She & Him – Volume Two

Rating: ★★★☆☆

After a stunning debut that won over many a doubter, She & Him return for their second album, Volume Two.  You’d be hard-pressed to find someone who didn’t appreciate the first effort, at least to a certain degree, but would the yearning for a second helping of Zooey be nearly as fulfilling as the first run through?  Honestly, it’s probably equally as rewarding as the first record, but that gets lost in the fact that it doesn’t find the group really pushing any limits.

“Thieves” finds the duo transported to precisely the place where they left off, cashing in on our adoration for Motown girl-groups of the past or female country singers with lush orchestration.  While you can see that this was definitely mapped out a whole lot better, with Ward’s raspy whisper singing along during the chorus, it’s not too far removed from the last release, something that may trouble some listeners.

“In the Sun” displays Zooey’s vocal prowess.  Perhaps it’s not the most perfect voice of all time, but you’ll find it every bit as enchanting as you did the first time you heard her sing while watching Elf. However, it has to be M. Ward who steals the entire show here; his guitar work cutting in and out of the song definitely makes this a whole lot more memorable than some of the tracks you’ll hear this time around.

While the album opens with a more upbeat feeling, due mostly to predominantly featured piano, the warmer songs hold the bread and butter.  “Me and You” is probably the most simplistic song, yet the arrangement of the song, accompanied with slide guitar makes it extremely powerful.  She & Him back this up with “Going to Get Along Without You Now,” a song that definitely has a hint of playfulness to it, but Ward’s simple strumming holds the song in place, never letting it stray to far into the realms of kitsch.  Which is not how much of the latter half-of the album goes.

Perhaps the redundancy of the piano work here makes it all seem a bit too childish.  There’s not a lot of exploration on the keys, instead relying upon simple chord progression. While it was charming mixed in on Volume One, this time around it comes off as if the band has run out of ideas. You can contrast that with some of the simple guitar songs, like “Brand New Shoes,” which comes in near the end, and you can feel as if something just hits home with your heart when the piano is absent.

In the end, “If You Can’t Sleep” closes out the record, doing so in a bit of a different fashion.  The title definitely reflects the emotional appeal of the song, and the pacing, which makes perfect sense, as the band isn’t one to push boundaries too far.  All in all, Volume Two leaves you with the feeling that She & Him didn’t want to stray too far away from their original work.  That being said, a detractor here is that it doesn’t stray too far at all, and you get the feeling that this sits perfectly next to Volume One. It’s a pleasant enough listen, just one that isn’t nearly as exciting as the first time you heard Zoeey and Matt together.

[audio:https://austintownhall.com/wp-content/uploads/2010/01/She-Him-In-the-Sun.mp3]

Download: She & Him – In the Sun [MP3]

New Music From Unnatural Helpers

Unnatrual Helpers is a group of Seattle musicians who, after quite some time playing local live shows, are dropping some new 7″ vinyl records on indie label Hardly Art.  The first one will hit stores next week and features this old school garage rock single “Sunshine/Pretty Girls”.  Shortly thereafter in April, the group will drop another split 7″ with labelmates Golden Triangle and San Fran band The Fresh & Onlys.  Keep up the good work kids!

[audio: https://austintownhall.com/wp-content/uploads/2010/03/UH_SunshinePrettyGirls.mp3]

Download: Unnatural Helpers – Sunshine/Pretty Girls [MP3]

New Tunes from The National

This morning news broke of “Bloodbuzz Ohio” being leaked all over the net.  Being huge fans of The National, we wanted to run it, but it was a radio rip, so we hoped to bring you better quality.  Fortunately for us, the band posted the song on their web site, probably hoping people would get to hear the recorded version.  This song makes me really excited for the record, High Violet, which comes out on May 11th.

[audio:https://austintownhall.com/wp-content/uploads/2010/03/The-National-Bloodbuzz-Ohio.mp3]

Download: The National – Bloodbuzz Ohio [MP3]

SXSW In Pictures, Pt. 1

Ah yes so we finally made it through the SXSW week and everyone is secretly glad that we’ll have to wait another year before doing it all again.  Someone once said to me this week, “man this is like your World Cup huh?”, to which I said “hell yeah it is”.  That might be the understatement of the century…  So now that the week is behind us with ears ringing and our bodies not used to the lapse in alcohol intake, let’s follow the jump to re-live the week via amateur photography.

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SXSW Discovery: Grooms

With SXSW week now way behind us, I’d like to spend a little time touching on some of my favorite new discoveries from the week.  Often times you get so busy running around trying to see that new hyped band, you miss out on some great artists like Brooklyn band Grooms.  I sort of stumbled (and I do mean that quite literally) onto these guys while wandering into one of my favorite east side watering holes last Wednesday night, Long Branch.  This band, and their incredible drummer Jim Sykes, immediately blew us away with an intense live show.  After speaking to the guys after their set, I hear they have a new album out called Rejoicer which hit stores via Death by Audio back in October.  Late in the game on this one or not, I’ll be picking up a copy of their LP and keeping an eye on these guys in the future.  Below you’ll find album opener “Dreamsucker”.

[audio: https://austintownhall.com/wp-content/uploads/2010/03/Grooms-Dreamsucker.mp3]

Download: Grooms – Dreamsucker [MP3]

New Music From Blitzen Trapper

Hell yeah!  One of my favorite bands, Blitzen Trapper, are returning in 2010 with new album Destroyer of the Void.  Lead singer Eric Earley told us at ACL that the new album would feature more piano written songs and this new single “Heaven and Earth” seems to hold true to that statement.  I’ll be curious to see what else is in store for this much anticipated album.  Destroyer of the Void is out June 8th on Sub Pop.

[audio: https://austintownhall.com/wp-content/uploads/2010/03/Blitzen-Trapper-Heaven-and-Earth.mp3]

Download: Blitzen Trapper – Heaven and Earth [MP3]

Free EP From Stricken City

Seeing a sweet set by British band Stricken City at Red 7 during SXSW sort of reminded me of their existence and prompted me to do a little searching on the state of the band.  Much to my surprise, the band recently dropped a new 4 song EP which can be downloaded for free on their website.  Standout track from those recordings “Animal Festival” can be found below.  You can also find a couple of their older songs on our website here & right here.

[audio: https://austintownhall.com/wp-content/uploads/2010/03/01-Animal-Festival-1.mp3]

Download: Stricken City – Animal Festival [MP3]

Tre Orsi – Devices + Emblems

Rating: ★★★½☆

The burgeoning music scene in Denton, Tx has long been known for releasing quality music; Tre Orsi is apparently going to be another one of those bands.  Recently, they’ve gotten some press for their appearance on Casual Victim Pile compilation by Matador, but Devices + Emblems gives the group a more definititve sound.

From the onset of this album you can tell that there is a brooding sense of post-punk that lies beneath this record.  Repetitive angular guitars seem to drive the opener “Manumission” prior to the climactic break down that kick starts the rest of the number.  But, it’s “Engineer” that will undoubtedly grab your ear as it did mine.  For some reason, I hear a young J. Mascis wailing away on the guitars here, or at least in the vocals.   Still,  people will want to toss around Unwound references, which I suppose is relevant.

One of the things that just gets me here, though never quite fulfills, is the increasing tension that is built by piling guitars atop one another in a repetitive fashion.  But, while they could completely release the fury upon listeners, they use a bit of restraint–perhaps this a trait suggested by their producer Bubba Kadane.  I love it all, but give me a little bit of a yelp, or just  a nice solid scream.

What’s amazing on Devices + Ebmblems is how enthralling the record can be with just the simplest songwriting.  Nowadays, every record seems to need a touch of electronics or string arrangements ( I do like that stuff too), but a song like “Sargasso” desmonstrates that some bands don’t really need any of the tricks.  It’s refreshing to hear a song that relies a great deal on cleanly produced vocals with just a hint of some off-kilter intonation to drive the song’s message home.

Then again, perhaps this is just a record of nostalgic purposes.  It’s clear cut in its goal, and it doesn’t deviate too much from where it began.  You get guitars cutting in and out, along with moments that seem to build towards no ending.  Yet, in using this approach, Tre Orsi strays away from every mainstay in independent music.  They’ve got a stylistic approach that is all their own, but one that seems to echo every record in your collection from those teenage years.  By no means is this meant as a condemnation of the group, as I definitely have an affinity for this music, and this album.

Devices + Emblems is a record that wears its influences openly, leading you to walk down memory lane with Tre Orsi.  Still, something within this record is begging you to be pulled in (or it begged me), and you’ll find yourself enjoying every twist and turn of the guitar all the way until you arrive at “Declaring Space,” the last track.  It’s here where it all makes sense, it all comes together; the past, the present and the future unite for a really solid record.

[audio:https://austintownhall.com/wp-content/uploads/2010/03/02-The-Engineer.mp3]

Download: Tre Orsi – The Engineer [MP3]

New Tunes from White Fence

This is Tim Presley of Darker My Love.  He has a new project called White Fence, and this jam has been floating around all day, though I heard it just before SXSW.  It’s got a real dark psychedelic feel to it, and though comparisons have been made to Love, it doesn’t have that same sexual power as Arthur Lee, it’s a solid brooding mess none the less. I think you’ll dig it.  And if you do enjoy, look for an album in April on Woodsist.

[audio:https://austintownhall.com/wp-content/uploads/2010/03/white-fence-the-love-between.mp3]

Download: White Fence – The Love Between [MP3]

New Tunes from Teenage Fanclub

Great news out of Scotland today!  We’re proud to announce the return of Teenage Fanclub, who’ve taken a bit of time off.  They return June 8th with Shadows via Merge Records.  Listening to this single, it seems the band are at it again with their summery power-pop that shoots straight for the heart, or my heart at least.  Welcome back fellas.

[audio: https://austintownhall.com/wp-content/uploads/2010/03/02-Baby-Lee-1.mp3]

Download: Teenage Fanclub – Baby Lee [MP3]

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