Pulsing New Tune from My Gold Mask

mygoldmaskPersonally, I’m struggling this week.  It’s my last week with my students, and as 13 year olds, they’re likely to be a little rambunctious, so I’ve got to match their energy.  This new tune from My Gold Mask does just the trick, with a pulsing rhythm that moves the song forward.  Gretta sounds a little bit bratty, but in that endearing sense that empowers women and makes boys swoon.  There’s moments of this track that remind me a bit of Raveonettes, but of course, if you up the dance attitude.  Expect a new album from the group later on this year.

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Gold Bears – Dalliance

dallianceRating: ★★★★☆

When I first received Dalliance in the mail I had to go back and listen to the debut, Are You Falling in Love.  It reminded me of just how great the songwriting was, though I felt the first LP was a bit uneven in spots.  On the return for Gold Bears, this is not the case; the songs here are successful in every single way, with not a single throw away of the eleven tracks present.

Dalliance opens where Are You Falling in Love left off, starting things with “Yeah Tonight,” but this round you’ve got an immediate winner.  The idea has been shortened, pounding away from the instant you press play.  It doesn’t hurt that singer Jeremy Underwood is balanced out here by Emma Kupa (formerly of Standard Fare), as her presence provides a nice sugary dosage to a track noisily rocks from the get-go.  Screeching guitars await around the bend with “Chest.” It’s reminiscent of The Thermals at their best, offering up punk intensity with hints of pop sensibility that make the song an undeniable hit; you’ll want to blast this with the windows down.

But, while this new album from Gold Bears kicks you in the face, musically speaking, you’ve got to have a proper amount of balance; they accomplish that perfectly with “I Hope They’re Right.”  It’s a ballad with a distorted guitar rocketing through the background, while a female vocal harmonizes perfectly with Underwood.  It’s a nice bit of respite, allowing listeners to catch their breath for a short instant.  Surely the gentle quality of this tune will illustrate just how far the songwriting has come since the band’s inception.  It’s similar in approach to “Hey, Sophie,” at least in so far as both songs are meant, in my eyes, as breathers.  They introduce soft moments, though “Hey, Sophie” uses more of a ringing circular guitar approach as opposed to a stretched out ballad with guitar accents.  These songs tie the record together; they still hold to thematic points, but they give you a different approach from which to view the band.

Still, Dalliance succeeds the most when it’s loudest, and no song illustrates that point more so than “For You.”  As soon as the words “you’re a mistake” are uttered, the song comes crashing in.  Drums pound and guitars course through your ears with ferocity, though I think there’s a definite infectious quality in the delivery of the vocal.  At the point of writing, it’s probably one of my favorite tracks of the last few months.  I especially appreciate how the song’s energy fades away into the back of the track; it’s a touch that I wasn’t expecting, but that caps off the tune in way that’s indescribable.

Gold Bears had the tunes long ago, but I feel that Dalliance is the record where it all seems so right.  There’s a vitality in the album that provides a connection with the audience; it refuses to fade.  You can turn it up loud when you need to rock out, or you can have it as the perfect  background to a backyard gathering, but regardless, you’ll feel this record crawl beneath your skin, inserting itself, permanently, into your consciousness.

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New Music from Guy Blakeslee

guyToday seems to be one of those days where our tracks are by artists who’ve stepped out of the shadows of other projects to make a go on their own.  Guy Blakeslee is no different, putting out his first record outside his other act, The Entrance Band.  I really like the vocals on this number; they seem to come close to straining Blakelee’s voice, yet they’re held, just under. Musically, the song’s a bit of a drifter, with the guitars seemingly pushing themselves in and out of the picture; it’s a stunning effect. His solo effort, Ophelia Slowly, will be released on June 10th via Everloving.

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Liam Betson Returns with New LP

liamLiam Betson once played guitar in Titus Andronicus, and while you can definitely see remnants of his foray in that outfit in this tune, it’s nice to see that the sound takes on a bit of new direction.  The vocals definitely harken to the TA days, at least in the way they were recorded, but the guitar takes on a different tone entirely.  The tone takes on a nice bit of twanging dream pop, with guitars cascading all over the tune.  He’ll be releasing this new batch of songs on The Cover of the Hunter, which is being released on July 22nd.  Take a listen.

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Gentle Number from Globelamp

globelampThose of you who followed Foxygen‘s rise to fame might recognize the name of Elizabeth La Fey, who was part of the group early on.  She’s now stepped out into her own world as Globelamp, creating some really special pop songs that illustrate just how strong a songwriter she is on her own.  This track spans over 5 minutes, and while there’s possibilities that that could wear on listeners, she manages to capture your attention from the get-go, dragging you along into quite a special world of careful guitar playing and proper accompaniment. Her album Star Dust will be out this week via Gazelle Recordings.

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New Jam from Steve Adamyk Band

steveadamykEarlier this year I ran into a new 7″ from Steve Adamyk Band.  I was immediately excited, as a new single usually indicates a full-length is on its way.  That was just the case, as Dirtnap Records have announced that they’ll be releasing the new record from the group, Dial Tone.  This track is quick and to the point, which encapsulates my ideas about the group; they offer up a good dosage of punk rock in quick spurts, always bringing hooks that make their albums playable time and time again.  You can get your copy of the record on July 1st.

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Eureka California – Crunch

eureka3Rating: ★★★½☆

Once in a blue moon you stumble across an album that defies the odds.  You might recognize bits of various genres within this sort of album, but every song sounds completely refreshing.  You’ll get precisely this when you listen to Crunch, the newest album from Athens’ Eureka California; they’ve created a pop rock record that doesn’t give a fuck if you like it.

One of the great attributes, of which there are many, on Crunch lives in the fact that only one song on the album breeches the 3 minute mark, with most falling far short of that mark.  Take the opener, “Edith” which is finished in just under a 1.5 minutes, as an example; it’s a jangling rocker with a nice little bounce, but rather than hit you over the head with redundancy, Eureka California quickly gets to the point, then wraps it up.  This is a tactic that’s used far too rarely nowadays, as many bands want to make sure you acknowledge their musicianship.  Here it’ll allow you to bob your head to track after track, never tiring of a single note.

Still, you can’t just rely on short bursts of joyous pop, you’ve got to have great songs tune, and they’re filling up this entire album.  I love “There’s No Looking Back,” opening with a casual chugging riff and vocals, but as you’re growing accustomed to the tune, it blasts off furiously into a more ramshackle version of itself.  There’s also “This Ain’t No A-Side,” which might be one of the album’s better tracks.  It uses a little bit of fuzziness on the instruments, while holding onto this youthful vibrance that burrows into your eardrums.  And you can’t forget the lead single from Crunch, “Twin Cities.” This song in particular gathers all of my favorite bits of the band and throws it into one song; there’s hooks in the vocals, well-executed guitar riffs, various movements and it all seems like the band is on the verge of falling off the tracks.

There’s a reckless abandon to the entirety of Crunch.  After many many listens it seems like the group got together to bang out the loudest, most fun set of pop tracks they could.  They clearly weren’t concerned with where they fit in the grand spectrum of the music world, they just wanted to write a bunch of great songs; it’s part of what makes every track so endearing, and ultimately what makes Eureka California something quite special.

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