New Track from Pursesnatchers

I’ve been aware of this band for some time now, anxiously awaiting the chance to introduce them to you.  Pursesnatchers began as the project of Doug from Dirty on Purpose, who I loved, but soon his wife Annie from Au Revoir Simone joined in to round out the project.  The band releases its debut, A Pattern Language on Uninhabitable Mansions July 19th, which based on this first single is going to be every bit as exciting as I hoped. It features the soft vocals of Doug, occasionally joined by his wife, and this rolling drum beat that allows for the guitars to build throughout the entire time, rising and crashing, creating a great bit of energetic sound scapes. Better get ready folks, this band is on to big things.

[audio:https://austintownhall.com/wp-content/uploads/2011/05/pursesnatchers_baseballontheradio.mp3]

Download: Pursesnatchers – Baseball on the Radio [MP3]

New Single from Radical Dads

A month or so ago I tossed out a track from Radical Dads, a new up-and-comer who had caught my ears.  They had released a few tracks/singles, but now they’re premiering the first track from their upcoming album Mega Rama, which comes out June 14th via Uninhabitable Mansions.  This song has this cascading pop element, rising and falling all the way to it’s end.  Vocals have a bit of youthfulness, even when the screech of the climactic moment joins the track.  If this is any sign of what we can expect from Rad Dads, then sounds like we’re in for an enjoyable record we’re all sure to love.

[audio:https://austintownhall.com/wp-content/uploads/2011/05/6297184.0.mp3]

Download: Radical Dads – New Age Dinosaur [MP3]

New Music From John Lamonica

Way back in December, I shared a demo track from an old favorite of mine John Lamonica.  Well now Mr. Lamonica has himself a new album entitled Volunteers that just dropped in stores recently on Moodgadget Records.  The new album features the same electronic style that we’ve seen from Lamonica as of late and could be one of those underrated albums from the year that everyone needs to listen to.  Below we’ve got one of the tracks from the album for your enjoyment “Heartling”.

[audio: https://austintownhall.com/wp-content/uploads/2011/05/johnlamanica_heartling.mp3]

Download: John Lamonica – Heartling [MP3]

Okkervil River – I Am Very Far

Rating: ★★★★☆

Anytime you get an Okkervil River album, you know that you’re going to be in for a quality listen.  Carefully orchestrated songs are wrapped in dense lyrics, though we’ve grown accustomed to some sort of thematic representation on each album–not the case here, though that’s irrelevant in the long run.  You can see sort of a re-imagining of the band’s sound, as I Am Very Far goes much further than the territory previously danced around on earlier works.

You open the record with a bit of noise teetering, but it’s the hard-hitting echo of the snare that brings in the song, just as Will Sheff begins his discourse.  One of the elements that will immediately stick out is how far the production and orchestration has come since the early days–just take a listen to the string arrangements and piano pieces added for textural purposes. As you begin to take your journey with I Am Very Far, you get what seems like a much more playful Sheff, in so far as his vocals hit varying ranges.  He opens with a bit of an off-key croon, which provides a bit of swing to it all, though the greatest quality of the past that seems to return is the raw edge of his vocal, scratching at your ears; this has been a quality he seems to have put to rest with recent releases like The Stand-Ins and The Stage Names.

What’s surprising this go round is how comfortable Okkervil River seem on the gentler tracks throughout this collection.  In the past, they occasionally came across as afterthoughts, or pieces that fit the greater story, but stripping thematic story lines away apparently has allowed for songs like “Lay of the Last Survivor” to take the spotlight.  Here you have a completed song, something where the finer details fill out the empty space, giving more depth rather than just rely on Sheff’s unique voice.  “We Need a Myth” similarly gives the band room to elaborate on the sound of the unit as a whole.  Piano topping strummed guitar with echoed vocals really allows for the song to make its mark, moving the band’s sound further than many have come to expect.

And by this point you’re half way through with your listening experience, and it can only get better, remarkably.  “Your Past Life as a Blast” may not sound entirely like Okkervil River, but that’s precisely what allows for this record to really make a statement as to where the band stands currently.  Even the single from I Am Very Far, “Wake and Be Fine,” has a ferocity to it that we haven’t seen a whole lot from the group, with Sheff’s vocals coming off a lot more forceful, while the rest of the group keeps things balanced.  Be sure you don’t skip the closing moments of “The Rise,” perhaps one of the shining moments in all of Sheff’s writing career.  It all stands to say that this is a band that we thought we knew well, and we thought we knew just what to expect.  But, a few tweaks to the system have created a record that is very far from where the band seemed to have been, giving us all an entirely new Okkervil River to enjoy over and over again, down the river of golden dreams.

New Tune from Cloud Control

We’ve been huge supporters of Australia’s Cloud Control, so much so that we had the group play our SXSW Party this year.  Lucky for us, the band are gearing up for a brief trip to the States this summer while they focus their work on their upcoming debut, rumored to be out later this year.  It’s tracks like this new one, with it’s amped up folk tendencies that really got us hooked on the group, giving them a place in the purgatory of indie realms, dwelling somewhere between pop gems and folk revisionists.  You give us stomping percussion, clear guitars and some juxtaposed male/female vocals, and we’ll gladly swoon over anything you toss our way. Thanks again Cloud Control.

[audio:https://austintownhall.com/wp-content/uploads/2011/05/Cloud-Control-Meditation-Song-2-Why-Oh-Why.mp3]

Download: Cloud Control – Meditation Song 2 (Why, Oh Why) [MP3]

Show Preview: Fleet Foxes @ Stubbs (5/10)

Date Tuesday, May 10th
Location Stubbs
Doors 700 PM
Tickets Sold Out!

There’s a reason this show is sold out, that being that Fleet Foxes are one of the hottest bands around, even though they seemingly disappeared for several years while recording Helplessness Blues. All that extra time led to the crafting of a magnificent album, filled with those warm harmonies and folk stylings, better than practically anything else out there. You won’t just find one great band, however, on this bill, because Cave Singers are a phenomenal act in their own right.  They released their third album, No Witch, and it established the band as one of our favorites here at ATH.  You might not be able to buy tickets, but you know there will be tons of folks trying to earn a buck by scalping a ticket or two.  If you got one, you’re lucky, if you’re looking, keep on, as this show aims to be nothing more than one of the most remarkable nights in Austin.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/FleetFoxes_HelplessnessBlues.mp3]

Download: Fleet Foxes – Helplessness Blues [MP3]

New Music From Planningtorock

So here’s a new song from Janine Rostron and her awesome/weird musical project known as Planningtorock.  The song below falls into that odd and tiny musical genre I like to call “horror pop”.  Only a few bands (The Knife.. duh) come to mind that can create this sort of haunting vibe with their music while still incorporating some unique pop tendencies.  This new song “The Breaks” will appear on the new album W coming your way May 24th on DFA Records.  I also recommend checking out the new video for this song which will haunt your dreams at night…

[audio: https://austintownhall.com/wp-content/uploads/2011/05/Planningtorock-The-Breaks-esau.se_.mp3]

Download: Planningtorock – The Breaks [MP3]

Show Preview: Junip @ the Mohawk (5/10)

Date Tuesday, May 10th
Location Mohawk
Doors 630 pm
Tickets $12 from Transmission

Most people might not recognize the name Junip, as it hasn’t quite become a household name, but surely you’ll all recognize one of the principle songwriters in the band, Jose Gonzalez.  The Swedish group is coming to the Mohawk to support the release of their recent Fields LP, a collection of beautiful songs that quietly sank deep into the souls of every listener.  The likelihood of a cool Spring breeze blowing into town as the band takes to the stage only makes this opportunity for music all the more special, matching the music with its seasonal counterpart.  Not only will you fall in love with Junip, but you’ll also have a chance to see Acrylics, the NYC band steadily building themselves their own reputation.  Just another great night of music in Austin.

[audio:https://austintownhall.com/wp-content/uploads/2010/08/rope_an_summit.mp3]

Download: Junip – Rope and Summit [MP3]


Other Lives – Tamer Animals

Rating: ★★★★☆

Originating in Stillwater, Oklahoma several years back, Other Lives are definitely a band you want to discover, if you haven’t already. Their sweeping and dramatic music was first introduced back in 2008 with an EP that consisted of some demos, as well as a taste of their true form. From there, they had me hooked, but some people are a little more picky about their musical appetite. However, I think it’s safe to say that if Other Lives didn’t have you after their first EP, or even their stunning debut, they should definitely have you at the end of Tamer Animals.

The album begins at a slow creep, as per suit of this band. Musically, the tempo may be slow, but it’s nowhere near boring or banal. Instead, they begin their assault on your being. “Dark Horse” starts with some clicky-clacky percussion, and the song builds on itself quickly to a slight crescendo, strings and all, at just over the minute mark. Then the sound cuts out for an instant, and Other Lives begin again. Jesse Tabish leads the way with his alluringly sinister, yet tender vocals. His voice has a very cohesive quality about it that allows it to coat the space in between the sprawling violin or jangly percussion in an epic light.

Following the opener in the song number two position comes “As I Lay My Head Down,” which picks up the pace, but does not skimp on the beauty that this band is so good at. It ebbs its way between sizzling and then cooled, trading back and forth with strings and pattering percussion. But Other Lives don’t stop their ascent to intense and moving music here. They continue this excellent two-song steak with a third: “For 12.” On this one, you have the gentle guitar pulling at the back of your mind, while the “oohs” combine with instruments to give a spine tingling effect. Whether this band knows it or not, their efforts are extremely goose bump-inducing.

So when Other Lives reaches the fourth and title track, “Tamer Animals,” there is no surprise that it’s love at first listen once again. With its faded and fuzzy drums and omnipresent piano, it’s as close as this band gets to pop without losing their epic-ness. Like the first four tracks, the rest of the album follows suit: cathartic, and mildly explosive.  Highlights include “Old Statues” and “Heading East,” both of which encompass the delicate elegance that is so pertinent to this band. To be honest, I didn’t find a track that I didn’t like; they were all that good.

Despite its name, there really isn’t too much “tame” about this album. Other Lives have evolved into a more confident beast here than that of their previous works, but they still keep a firm grasp on such a swelling sound.

[audio:https://austintownhall.com/wp-content/uploads/2011/05/otherlives_tameranimals.mp3]

Download: Other Lives – Tamer Animals [MP3]

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