Show Preview: Perfume Genius @ the Parish (10.14)

Perfume-Genius-001

Date Tuesday, October 14th
Location The Parish
Doors 7:00 PM
Tickets $15 from the Parish


I know every one is milling about trying to get their hands on those Widespread Panic tickets, but if you didn’t luck out there, you’ve got a better option waiting in the wings.  Perfume Genius will be bringing his intimate sounds to the perfect setting: the Parish stage.  Now, while his early work was quite solemn and based around piano ballads, his newest album, Too Bright, offers a broader spectrum of sounds.  There’s still this brilliantly personal approach to the songwriting, but the sound has blossomed into a huge pop opus.  Those not in attendance will regret their choice, as this will clearly be the rage at the office water cooler on Wednesday morning. Matteah Baim will be opening the evening up.

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Download: Perfume Genius – All Waters [MP3]

Greylag – s/t

DOC098-Greylag_AmazonRating: ★★★☆☆

Greylag is a type of goose, but also a band of gentlemen from Portland, Oregon. Their debut, self-titled album out on Dead Oceans is a combination of folk and soft indie rock that offers some grand builds and quiet jams that should put this band on the map of the indie world.

Often, I’m quite intrigued as to what the album artwork has to say about a record and the general aesthetic that it gives to the bands name. Here, we have what resembles an old book or diary, immediately making me believe this record holds intimacy. For the most part, this is a fairly valid reflection, which only becomes more apparent as the record progresses. However, as the band kicks things off with lead single “Another,” you don’t really get this vibe. Instead, what you have is a fireside-dance-party with earthy sounding acoustic guitars looping on top of each other as well as some banjo. This first track reminds me a little bit of a more clean-cut version of Cave Singers—the folk-country-jam breakdown is there, it’s just a bit more refined and produced. While not a bad start to the record, it’s just enough to pull you in to see what the group has to offer.

At first listen, there are some immediate attention grabbers, but the more I listen to this record, the more I’m realizing that the tracks that immediately stand out on first listen aren’t the best to be found here. On the contrary, the more subtle numbers from Greylag are the ones that you can hear the most promise in their sound. Take “Burn On,” as a perfect example of this; it has that personal and stripped gentle quality at first that lets you warm up with the band. They give you this great build up with those bombastic drums from earlier, some group backing vocal, striking lead vocal and that twangy lead guitar. This song is great, and so is the ending track, “Walk The Night.” Here is another stripped down number which works so well for the group, giving out the calm and tranquil energy of solitude of just a man and his guitar.

On the whole, this little release was an impressive start for this band. While there is some obvious room for growth—some of the tracks come across as a bit too repetitive or like other songs on the record—there are still songs that are definitely worth your attention. I’m excited to see what’s to come next from Greylag.

 

New Music Premiere: The Orchids “Hey Sometimes!”

orchidsThose of you looking for something perfect, something pop better listen up.  Today you get to hear the first single from legendary indie poppers, The Orchids. The last time I heard from them was their marvelous 2010 LP, The Lost Star, but as they ready the release of Beatitude #9, we bring you this single.  It carries the band’s typical soft underbelly in its harmonies, winning listeners over with guitar parts that seemingly trickle in step with each melody.  There’s a simplicity to the approach, asking followers to let themselves be absorbed in the craftsmanship of the band.  Look to get your hands on the album on October 21st via Acuarela.

[audio:https://austintownhall.com/wp-content/uploads/2014/10/01-09-Hey-Sometimes.mp3]

Download: The Orchids – Hey! Sometimes! [MP3]

Austin Spotlight: Another Flesh Lights Tune

fleshlightsOur first listen to the newest work of Flesh Lights (Just About Due) had this striking power pop sound that definitely grabbed our attention.  But, their new single, “Middle Age” is a blistering tune, both in its sonic quality and it’s verbal attack on “middle age youth.”    The guitar work here is sublime, especially when the solos blast through your speakers; I’m also partial to the call and response vocals that come through the chorus.  If you’re looking for a rock n’ roll record that never stays in one place, then you better get your hands on Free Yourself; it hits streets on November 4th via 12XU. Seriously. You’ll hate yourself if you don’t buy this LP.

[audio:https://austintownhall.com/wp-content/uploads/2014/10/02-Middle-Age.mp3]

 

Allo Darlin’ – We Come From The Same Place

HIRESRating: ★★★★☆

Allo Darlin‘ first hit my radar back in 2012 when they released their sophomore record, Europe, and let the world know they have some serious skills when it comes to sunny indie pop. We Come From the Same Place offers a further trek down this road of well crafted glistening pop tunes as well as a beautiful transitional record for a shift to autumn days.

The band opens with “Heartbeat–” a bouncy and ukelele filled little warming up number, which gets you excited for this album by reminding you just what made you fall in love with Allo Darlin’. The real goodness is yet to come, but don’t worry it’s coming soon. Second up is “Kings And Queens,” in which the band picks up the pace and starts to hit their stride. Following that, you get the simply swoon-worthy title track, whose choral hook, complete with backing guitar riff is enough to make anyone tap their toes and jam along with this group. When Elizabeth Morris belts earnestly, “Please believe me, I’ve never said this before,” as the guitar delicately jams along with that jangle in the background, I was jolted from passive to active listener as that sensation of excitement swept over me. Here is where this album hooked me—from here on out I was pretty much on board with anything this band wanted to throw out.

This track isn’t, of course, the only stand out number on the record, as later on you get numbers like “Bright Eyes” and “Crickets In The Rain.” The first of these two songs turns out to be one of the more rock-laden tracks on the record and begins with a little stripped down electric guitar. What makes this track so special is the duet between male and female vocals that you don’t really find anywhere else on the album. Combined with that squalling electric guitar that takes off on its own at the end of the track, this number is infectious. “Crickets In The Rain” gives that perfect for autumn combination of sunny sounding instrumentation with a melancholy twist—be it in the lyrics or Morris’ vocal quality. It’s the perfect mirror to falling leaves or rainy days mixed with the still stagnantly hot Texas sun.

My small issue with this record is that it seems to be lacking a little power punch to push it through to the end. The songwriting is brilliant, the tracks are all pretty good, but I needed one more spectacular, knock-it-out-of-the-park song towards the end of the record to push me head-over-heels in love. That being said, since the songs are slow-burners at the end of the record, perhaps I’ve just missed the needle in the haystack and that missing piece will become evident with repeated listening. You have a listen and hear for yourself.

 

New Tune from Springtime Carnivore

heyprettyladyThere’s a reason you should close out your day with Springtime Carnivore this Friday.  For starters, this track is quite playful; the instrumentation allows for a slight bit of bounce.  But, you can add that to the smooth vocal performance of Greta Morgan.  She’s crafted some more solemn tunes, but this one really gives the listeners an energetic view at the pop she’s crafted in the studio with Richard Swift. It almost has a classic lounge feel to it, if you were to amp that style up a few notches.  The project of Morgan will release the self-titled album on November 4th via Autumn Tone Records.

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ACL Recap & Photos: Day 3

ACL

Well folks, it’s been a week since the ATH crew embarked upon Zilker Park for a weekend of music and general debauchery. Gates are open for Weekend Two, but here’s a recap of the highlights from last Sunday in case you’re still looking to relive or maybe you want some guidance as to who to see and who to skip for your Sunday scheduling. Catch each ATH member’s personal take on Sunday and see some gorgeous photos from B.Gray after the jump.

 

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Weekend Show Preview: Beyond Weekend 2

Austin, I love you.Yes, ACL gets all the headlines around these parts, but there’s still plenty of great music to be had, so why not head out on the town and catch a good old fashioned gig.  I mean, it’s Texas/OU weekend, so the streets are likely to be less crowded…and there’s really no other excuse for why you shouldn’t catch a good act.  Look below for our highlights, including a must attend Sunday night show at Vegas; I’ll be there for sure! Read more

Nice Little Number from Line & Circle

linecirclesThere’s something about Line & Circle that sounds both nostalgic and current; that’s a hard feat to capture, and this is only the group’s first album.  I like how the vocals stand out far upfront, while the angular guitar noodles about in the background.  Surely people will take notice how they play upon the same ground as the Pains of Being Pure at Heart, but hold a bit more reservations in their sound, which allows the band to stand on their own ground.  If you’re a fan of huge pop rock sounds, then look for their eponymous EP on October 28th.

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How You Feeling about King Gizzard and the Lizard Wizard?

kingYou know, I’m not real sure how I feel about it all either. I mean, first, there’s the name: King Gizzard and the Lizard Wizard…some things can go too far.  But, I put that aside and really sat down with their most recent tune, and this one I feel like I can get behind.  There’s all sorts of musical movement in and out for the Aussie act; they settle into a nice bit of a groove then allow themselves to really immerse you inside that groove.  You can’t escape until the song ends, so perhaps that’s the power of the Lizard Wizard.  Look for the band’s LP, I’m In Your Mind Fuzz, via Castle Face Records on November 11th.

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