Show Pics: Free Week 2016 Pt. 1

Night DriveMy turn for giving Free Week a little love.

Night one with camera was a solid lineup at The Mohawk to celebrate our friend’s birthday. Pooneh is kind of a big deal in music photography and a damn nice person to boot. I was at the show and bought her a beer when she turned twenty-one five long years ago. Heh. But here we were with an excuse as good as any to have a solid lineup of bands with a huge amount of variation in genres. Featured and immortalized by the camera’s Shivery Shakes, Big Bill, Unknown Relatives, Milezo and Night Drive.

We persevered against the drizzly evening for a crisp night. Click through, please.

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Gorgeous Bully Quietly Winning Us Over

gogeI don’t really know what it is about Gorgeous Bully, but it seems like every track they bring to the table is something I can’t put down, can’t stop playing. Here, they’ve released a new track, which is still in “demo” form, but while that comes with a certain simplicity, you can still hear the skeleton of the emotional pull. You’ve got to put together something special when you’re just offering vocals and strummed guitar. If you can, go to the band’s Soundcloud and just press play; you’ll be glad you did. I’ll keep you posted as they make more new songs…and hopefully a new LP.

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Electronica from Kedr Livanskiy

kedrI’m always looking to take a different turn in my musical listening, and this track from Russia’s Kedr Livansky provides the perfect chance to absorb something entirely different than my normal fare. I think what really grabs me here is the production of the song; the beat of the song is really low in the mix, and the synthesized percussion isn’t overly pronounced. Through it all Livansky brings her vocals through, seemingly floating atop it all. Sure, I have no idea what she’s saying, but that’s beside the point, as the music attracts your ears regardless of what language is being used. Her debut EP, January Sun, comes out via 2MR on Februrary 19th.

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Murals Offer New Single

muralsOn the new Murals single, it takes a few moments before the song really takes off; it opens with a dense little haunt before the guitars brightly enter with the backing of rolling drums. Still, the song’s not really started, as it takes a moment for the band to really sink into their darker approach that comes just about two minutes into the tune. Deep vocals and a trickling guitar carry the song before it moves on again into an airy jangling. I love the fact that there’s so many maneuvers within the track, which illustrates the band’s writing chops and various musical influences. Their new album, Violet City Lantern, will be released on a packed February 19th via Fire Talk.

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Enjoy This New Tune by The Bulls

10444002_464584560343471_4365437836699531453_nEarlier this year I discovered L.A. based The Bulls and what proved to bea stellar EP entitledSmall Problems. Since that time, I’ve been eagerly awaiting what to expect from the ladies and today I was surprised with this new single “Prudence”. Imagine if you will that somehow Cults and Young Galaxy had a baby together and that’s about what you’d be hearing here. To weird? Hit play then and make your own comparisons.

“Prudence” is part of a digital single due out on January 15th via Diet Pink Records. Pre-order here.

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Fresh Field Music You Say

fieldIt’s hard to pass up a Field Music track, even with all the great tunes that made their way into the world yesterday. The vocal performance alone looks back to classic club hits, soaring high above the mix. Still, bubbling just beneath is a rad little bass groove that seems ever-present with the band’s work. I think the one thing that sticks out the most for me is that the song seems less-frantic than some of their previous efforts, just fulfilling the promise of great pop music. Can’t wait until their new record, Commontime, comes out on February 5th via Memphis Industries.

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My Free Week Afterthoughts

freeThere’s still some Free Week activities for you over at Barracuda this week, which you should attend, but the main stretch of Free Week is over. I had a pretty solid time, bouncing all down Red River, catching over 60 great Austin bands (and a few from out of town). It’s a really special time for the Austin music community and its fan, so I’m going to leave you with some notes, as well as some highlights and things you should look forward to in 2016. Read more

New Music from Seth Bogart (Hunx!)

Hunx & PunxIt’s surprising to me that this new single from Seth Bogart has sort of flown under the radar, considering how important Hunx has been to the musical culture over the last few years. Perhaps it’s because on this tune he’s turned down the garage inflection, instead choosing for a more pop-centric approach to his songs. There’s some casio-keyboard beats and a distorted guitar meeting up with Seth’s voice. Personally, I always think he’s best when he’s writing introspective songs, such as on Hairdresser Blues. This new album is titled Forgotten Fantazy, it’s being released in late February by Burger Records.

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Austin Spotlight: El Campo Return with New Single

elcampEl Campo first came to my attention when they released the great Flexi Disc on Punctum Records, which was soon followed by Remember, their debut full-length. Not a band to sit around, they’ve returned again with a brand new song from their forthcoming Double A Side EP, “Sloe-Eyed.” Not to diminish their earlier work, but the execution of this song definitely stands out among their catalog; the voice of Jerid Morris works really well here, soaring to heights with the perfect tone whilst banjo and sliding guitars move behind him. There seems to be some youthful vitality to this song, while still holding true to the progressive country vibe. They’ll be releasing the EP soon, with a nice February tour heading up the Midwest and out to the East. Keep an eye on these guys…it’s for your own good.

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Everyone Loves Courtney Barnett

Courtney BarnettAnd we’re no exception to that statement, so it is only rightthat we share the latest fromCourtney Barnett. She’s released a new song called, “Three Packs a Day,” which features the effortlessly complex lyrics we’ve come to know, strung along with a bit more delicate acoustic guitar sound for the beginning part of the song. Then, we get that same grittier guitar and prominent bass line that were featured on the stunningSometimes I Sit and Think, and Sometimes I Just Sit.Plus, there’s the harmonica solo from Fraser A. Gorman, which is a bonus you didn’t think you’d need, but sounds great in addition to the band’s instrumentation.This track is coming out February 14th as a part of a Milk Records compilation album called Good For You,which you can preorder here.

[youtube]https://www.youtube.com/watch?v=OQw2qj2utOg[/youtube]

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