat Happening left off. You just don’t come by good consistent pop bands nowadays, but this bunch has been doing it for sometime. Speaking of, today they release Basketball Breakups, and they’ll be in North America at the end of the month…so sample these tunes before they come to the streets of your town.

Charming Pop from Orouni

Perhaps the greatest thing about working on this site for the last ten years or so are all the incredible and kind artists who’ve reached out to say hello or share a song. This is exactly how I stumbled upon this special track from French outfit, Orouni. The band are pretty open about their affinity for Belle and Sebastian and the Divine Comedy, and you can hear that in the way they craft these broad sweeping arrangements behind simple vocal melodies; it sounds like a live film score written especially for you in your bedroom. The story behind this particular track was comes from a tale in the New Yorker about an employee stuck in an elevator for 41 hours. This is absolutely brilliant; you can find the tune on their latest LP, Partitions, available now from December Square.

Desert Souls Drop Turtle

It’s been a hot minute since I got excited about a band that brandished the sort of garage style that was popular all the rage upon its reemergence. Desert Souls, however, seem like they’re up to something great on this brand new single from the German outfit. Things seem all ramshackle and joyous from the get-go; it’s that classic train flying off the rails style we here at ATH enjoy. But, what sold me, was the hook in the chorus from the vocals. I love the way “me” gets stretched out higher, as it definitely got its hooks in me. This jam appears on the group’s mini-LP Back to the Coast, which is out next week via KUS.

Black Marble Drop Private Show Video

Can I not just have this whole Black Marble LP already? This is the third single from the forthcoming Bigger Than Life LP, and again, it’s sure-fire gem. I’m actually really drawn to the beats on this one; they have this energetic pulse faintly tinged with a darkness that seems to match the fogginess of the vocal delivery. It’s probably cliche at this point, but balancing of the light and dark is so well executed that you can’t help but be caught up in your own emotions. But, perhaps the most striking moment comes just before the 4 minute mark, when the song seems to be stripped of its energy, leaving you with heavy vocals draped across minimal notes; it’s a pretty special twist. This new LP drops on October 25th via Sacred Bones Records. Don’t forget the band will be in Austin for Levitation!

Loving Share Only She Knows

It looks as if I’m continuing with my Fall musical appreciation hour, following up the earlier Kevin Scoma tune with this new finger-picking slow burner from Loving. It’s the sort of fireside chat with your stereo you wish you could have throughout those cool Autumn nights, harmlessly lost on some wisp of air that finds its way to your ear. Every note is so careful, such attention given to each detail that it’s purposefulness evolves into this charmingly organic feeling. This is what you can expect from the band’s LP, out next year via Last Gang Records; they’re on tour through North America (Austin show at Hotel Vegas on 10/11) as we speak, with UK/EU dates throughout November.

Bodega Share Knife on the Platter

It’s good to see a band you enjoyed take a step to the side and start to flex their musical muscle. I love Bodega‘s brand of thoughtful art-punk, and while the lyrical content doesn’t seem to stray too far, the music we’re hearing from the band’s forthcoming LP definitely has the group reaching into new territory. Here we get to hear the band sit back and entrance listeners with Ben’s emphatic lyrical delivery while the rhythm section dims the room (as seen in the video, right?). The guitar work is still slightly angular, but it almost seems like a shiny accessory in the presence of this tune. The band will releasing their new Shiny New Model EP next Friday via What’s Your Rupture.

New Ditty from Joel Jerome

Joel Jerome first came to my attention long ago as one part of Dios, but like many things musical, I lost track of him, only to discover his work again recently as part of Dangerbird’s Microdose Series. The opening moments definitely feel like they look brightly upon Joel’s home of LA; there’s this natural sunshine coming through in the way he plays his guitar. There’s also some nostalgia, with some of his licks sounding a lot like Holly or Valens (to me anyways). About midway through the tune, Joel switches gears, slowing things way down, letting that guitar take on more emotion so as to match up with the vocals; it ends up being this slow burn out that beautifully wraps the track up.

Das Kope Shares New Tune

Always enjoy a good Das Kope tune. The Brazilian-born, LA-based artist has this way of flirting with dream pop under a funkier electronic guise, which helps me maintain my hipster cool while still dipping my toe in the electronic pond. This one’s no different, bringing that sort of coolly washed beach vibe into play, while still driving home this heavy beat that really grooves; I’m pretty sure its the perfect jam to open up on a Monday morning. There’s been promise of a full album worth of tunes before the 2019 year is up, though still no word on that as of yet, but in the meantime, I’m pretty sure you can start your day here.

Little Musket Share Fever Blister Video

When Little Musket released their Fever Blister EP this past summer, it got some rave reviews, with some nods from folks like Post-Trash who appreciated the band’s melodic take on grungy rock n’ roll. The EP’s title track has this sort of haunting tension, the vocals sort of feel like this singing seance, entrancing you with this softness just beneath the guitar lines with the drums far off in the distance. This mood’s matched perfectly in the video adaptation, with doll parts and skulls used in a stop-animation film in the attic room that always scared you as a child. Don’t be scared, as the band are willing to let it all crash in the song’s end, emphatically closing the tune out with guitar squalls that fade to a close. The Fever Blister EP is available now courtesy of Dadstache Records.

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