Show Preview: Hex Dispensers and King Tuff @ Mohawk (1/26)

Date Wednesday, Jan 26th
Location Mohawk
Doors 900p
Tickets FREE w/ RSVP

Okay, you have to go to this.  First, The Hex Dispensers are one of the great bands in Austin, and I think they’ve been vastly overlooked.  It’s cool, you totally have the chance to make up for it.  Then, you can also catch opening act King Tuff, who’s been around for a bit kicking out the garage-y jams.  He recently put out a record with some friends as Happy Birthday, so if you remember that, you remember it being pretty solid.  And, you want the icing on your cupcake? It’s absolutely FREE, all you have to do is RSVP.  So, to recap, you get awesome tunes, and you don’t have to free. No excuses.  Here’s a track from Happy Birthday to get you in the mood.

[audio:https://austintownhall.com/wp-content/uploads/2010/03/01-Girls-FM-1.mp3]

Download: Happy Birthday – Girls FM [MP3]


New Music From Milk Thistle

Austin’s very own Milk Thistle recently release a new EP Dread’s Bloom that we ATH kids have been spinning around our offices.  They’ve got a great driving sound that hits straight in your chest with heavy bass and powerful vocals to boot.  Below you can find my favorite song by the band “Goldin Theng”.  If this one strikes your fancy, you can check out two more songs by Milk Thistle over on their bandcamp page.  I believe the Austin scene is gonna have a great 2011.

[audio: https://austintownhall.com/wp-content/uploads/2011/01/Goldin-Theng.mp3]

Download: Milke Thistle – Goldin Theng [MP3]

Braids – Native Speaker

Rating: ★★★☆☆

In this day and age of Attention Deficit Disorder musical consumption, there is something to be said about the first thirty seconds of any album. It’s supposed to be a slice of one of the best songs on the album, drawing people to listen to the rest. However, Braids don’t seem to think it is that important, or perhaps want dedicated listeners because they chose to leave the first thirty seconds of Native Speaker empty, save for some atmospheric sound – a sign of things to come.

A few more seconds pass and soft drums kick in and “Lemonade” gets moving, with the half whisper, half clear vocals of Raphaelle Standell-Preston propelling it onwards. It proves to be a simple, yet elegant song that echoes through the emission of heavy instrumentation. Then, they move to “Plath Heart,” in which the sweetness of Standell-Preston’s voice is shown. A trace of a yelp provides the perfect vocals to ride upon the calm and collected ripples of the song, which is the norm for the rest of the record. Another standout track comes later on with “Same Mum.” For a longer number, it holds the attention of the listener for all seven minutes and two seconds that it plays. The sharper clacking of drumsticks, and raised beat let the song move, as if an easily run marathon.

My biggest problem with Native Speaker as a whole is that it fades into the background all too easily. Something about the lack of variety, length of each song (some are over eight minutes) and amount of soft space allows this album to slip under the radar, instead of pulling me into their world of dreamy pop. Instead of packing a punch in this short album, Braids are as spacey as a band can get. They start with emptiness, end with emptiness and throw in some emptiness in the middle. If one were to listen to one track at a time, the lack of substance would be acceptable, as the songs themselves are not bad—contrariwise they are rather intriguing. With each additional listen, they grow on me, but I want more than small noises that fade when the song ends.

Don’t get me wrong, I really like this album, but as it meanders its way to finish, I get a little bored. The band just doesn’t show much versatility or variety, and the long songs work against them in that they stretch the separation of each song so thin that it becomes transparent, and everything blends together. As far as music that will knock your socks off goes, this does not fall under that category. However, if you are looking for something calm and soothing, perhaps the perfect accompaniment to a rainy day, then by all means, this is your album.

[audio:https://austintownhall.com/wp-content/uploads/2010/12/Braids-Plath-Heart.mp3]

Download: Braids – Plath Heart [MP3]

Show Photos: Get Up Kids @ Emo’s (1/22)

The ATH crew stopped by Emo’s on Saturday night for a show by one of our favorite old school bands The Get Up Kids.  Of course the guys incorporated several of their new tunes while still incorporating a lot of our old favorites from back in the day.  When the encore goes a little something like “Holiday”, “Don’t Hate Me”, “I’ll Catch You”, and “10 Minutes”, you gotta know we enjoyed our time at the show.  After the jump you can check out some photos of GUK and opener River City Extension by Brian Gray.

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I Was A King – Old Friends

Rating: ★★★☆☆

A few years back I Was a King burst into my life, and I couldn’t have been happier.  They recalled bits of my favorite under-appreciated band, The Comas, as well as hints of Teenage Fanclub.  On their latest outing, Old Friends, the group adds a few little twists to the foray, though nothing that ultimately changes the established sound of the group.

From the minute you get into opening track “The Wylde Boys,” you can tell that Old Friends will definitely have a bit of a facelift.  There’s this distortion/horn jam opening the track, and in fact, it probably detracts from the band’s meat and potatoes.  But, once the killer drumming jumps in appropriately and those warm hypnotic guitar lines clean things out, you’re in heaven.

Once you get into the nitty-gritty of the album, fans of amazing power-pop will definitely find themselves enjoying repeated listens.  “Echoes” has a great little stomping beat that supplies perfect opportunities for the guitar to wrap itself around your eardrums. These are the type of tracks fan of I Was a King were probably expecting from this record.  But, as much as these moments clearly leave you in love with the band, there are some disarming elements, at least as far as construction of the songs go.

Take the single, “Daybreak,” which would be one of my favorite songs, period, if you could only remove some odd things that just don’t belong.  First, you have that thirty second intro, seemingly belonging to a Beirut demo that made the trash.  Second, that damn horn! Why on Earth does a splendid band with incredible hooks add the usage of a horn to flesh out their sound?  It’s reminiscent of the time Cursive included horns to their post-punk sound; it doesn’t work. Some things are better left untouched.  Perhaps the band found themselves stuck in a rut, battling to push themselves in a new direction, but this might not have been the best direction one could go.

Excitingly, there are some new touches here that excite me, as a long time fan. “Snow Song” begins with some acoustic strumming, and Frode’s voice sounding as pristine as it does in the live setting.  It’s not straight-ahead power-pop, and it doesn’t have to be in order for I Was a King to pull it off.  This is something I probably wish the band realized more.  “Old Friends,” similarly has this great little bit of swing to it, and this cool, breeze-like vocal that accompanies the entire track.  It’s a great closer, and a great piece of songwriting.

Oddly, Old Friends is still a winning record.  There are a few miscues here and there, but even those odd spots don’t do enough to make you forget that the combination of melody and shredding guitars never sounded as perfectly as it does here.  And the drumming, the drumming is phenomenal.  I Was a King might have pushed themselves for this new record, and while I may not whole-heartedly agree with every step, I can appreciate spreading out into new territory.  As long as they can still write those power-pop hooks that win any reasonable listener over, they’ll continue to progress, and continue to make me a fan, day after day.

[audio:https://austintownhall.com/wp-content/uploads/2010/06/I-Was-A-King-Daybreak.mp3]

Download: I Was A King – Daybreak [MP3]

New Music from My Little Pony

Okay, so I may not be entirely sold on the entire name here, but at least the music is really good.  It’s one of the things I like a great deal about running this site: finding music I wouldn’t have heard otherwise.  This Oslo group are releasing their album Making Marks, which features the catchy little single we’re offering up here.  It’s light-hearted and warm, but most of all its sugary sweet, which is precisely what I needed to hear this evening.  And, the band apparently be making their way to Austin for SXSW, so now I have My Little Pony to get excited about before the festivities officially kick off in March.  Take a listen, then go ahead and smile.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/My-Little-Pony_08_Hard-To-Be-Good.mp3]

Download: My Little Pony – Hard To Be Good [MP3]

Iron & Wine – Kiss Each Other Clean

Rating: ★★½☆☆

Typically Sam Beam has been recording at home, with the help of friends and what not.  On Kiss Each Other Clean, his first album after his jump to a major label, you can tell that the big money definitely allows for more production, which at times might be to his detriment on the new record for Iron & Wine.  It’s a fine addition to his growing catalog, but that’s just it, it’s a fine addition, nothing more.

“Walking Far From Home” makes use of some atmospheric swells for the song’s opening, but once removed the piano laden track really shows that our excitement rests on Sam’s remarkable voice, though it has a bit less of that folk feel to it.  But, just as soon as you begin to get in the groove, Kiss Each Other Clean begins to wander in the opposite direction.

Experimentation is fine and good, but sometimes it can feel incredibly forced, and almost unnecessary.  On the record’s second track, “Me and Lazarus,” that’s where I get a little skeptical on Mr. Beam’s intentions.  There’s some saxophone solos, weird blips and inserted noises, and for me, it just doesn’t seem to fit with the Iron & Wine I’ve come to experience.  Now, I’m not banning growth or pushing your artistic tastes, but some formulas are better left unadorned.  “Tree by the River” comes off as the sort of thing someone would hear at a church-camp, using gospel-influenced backing vocals.  Once the song gets kicking, it sounds rather ordinary, almost like a mundane radio single, which is precisely what I never hoped to see from Sam Beam.

Don’t get me wrong here, there are some tracks that I’d probably consider some of my favorite from Iron & Wine.  “Half Moon,” for instance, is probably the first time through Kiss Each Other Clean that you really get the intimate vibe from Sam, which might be a bit late, considering it’s placed in the middle of the record.  That lightly soloing in the background provides just enough extra texture to give the song more depth, and its more of the direction I hoped to see throughout.  Perhaps it is the moment when he seems the most exposed where Beam is able to win over the listener.  “Godless Brother in Love” reminds me of something I would have expected Jeff Buckley to be writing in his bedroom without his lush production.  Emotion pours out of this song, and that’s what you expect from something, or someone, with such great power. When Sam’s voice goes into that high pitch, it just sucks me right in to the song.

Surely people won’t hate this album at all, but it definitely stands out as having some disposable tracks, such as “Big Burned Hand, with all its sax squawking. Kiss Each Other Clean has shining moments, as previously mentioned, but one is left to feel that various experiments might have gone a bit too far in the long run, leaving the record sort of standing there.  For Iron & Wine, it’s the first time I feel as if he’s really middle of the road.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/002-Tree-By-The-River.mp3]

Download: Iron and Wine -Tree By The River (Daytrotter Session) [MP3]

New Music from Glasvegas

It’s been quite some time since anyone has heard from Glasvegas, one of our favorite bands from 2009.  They’ve got a new album coming out in approximately 70 days according to the band’s site, and it’s titled Euphoric /// Heartbreak \\\ Album.  One change is the band’s line-up, which now includes a new drummer.  That’s definitely going to change their sound a slight bit, probably making it a lot more dense, which you can hear by listening to the first single from the album, “The World is Yours.”  Our hopes are that this record is an engaging and full of bombast as their last effort.  Fingers crossed ladies and gents.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/Glasvegas-The-World-Is-Yours.mp3]

Download: Glasvegas – The World Is Yours [MP3]

Show Preview: Best Coast & Wavves @ Emo’s (1/25)

Date 1/25/11
Location Emos
Doors 9pm
Tickets $18 @ Ticketweb

The show every indie blog fan boy has been looking forward to for weeks is finally going down at Emo’s this Tuesday night.  The show I’m talking about is of course the Best Coast and Wavves show with fellow blog buzz band No Joy opening things up.  This should be one you won’t want to miss out on.

[audio: https://austintownhall.com/wp-content/uploads/2010/06/19-Our-Deal.mp3]

Download: Best Coast – Our Deal [MP3]

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