Last Week’s Jams, Today (6.13 – 6.17)

Well, we wrote up at least 25 fresh tracks last week, many of which we purposefully tried to make sure weren’t on all the other cool kid sites. That also might be why we missed a few that you’d expect us to cover. It was great to hear Cool Sounds taking some new risks for their new LP, plus we made sure we had that new Mary Onettes tune right up there. And, our old friends Big Bill dropped a new record, so we wanted to remind you of their gifts…and then, there were loads of other songs, meant to get you through those early Monday morning blues without having to think too much about what you’re listening to all day…just know it’ll be good.

Melodic New Tune From Worthitpurchase

California based outfit Worthitpurchase dropped this new tune called “Anne Hedonic” this morning and it seemed like a nice, mellow way to ease you into the afternoon. The track has a clear dream pop inspiration with its soft melody and bright vocals, but the combination of the driving bass throughout is what truly makes it a memorable tune. It gives it this catchy, thumping and bouncy feel. I hope you enjoy.

This track will be on a new release entitled Truthtelling due out August 5th on Anxiety Blanket.

Last Week’s Jams, Today (5.23 – 5.27)

Well, last week was a struggle. End of the school year, for two teachers, and well, then that other thing, so we barely got to the end of the week, let alone hit the musical stride with our usual fervor. So, our end of week wrap-up, which we give you at the beginning, is a little short. But, there’s new jams from great releases like R.E. Seraphin, Why Bonnie or Dehd, plus a rad new track off Hazy Sour Cherry‘s forthcoming LP for Damnably. And hey, you can never go wrong having a Tony Molina tune in there. So, here’s to one foot in front of the other with our favorite jams from last week.

Watch Worthitpurchase Calendar Talk Video

Ever listen to a song and you’re drawn in, but you’re not sure why? Well, that’s what happened as I watched this Worthitpurchase video, drawn in by the child-like imagery and the warmth of the guitar strum. Omar Akrouche’s voice has this haunting draw to it too, like some magical tractor beam drawing you into the fragility. While the song feels innocent and sparse, the band gradually layer the tune going forward, increasing the tension that allows for the group to create their own melodic cacophony near the tune’s end. If you’re into it, the group release Truthtelling, their new LP, this coming August via Anxiety Blanket.

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