Some Pop from Life in Film

artworks-000104111406-lwiw6y-t500x500Many moons ago we shared a single from up and coming UK band Life in Film and it looks like the boys have been rising in fame over the last couple of years.  After giving a listen to their latest single “Get Closer”, one can easily see what the hype is all about.  The song is so damn catchy and infused with pop that I find myself hitting play over and over again every time it finishes.  Simple, yet fun as hell.  Can’t get much better than that.

Life in Film have their debut full length album entitled Here it Comes due out sometime this spring on +1 Records.

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More New Music from Santiparro

santiGOLDJust last week I encountered the music of Santiparro.  I was struck by the fragile quality of the vocals, placed gently atop these great little folk-influenced ballads.  On his latest single, that’s the case once again, though I turned my speakers up to the max so I could hear the tiny little details that lurk in the background of this song.  Clearly he’s made a name for himself already, as this song features that Kyp Malone chap from TVotR, so people are taking notice of his work, and I hope you’re one of those as well.  Look for his new album, True Prayer, to come out on February 24th via Gnome Life Records.

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Thrilled By Los Angeles Police Department

551494_904732099561401_6340773065914297492_nRyan Pollie has gotten a lot of love this week for his project, Los Angeles Police Department; I’m just going to have to jump on that train, as it fits in perfectly with my statement of singer-songwriters stretching the boundaries a bit.  For the most part, the structures are the same, but like my favorites (Jeremy Jay), there’s slight little elements being added to really propel the song in interesting directions. There’s the effect on the guitar and the vocals, which may not seem like too much, but it’s just a slight push that makes the work stand out beyond most of Ryan’s peers.  You’ll find this tune on a new 7″ coming out February 24th via Fat Possum.

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ATX Show Preview: The Paul Collins Beat @ Hotel Vegas (TONIGHT!!!)

paul-collins-beat-record-fair-650x800It’s Thursday, and we should rejoice that our weather here in Austin has been pretty phenomenal while others are burrowing beneath blankets of snow.  So, celebrate by heading out to Hotel Vegas tonight to catch The Paul Collins Beat.  Paul was one a member of power-poppers The Nerves, not to mention this new group The Beat (renamed due to some English band). But, I implore you to get there early as the opening acts feature some of my local (and regional) favorites.  I can’t tell you many more times how much you need to see Jonly Bonly, let alone buy their album, Put Together.  Then there’s the Ugly Beats, who consistently win fans all about town.  And, just before Paul takes the stage, you’ll be treated to The Rich Hands…they’re a San Antonio act who we’ve backed since they first walked through our doors.  This looks like one of those shows everyone will be talking about at the water cooler, so don’t miss out.

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Hayden Is the Canadian Beck

canadaHave you not listened to Hayden before? Well, you’re going to have to do some hunting down, as the man’s released dozens of albums, all changing shapes and sounds, though consistently relying upon the strength of his voice.  It appears on this outing he’s going to take on the melancholy vibes of the world, using hints of Americana, though on that grader scale many of us adore.  He’s titled the newest release Hey Love, and it’s getting into stores courtesy of Arts and Crafts (3/24).  Put your pop song away and get swept away in this emotive number.

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Black Lizard Ready 2nd LP

blackAt this point in the history, albeit a short one, I’m not really sure what to expect from Black Lizard.  The band changes directions, though they’ve always flirted with a darkened tint that’s really kept me enraptured.  Listening to their latest single from the forthcoming Solarize, it sounds as if they’ve taken the old formula of Black Rebel Motorcycle Club, or even JAMC, and made it entirely their own.  That’s what I love about the group: no matter what they do, they own it, giving it their all for the betterment of our experience.  Check out a video for the new single HERE. The LP will be released by Soliti this Spring.

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Twerps – Range Anxiety

derpsRating: ★★★★☆

Twerps self-titled debut was something of a marvel.  It hit the US with little fanfare, but won over the hearts of many listeners and scored them a tour opening for Real Estate.  Me, personally, I fawned over the LP for the entirety of 2011. There was something in the relaxed attitude the band employed, and yet often offset with their jangling Aussie guitar prowess.  Range Anxiety picks up where that album left off, though there’s touches with the vocals that elevate this effort above its predecessor.

While there’s a statement instrumental opener, Range Anxiety officially begins with “I Don’t Mind.”  I hesitate to call it a true piece of slacker pop, though the pacing would suggest such.  My issue with that revolves around the song’s time, spanning over 5 minutes.  That’s not a slacker band running out of ideas, but rather a comfortable approach to well-crafted pop music. They follow it up with the bouncy “Back to You,” which sounds like a spritely version of the Go-Betweens.  I love how the backing vocals don’t join instantaneously during the chorus, but rather build into it…that’s a nice touch.

Speaking of nice touches, I like how Jules has a more prominent role on this LP, particularly in the standout track, “Shoulders.” It’s a tune that features that shimmering guitar work, but her voice offers a different tonal quality than that of her counterpart, Marty.  It actually harkens back to a time of more pristine female voices, void of auto-tune and all that other technological hoopla. Her presence on “Adrenaline” adds a continued softness that really smooths out the edges for Twerps; it’s still the same act, just a slight bit more leaning towards classic sounds of pop beauty.

In the end, I’m going to still fawn over this album for it’s guitar playing. Sure, everyone has praised the Oceanic influence on guitar over the last decade, but I don’t think there are many that do it quite as authentically as these guys. Listening to “Cheap Education,” I was pushed way back into my own record collection, at least mentally.  There’s a spirit to it that’s hardly been matched, and it always make listening to the group a joy.  But, I’d be remiss if I didn’t invest a sentence or two in “Love at First Sight.”  This song is unlike much of those that precede it, though I’ve found myself gravitating towards it again and again.  There’s something ramshackle that’s set amidst a really subdued performance.

Those that first fell in love with Twerps will surely find every song on Range Anxiety to have a redeeming quality.  But, I think they’ve put in enough finishing touches to really surpass their debut in many ways.  It’s a different listen, but one that exemplifies growth whilst staying grounded to what got them their in the first place.  Going to keep playing this album again and again.

The Lone Bellow – Then Came The Morning

unnamedRating: ★★☆☆☆

Sometimes a band needs a little bit of help to get off the ground, or rather with the case of The Lone Bellow, where to go once they have. On Then Came The Morning, they brought in The National’s Aaron Dessner to produce their sound, which makes for some interesting tracks and a bit of progress from their first effort they put out a few years ago.

The Lone Bellow have a bit of a mild alternative rock sound—one you would expect to hear from a band on the radio. This quality isn’t intrinsically negative, but it is apt; their folksy blend of acoustic guitar and harmonies doesn’t push a lot of boundaries sonically. In this baseness, they’ve found their niche—within this genre they’ve got some good numbers you’ll want to give a second or third listen. On the whole, however, the sound isn’t exciting enough to set them strongly apart from what others have already done.

Opener and title track, “Then Came The Morning” is about as boundary-pushing as you’ll find here. It’s a bluesy waking up track—the tempo is slow and rolling, as lead singer Zach Williams’ raspy vocals chime in with their emotive quality. The backing group vocals provide an interesting sweeping effect to the tune, the “oohs” and “ahhs” as well as the repetition of the chorus gives the whole number a balloon-like sound, giving the album a positive start. Other good songs seem to come when the band is doing bluesy sounding rock—take snappy number, “Cold As It Is” as an example. This song holds the vocals in the limelight, which freshens up the sound that The Lone Bellow have already developed. This number is a stomper and a catchy one at that, and one of the standout bright moments of the album.

By the end of the album, there is a feeling as if the songs are repeating themselves, within this genre it seems difficult to craft boldly different songs, and with thirteen altogether, the band doesn’t do themselves a lot of favors. Then Came The Morning is far from a bad record technically—the production is clear and there’s intricate craftsmanship abundantly placed all over—but I’m left wanting more edge and bite from this group. Maybe you’ll find you enjoy the mildness of The Lone Bellow, but I can’t seem to get fully behind what they’re putting out.

 

 

Colleen Green Loves Her TV

collyI’m not sure how I feel about this sentiment, as I’ve been trying to detach myself from my own TV addiction.  But, you put the sentiment aside, then you’ve got one hell of a catchy tune from Colleen Green; it seems that’s going to be her specialty from here on out. It’s a chilled little alterna-jam, rocking that distorted guitar line and some guitar-monies to match it all up.  Look for her new effort, I Want to Grow Up (rumored to be a direct response to the Descendents I Don’t Wanna Grow Up); it’s being released by Hardly Art on February 24th.

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Download: Colleen Green – TV [MP3]

Divers Rock New Single

diveredI’m really hooked on Divers at the moment.  They’re not breaking barriers down, but they’re executing things so well that I can’t deny them some time on my daily playlist.  This latest single, has a breathy quality to the core part of the vocals, though they’re unleashed powerfully as the song progresses.  Sometimes really good pop music manages to make the world feel just right, and that’s precisely the vibe I’m feeling here from this Portland outfit.  Grab their debut Hello Hello on February 17th via Partydamage and Rumbletowne.

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