Cool Old Jam from The Barbaras

Well, this is an old song, but it’s probably going to be brand new to those of us outside of Memphis who hadn’t heard of The Barbaras.  Legend has it that Jay Reatard recorded the band, which featured Steven Pope (of his then touring band), but in anger told the band he scrapped the recordings.  After his unfortunate demise, these tunes resurfaced on some of Jay’s old recording equipment, and the great people at Goner Records are going to be releasing the collection, The Barbaras 2006-2008, on October 30th.  This track’s definitely made its way onto my daily playlist, and it has a mellower tone than some of the other tracks, just showcasing the songwriting of the group during their prime. Take a listen.

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Show Preview: Matthew Dear @ the Mohawk (10.24)

Date 10.24.12
Location The Mohawk
Doors 6:30
Tickets $13 from Mohawk

Wednesday night is full of good solid shows, but one of our highlights for the week is Producer/DJ Matthew Dear.  He’s blowing into town in support of his popular new record, Beams; he’s sure to provide you with your midweek energy!  But, if that wasn’t enough, he’s bringing Outputmessage along with him, but you need to definitely get there at doors because one of Austin’s most exciting acts, Orthy will be opening the night up just before the group heads out on a nice East Coast tour.  Those of you with the dance/electronic leaning, this is the place you’ll want to be.

[audio:https://austintownhall.com/wp-content/uploads/2010/07/matthewdear-soiltoseed_1924328.mp3]

Download:Matthew Dear – Soil to Seed [MP3]

Oh, and hang around inside afterwards to check out Dignan Porch.

Delay Trees – Doze

Rating: ★★★½☆

When I first got hold of the new album from Finland’s Delay Trees, I focused on the most recent single, “Hml,” which might have left me a bit misguided.  That track carries with it a certain resemblance to ambling pop music of the day, but the rest of Doze is a slumbering beast of down-tempo melodies and beautiful tapestry.

“Decide” opens the record, and from the minute you press play, you begin to lose yourself.  Your speakers have a slight rattle, guitar chords are picked so delicately that they seem to float in the air, and Rami’s vocals drift eloquently in the far off distance.  On this statement track alone, Delay Trees aims to take you on a journey, musically speaking, carrying you on the wings of their harmonies into a distant land of pop resilience.  This is when the album begins to really take off, pushing your emotional state beyond recognition, into a hazy world of bliss and relaxation.

The pacing of “Dream Surfer” is, again, rather slow, but it allows for a building sensation created by the vocal and the guitars, which creatively begin to ring brightly around the 2.5 minute mark, only to soften into the distance.  And on comes “Hml,” a track that encourages both thought and toe-tapping; it’s a song that accomplishes that rare feat of contemplation and energy.  For me, this is definitely the standout of Doze, though it might come a bit too early for some listeners.  The elegant harmony of the vocals drew me immediately, both in their effortlessness and shifting of pitch.  If you do anything, let your mind drift away with this tune immediately.

Delay Trees provide you with a touch of respite, offering the instrumental “Glacier” before moving on towards their 8 minute opus, “Pause.”  Trying to write about this track has proved fruitless through countless revisions.  At times, I hear faint hints of a dream pop version of the Flaming Lips, yet other times I see myself traipsing through the snow-covered woods in Yellowstone…that is until an electronic pulse kicks in. Even with that throbbing, I’m still lost in the landscape of my own mind.  But all is returned to normal during the following track, “Future,” which has the most pummeling rhythm of anything on Doze.  It’s coated in a foggy haze, holding onto the group’s aesthetic tendencies, yet it’s the most rocking song, giving you just a glimmer of a group still looking to forge new ground.

Ultimately, however, the group is more comfortable having you drift away peacefully with them.  “Only the Stars” is another long number set at the penultimate spot, encouraging more meandering of the mind, but your patience will be rewarded with a beautifully crafted tune yet again, so stay tuned. It just illustrates that Doze is an album that requires full participation from the listener.  Such records are not always immediately gratifying, and often turn the audience away, but those with time and care will find themselves lost in the marvel created for us by Delay Trees.

[audio:https://austintownhall.com/wp-content/uploads/2012/09/03-HML.mp3]

Download:Delay Trees – HML [MP3]

Doze is out now via Soliti Music.

More New Music From Wild Smiles

Only about a month ago, I posted a sweet new tune from Chris Peden and his new project known as Wild Smiles.  Last time I really enjoyed the hazy summer feel to the tunes which is still apparent here with a major rock riff mixed in as well.  Right around the :50 mark this song turns in to quite the rocker.  It’s one hell of a jam.  Stay tuned for more from this promising artist.

[audio:https://austintownhall.com/wp-content/uploads/2012/10/Care-about-me-mm2.mp3]

Download: Wild Smiles – You Don’t Care About Me [MP3]

Bat For Lashes – The Haunted Man

Rating: ★★★★☆

If you’ve been paying attention to the state of music in the indie world, it should be apparent to you that there has been a rise of the powerful female archetype. This year, there have been a number of powerfully female-centric albums that have been released—names such as Cat Power, Metric and Beach House come to mind. Natasha Khan is no stranger to the music scene either—this is her third studio album under the Bat For Lashes moniker, and shows a vast amount of growth for Khan. Stripped down and reliant on vocal power, The Haunted Man is work of fine production and even finer artistry.

At a little over fifty-one minutes, this album is epic in nature, but is gripping upon first listen—it just depends at which point in your first listen that you yield to Khan’s enchanting spell. Some will fall in love upon hearing the opening number to the album, “Lilies,” which is a softer number for Bat For Lashes upon surveying the whole album, but still holds the understated power of this female. The number begins quietly: minimalistic instrumentation of synthesizers and other electronic sounds are held together with Khan’s voice, which easily explores her range. As it progresses, the song builds upon the instrumentation, adding in orchestral sounds to the electronic beat to give it the signature electro-bohemian pop sound.

But if the first four numbers haven’t called your attention to Bat For Lashes, “Laura” ought to, or perhaps you should stop listening. Fairly hard to ignore, this track gives listeners a bit of a break from the pulsating beat that his been effervescing in the backdrop of previous songs and allows you to really focus on what is the main-event of this album: Khan’s vocal strength. Lana Del Ray done right, the song doles out a raw cut of emotional vulnerability that pulls at your heart. It’s quite a dramatic number, tough to follow, but “Winter Fields” does a good job at transitioning to the rest of the songs with it’s mellow, pan-flute sounding intro that transitions into a driving rhythmic section. Another song with overt rhythmic dominance comes a little later with “Marilyn,” whose drum machine beats will have you grooving right along.

With each and every twist and turn of this album, Khan is there with you, her strong presence serving as a guide to traverse the electronic as well as stripped down tunes that are found on The Haunted Man. All the way through its duration, the energy level never falls, or loses your interest. So sit down and have a listen, or maybe a few listens, to this release—maybe you won’t be sitting for too long.

Show Preview + Ticket Giveaway : Woods @ Red 7 (10.24)

Have we got a deal for you !? The great people of Transmission are allowing us to help you get out and see one of the most anticipated shows of the season, Woods over at Red 7.  Their recent release, Bend Beyond, is absolutely magnificent, and I have a feeling it will make a lot of year end lists.  But, if that’s not enough to convince you, you can also see Widowspeak, a Captured Tracks act that made my list of favorites at SXSW this past year.  Oh, and local group Hidden Ritual is setting things off right as the opening slot!  All you need to do is leave a comment with your most anticipated Fun Fun Fun Fest band, and we’ll pick our favorite and let you have 2 free tickets to Wednesday night’s show. Doors are at 9 PM, and for those just wanting to buy tickets they’re $14 at the door.  Contest ends Wednesday at 8 AM.

[audio:https://austintownhall.com/wp-content/uploads/2010/06/woodsimnotgone.mp3]

Download: Woods – I’m Not Gone [MP3]

New Jam from The Sea Life

There’s tons of bands out there with the “sea” being used in their name, and here’s yet another one to add to your list, The Sea Life.  The DC group has just released their newest album, In Basements, which is really a great listen.  After a few EPs, the band really has come into their own, sounding confident and tighter than ever on this release.  The track below has this great guitar line that flirts with 90s alternative nostalgia, but the fuzzy vocals provide a more modern spin on things.  You’ll find other tracks similar to this, but also more creative pop tunes holding this release together.

[audio:https://austintownhall.com/wp-content/uploads/2012/10/The-Sea-Life-In-Basements-02-Surf-Rock-Nine.mp3]

Download: The Sea Life – Surf Rock Nine [MP3]

Show Preview: JEFF the Brotherhood @ Stubbs (10.22)

Date 10.22.12
Location Stubbs Indoor
Doors 8:00 PM
Tickets $10 from Stubbs

I can’t imagine how loud it’s going to be inside Stubbs tonight, but I have a feeling we’re all going to need some ear plugs to catch this great rock show over at Stubbs.  First on the bill is Jeff the Brotherhood, who’ve nailed down crunchy guitar rock with powerful hooks and anthemic lyrics on albums Hypnotic Nights and We Are Champions.  Then you have Diarrhea Planet, who definitely have a taste for the distorted guitar sound turned all the way up.  And you can’t go wrong by showing up early to catch locals Low Times! If you need a little bit of noise and a lot of fun, see you at Stubbs.

[audio:https://austintownhall.com/wp-content/uploads/2011/04/04_Shredder.mp3]

Download:Jeff the Brotherhood – Shredder [MP3]

New Heartfelt Tune From Steffaloo

This subdued little number “Cant You See” from singer/songwriter Steffaloo has been getting me through a lazy Sunday so I thought I’d share it with you on today.  It’s a quiet song that’s going to take some repeated listens for you to really appreciate it, but I’m sure after a few spins you’ll pick up on the beauty it creates just as I have.

A new album from Steffaloo entitled Would You Stay is coming out tomorrow on Mush Records.

[audio:https://austintownhall.com/wp-content/uploads/2012/10/Steffaloo-CantYouSee.mp3]

Download: Steffaloo – Can’t You See [MP3]

Have A Nice Weekend

We have a brief break from festival shenanigans. Hard to believe we are done with the “old” ACL. Fun Fun Fun starts in a day under two weeks.

Here is a track I heard a few days ago that is perfect for the middle bits. Perfect for morning coffee or the last thing to listen to before going sleepy time. It is a another new one from Teen Daze off of The Inner Mansions, a release due on 11/6 that I am really looking forward to…

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