Month: October 2018

Tiny Ruins Announce New Record

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Tiny Ruins, the project of Hollie Fullbrook, is ready to share its third album, this time with Ba Da Bing as its home. The first single we get is, as we expected, pure excellence. Hollie’s voice rises up and down, changing registers, moving in and out, almost as if it was meant to haunt your ears. Perhaps that emotion stems from the details in the accompanying music, whether it be the work of the guitar, layered strings, or the percussive elements that bubble to the top of the mix. Fullbrook stars in the video, a lone figure walking through nature…a clip perfectly fit for this track. Olympic Girls will be out February 1st of 2019.

Miss Rayon Release Jittery Rocker

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I’m fairly new to the Miss Rayon scene, though I’ve definitely listened to various members in other outfits. I’m digging this new single, part shimmering indie rock, part danceable rock number. I love the discordant guitars knifing in and out of the tune, while the trio throw their vocals together in unison to sort of craft some post-punk seance. The great thing, for my two cents, is that you can’t really pigeonhole the group; sure, there are various nods, but nothing pure, so who knows what we’ll get when the drop their new LP. Eclipse drops on November 16th via XRAY Records.

Jigsaw Doubles Down on Indonesian Indiepop

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It seems that all over the world people are jamming to those jangling guitars and smooth harmonies that make us swoon…and Jigsaw Records is helping educate me (and others, I hope) on the indiepop scene over in Indonesia. The first of two releases from the area is the new LP from Sharesprings titled Paraparlor; they sound exactly like you’d want them to if you were into indiepop in any way. The other release is from Kaveh Kanes (which I always wondered if that was a GoBetweens reference), offering up the band’s second full-length, Loanwords. They employ similar dreamy guitar work, though there songs seem softer to a degree, blanketing the listener in pop music. Both releases are available, so go and grab ’em while their hot.

More From Monteagle

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Our amigo Justin Giles Wilcox grew to some moderate fame with his incomparable work in bands Nassau and Moonlight Bride. Having spent some years with those projects, Wilcox is stepping out again with his new project called Monteagle. We’ve previously heard his single “East L.A.” leaving us wanting more, and low and behold, here’s another new song today to build our anticipation of the new album. This one, “Master” features that cool, calm, and collected sound from Wilcox which creates a beautiful, soulful indie folk track.

Monteagle will release new album Midnight Moon on November 30th via Fire Talk Records.

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Introducing Shogun and the Sheets

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Shogun is no stranger to the ATH team, as he was the frontman of the now defunct Royal Headache. His liver performances and remarkable voice were personal favorites, so I’m excited to hear what’s to come from Shogun and the Sheets, his new band. Listening to these two new tunes has me excited, as his voice is this huge focal point; he always walks the line between pure soulfulness and shattered humanity…the best sort of sound. But, that success also relies upon his backing band, who, based on these tunes, do an excellent job surrounding that powerful voice. You can hear both songs digitally today, with a 7″ coming in November courtesy of What’s Your Rupture.

The Suncharms Get Video Treatment

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If you’re not part of Slumberland Subscritption Series, you’re in luck, as the label ran a few extra copies of the new 7″ from The Suncharms (and Rat Columns too). Today I want you to give about 5 minutes of your time to the video version of that B-side, which, personally, is probably my favorite of the two tunes. The video is shot in black and white, and mostly comes across as a performance video. But, you ask why I love it? For starters, I adore the scuzzy guitar vibe, heavy yet brimming with these pop melodies through the crackling of my speakers. Take that sound and the video imagery, and things look glum, until you give into the seductive powers of Marcus Palmer’s voice; though deep, it carries this natural kindness. Get a copy over HERE.

New Music from Twain

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Twain had one hell of a year thus far, and it looks like he aims to take the same approach to world domination in 2019. Today he announces a double-EP for Keeled Scales, schedule to drop in January. I love the way he just casually strolls into this song, carefully picked notes, twinkling piano and a stomping tambourine of sorts. For a minute you’re enraptured, spinning in the melody, until the piano comes in a bit more emphatically, adding just the slightest bit of a gallop to the tune. There’s even some sort of lo-fi vocal yelps jumping in and out in the song’s second half. Pretty sure at this point, he can’t write a bad tune. We’ll know more when the new release drops in January.

Sprightly Pop from Bones Garage

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We often get carried away in the hype of the music biz, but one thing that Bones Garage reminds me is that there’s always been a voice inside of us all, waiting to break free. Interestingly, this Tel Aviv outfit is doing so by offering up dreamy pop from one of the darker region’s of the world. The jangling guitar seems to maneuver in and out of the mix, allowing for various points of focus; I’m partial to the energetic spruce that hits just after 2:30. Ariel Pedatzur owns the song with her distinctive vocal performance too, dragging out syllables where needed, though always with a charmed touch of the angelic. The group will be releasing Oi Ma Yeah later this year, so feel free to fall in love now.

More Synthy Indiepop from Coastal

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Fanou, formerly of Skittle Alley, gave us Voyage Intererieur earlier this year, and already he’s back with a whole new batch of synth-driven indiepop songs under the name Coastal. I love how his electronic aspects don’t overshadow his indiepop tendencies, instead combining them into one organic collection of concise pop tunes. he has this way of elongating the tension until your ready for the release. Of the tracks present on Endless Summer, I think I’m gravitating towards “The Time” as my personal favorite…definitely holds the heaviest beat. If you’re interested, then mosey on over to Discos de Kirlian to get your hands on these tracks.

The Moles Share After May

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Richard Davies is one those songwriters who is adored by other songwriters; he’s made claim that Cobain and Pollard have both fallen in love with his music at some point or another…and now he’s releasing a double album with his band The Moles. The group of musical rabblerousers has members in various cities across the globe, which will allow them to perform songs from Code Word in various locales. Luckily for you, we’ve got a preview of one of the album tracks. “After May” is a bit of a ballad, with Davies working calmly over a strummed guitar with some space-aged electronic noodling cutting in and out; it gives the tracks just the faintest whiff of peculiarity. It’s just a small taste of what Richard can accomplish, and with a slew of contributors, each listen is likely to be as varied as the new LP; it drops this Friday via Super Secret Records (with an ATX Beerland show on Thursday).

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