Creating a Top 50 Albums list is never easy. You have to battle with what you think the world believes, and what you truly believe in your heart, to be solid jams. We have even more trouble because we have to three writers, all who have different ideas, and we have to make those ideas fit into a neat box. Well, we got it done, and honestly, our criteria was based on two things: how great we thought the album was, artistically speaking, and how long we listened to it without getting bored. That’s it. It’s fool proof; you might not like it, but it’s our list, so here it is… Read more
This appears to be the decade where people actively seek out the atmosphere of a quiet bedroom recording, as bands like Grizzly Bear and Fleet Foxes burst forth with warmth and comfort, the kind you would find beneath your Grandma’s quilt in your room. Unfortunately, Jason Quever and his band, Papercuts, have often been overlooked in the discussion, though few will feel that way when this record hits the streets.
You Can Have What You Want is the third proper full-length from Quever, and listeners will find that this is his most complete collection of songs to date. The songs are the most fluid he has composed, and they seem to courageously go from one shining moment into the next. Melodies rise just as you thought they’d fallen away, and it all feels as if a master architect assembled the songs piece by piece; everything on this record feels absolutely right.
Jason’s vocals sound amazing this time around, albeit a bit underdone at points. Some will find fault with this approach, as you must surely dig deep into your listening experience in order to grasp the lyrics, but most will find this aesthetic quite appealing whilst searching for their favorite tune as they rearrange their closet by color. Take “The Machine Will Tell Us So,” a song that meanders carefully through seas of organ and cymbal work, almost so quiet you can’t help but let wonder if the music is only in your head; then the chorus bursts in full of calming melodies, taking the song in an entirely different direction, though only for a moment.
Of course, Papercuts aren’t afraid to pick up the pace, at least musically. “Dead Love” and “Future Primitive” are both set back to back, which may be due to the fact that each of these songs call for a bit of toe-tapping, though one must only do so in place, as the vocals are not begging you to move about. “Future Primitive” is the first single from the album, and features a lot of the elements of the rhythm section of Jeremy Jay, only with quieter lyrics, if you can imagine that. Sure, it’s a standout track, but almost every track here shines in its own manner.
The title track to the album, “You Can Have What You Want,” is just yet another example of how beautifully Jason shapes his songs; he is able to fill up empty space with bits and pieces of vocals and instrumentation, all pushing the song to the fullest potential. Really, this is all one needs to ask of his or her favorite musician: can you get the most out of your song? The answer to that question, and in regards to this whole album, is a resounding yes! If you want something to listen to in your bedroom, this album may be the best one for your ear.[audio:http://austintownhall.com/wp-content/uploads/2009/04/papercuts-you-can-have-what-you-want.mp3]
Download: Papercuts – You Can Have What You Want [MP3]
Jason Quever has quietly been making waves under the moniker of The Papercuts. This track comes straight off their upcoming album, You Can Have What You Want, set to come out on Gnomonsong Records on April 14th. Just another song from one of our most-anticipated albums in 2009.[audio:http://austintownhall.com/wp-content/uploads/2009/02/07-future-primitive-1.mp3]
Download: The Papercuts – Future Primitive [MP3]