Month: February 2020

Say Hi To Yune

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Isn’t it exciting when you find a new band that just draws you in immediately and yearns for repeated plays? For me, it’s one of my favorite feelings and I’m always happy to share it with all of you. Today my “new band smell” comes by way of Danish group Yune, and their brand new single “Odd One Out”. This one blends some lovely bits of bedroom pop with some darker, heavier bass elements to create a truly mesmerizing single.

This song appears on the Yune debut album AGOG which is due out April 24th.

Fuzzy Ripper from Ditch Days

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Lisbon’s Ditch Days have primarily spent their time dabbling in the dream pop arena, but on their newest single, you can hear the band pushing their sonic inclinations, letting loose on the volume as it tears through your speakers. Distorted riffs and pummeling drums greet you at the start, pushing the song frantically forward; the vocals keep the band’s dreamy tendencies intact, though they do seem just a bit noisier this round. I really got a lot of joy after the 2 minute mark when the song seemed to take on a very nostalgic post-punk vibe before jetting off into pure exuberant noise. You can grab this tune on the group’s forthcoming Office Space EP, dropping in March!

Clem Snide Shares Don’t Bring No Ladder

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I’ve shared this before, but Eef Barzelay’s voice really feels like home to me; I spent so much time in the early 00s sort of obsessing over his songwriting and distinct voice. I’m grateful he’s returned with Clem Snide‘s first new album in a bit, and thus far, he’s not let me down with the singles shared from the LP. This one definitely fits the mold of that wayward Americana, using light little vocal flourishes deep in the mix to really buoy the natural melody of the track. I loved the performance from the get-go, but for me, it’s always about uncovering those little moments that live forever in your ear; that moment happens for me right at the 1.29 mark, so be sure to stop by and listen there. Forever Just Beyond is out March 27th.

The Oilies Share Latest Tune

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I’m not typically one to revel in the joys of demos and remixes and all that. But, I really really love the Oilies, and I really really really love this new track…even in a demo version. There’s something in its simplicity that’s supremely rewarding; it almost feels like the song is just on repeat for much of the track…careful ears will hear slight changes. Vocals subtly change the presentation, but if you’re like me, you might have been so entranced you didn’t notice on the first run though…so go back and listen to this all again. Honestly, I just want to hang out in a world where this track is on repeat forever.

Ringo Deathstarr Share God Help the Ones You Love

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One of our favorite ATX acts dropped this delicious tune last Friday, and since we’re back in full force, it only seems natural that I’d get this Ringo Deathstarr tune out there for you. I love how the song starts off with this ominous mood, like you’re descending into the depths of the Earth with no return in sight. But, once the vocals come in, the song peels back and allows the guitars to swirl around the more crystalline feel of the vocals. The rhythm section keeps harnessing that darkness, building in the perfect balancing act between dark and light on the wondrous first single off the band’s forthcoming self-titled LP; it drops on March 27th via Club AC30.

Soft Indiepop from Royal Target

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Royal Target hadn’t previously been on my radar, but with this delicious new single, they’re definitely a group I need to keep an ear out for. Their latest single is the perfect subtle guitar pop gem that makes folks like me swoon; the guitars turn over and over carefully, seemingly frolicking in step with the precision drum work. An occasional blossom of distortion rings through your speakers, but you’ll still come back and marvel at the patience of the vocals that ride throughout the song. Perhaps one of my favorite things to stumble upon in the last few weeks.

Nap Eyes Share So Tired Lyric Video

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With Snapshot of a Beginner on the near horizon, we’re excited that there’s another Nap Eyes tune out there to give us a little taste of what we’re to expect. This track feels pretty bare at the song’s beginning, which perhaps can be owed to Nigel Chapman really focusing on the message of the song. But, shortly in, the song sort of erupts into slide guitars and jazzy solos that cut across the song’s core. It all returns to the solemnity and weariness of the verses to close things out. Look for the new LP to drop on March 27th courtesy of Jagjaguwar and Paradise of Bacheolors.

Fresh Track from Marmalakes

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One of the many records we’ve been fortunate to release was the debut LP from Marmalakes; they’ve been fairly quiet since then, mostly working on their various other projects…that is until this past week. They very quietly released this new gem, which is a pretty stripped down affair, using minimal percussion and keys to support the strum of Chase’s guitar and his voice. There’s a delicate nature to the tune, as if it would crumble through your fingers if you picked it up, losing its magic to the world. One thing this bunch know is great tunes written by greater people.

Stream Strawberry Generation’s Afloat LP

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Last week you were worried about the pressures of Valentines Day (either ignoring it or giving in to its commercial necessity), so you might have missed the release of Strawberry Generation‘s new LP, Afloat. It’s an indiepop record that sort of dances all across the genre, in the best way possible. Starting with “Afloat,” you get this big ringing guitar pop swoon with crashing drums and softened melodies, turned right into the following Alvvays-esque track “Lying to Lauren.” I loved the Orange Juice guitar reference on “Breakthrough Feeling,” but still get the chills on the dreamier “Tango” popping up later in the album…this is the must listen tune, for me. The entire LP benefits from the trading of songwriting duties between Luk and Valerie, giving each song its own unique sound, though still working together as a cohesive unit. It’s filled with variance, which is welcome, considering the indiepop sound is so specific that it can sometimes get burdensome with 10 like-minded songs…NOT THE CASE HERE. Afloat is available via Sunday Records.

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