The Head Share New Single

Atlanta’s The Head just dropped this great new single, and I feel like its definitely up my tastes as of late. Of course, on “French Girls,” there’s soft jangling, swirling and turning in the front of the mix; it’s part nostalgic pop and pop modern jangling. I’d be remiss if I didn’t give the band a little nod for the heavy tones of the vocals, which definitely will hit your ears in that Moz territory, though hopefully with a sweeter soul. Then you also get “Slipping Away,” which sort of peels away the upbeat energy in favor of a more subtle affair; I mean, pardon the obviousness here, but the song does feel like its sort of “slipping away” through your fingers. Both tunes are hits, so dig in.

New Damon & Naomi Tune

As much as I hate posting stuff that I know is all over the place, it’s always going to be hard for me to ignore something from Damon & Naomi; Galaxie 500 is somehow always on every playlist I make, or every DJ set I build in my mind. Still, as a duo, things aren’t exactly the same, though I’m still mesmerized by the tones of Damon’s voice, just like I’ve always been. Their new album A Sky Record is a collaboration with Kurihara, though this tune feels like it could also be J Spaceman, such is the pacing of the track. I love how they leave all this open space in this track, letting you have that moment of reflection as the guitar notes scuttle off into the song’s distance. The new LP will be out on August 6th. But for now, go on and get the feels.

Lizzie Loveless Shares Window

If you were a big fan of TEEN, then you should definitely have Lizzie Loveless (aka Lizzie Lieberson) on your radar. Today we get to share the latest single from her forthcoming You Don’t Know LP, and for me, I’m sort of hooked on the way this song kind of goes back and forth with its presentation. In the beginning, it trickles slowly, like dripping pop droplets from the faucet. Steadied, the song then adds a little rhythmic texture, giving an almost rolling bounce to the song, energizing Lizzie’s vocals; then those drums notes become even more pronounced as backing vocals are layered too, continuing to build the pop wall within the confines of this track. Then, it all pulls back, reserving itself temporarily, only to run off and get carried away all over again; it’s the truest pop ebb and flow you’ll hear this week. Egghunt Records will release the new LP this September 17th.

Paper Birch Share Cemetery Moon

Paper Birch seems to have blossomed amidst the UK lockdown, channeling feelings of despair and isolation into the new project begun by Dee Sada and Fergus Lawrie. Their latest single operates as a sort of dreamy folk space transmission, but you’ll have to listen closely to pick up on that. The track’s careful, using a light strum as the backbone for Sada’s whispering voice to crest and rise upon the song’s melodies. There’s a slight percussive element, again, staying out of the way of the melody. But, careful ears will pick up on the frequency airwaves skittering through the song’s distant background, tying in the space transmission element that correlates with the visual themes of the video. Their debut album Morninghairwater is out on July 30th via Reckless Yes.

Did You Hear About the Geddy Laurance/Michael O Split?

It’s always great to have friends reach out to you and point you in the proper direction, so I’m glad that I heard about this new Geddy Laurance/Michael O split tape before it was too late! We’ve covered Michael O many times (as Mantles and solo), and Geddy played drums in everyone’s favorite, Boyracer, so now we get them both together! With the GL tune, you get a little more pacing, primarily with a faster strum and thicker drum beat; the Laurance vocals do have a touch of a fading daylight feel to them, sort of wilting as they hit your ears. You’ll also find a contrasting guitar line working against the strum, sort of like the counter-punch to the jangle, which was a really nice recording touch. Michael’s tune has some bop to it, so don’t think its totally gone, but his voice sounds a touch fragile in the tune below (which I adore); there’s also this backing vocal popping in that sort of reminds me of Television Personalities somehow. And, this probably sounds like a slight, but there’s just a certain feel to Mr. O’s tune that almost feels like its still in the works, like things aren’t finished or polished; its pop honest at its finest. If, like me, you’re in love, then grab the split from Safe Suburban Home this Friday!

 

Slow Rosary Shares Montserrat

Please. Put aside six minutes of your time today. Sit somewhere quiet and listen to this new single from Slow Rosary. At first, you get this slow strum and dramatic vocals, stark in their presentation, with powerful lyrics from Rene Duplantier; the lyrical storytelling recalls the works of other literary songwriters like Meloy, Darnielle or Oberst. Progressing, the song seems to carry this undercurrent, this loneliness that swells with emotion as we all fine common ground with the tune, falling deep into the song as little flourishes begin to seep through the speakers. Just before the song hits the 4 minute mark, the tune erupts, drums roll over you and cymbals crash as the twang of the guitar wanders about your room; it feels like an album’s worth of music accomplished in just under 7 minutes. Refinery, the debut album from the project, will be out August 27th.

Subtle Electro Pop from XOR

Perhaps this is entirely due to growing up surrounded by Depeche Mode cassettes, but there’s something truly special about what XOR is doing in the realms of electronic pop. The majority of the scene features heavy hitting notes, dropped beats that just push and push, but not here. Instead, you get these twinkling synth notes and a steady drum loop; it’s got pace, but its not frantic, more like steadying the ship so as to allow the guitar lines to jump in and dance around. If you were a big fan of Soviet in the early 00s, then this new project from Matthew of Secret Shame should be right up your alley; XOR releases the self-titled debut LP on July 30th.

Florry Shares You Don’t Know

When I stumbled upon Florry, courtesy of their new LP announcement with 12XU, I was pretty floored; I felt like I had stumbled upon the most delightful lo-fi rock there was to find. Now, Francie Medosch is taking me for a different ride entirely, and I don’t mind one bit. Casual listeners will feel like they’ve landed in some sort of barnyard bash, such is the force of the twang and slide of those guitars. But, stay with it, as you’re in for a treat. Francie’s vocals are gentle, yet they have this distinctive peculiarity, not unlike something you’d associate with Daniel Johnston. Trust me, we’re in for a treat when Big Fall drops on August 27th.

Deliluh Announce Share Amulet Single

Felt like we should really dig into Monday with some down-trodden no-punk; so its perfect that I’ve got this new track from Deliluh hanging out in my inbox. The band left Toronto for Europe, and their forthcoming release is a continuous document of their journey. We find the band operating with minimal beats, occasionally warped with cascading notes and slightly volume raises. It’s a study in patience for most, with the band only flaring up twice in the song’s 7 minutes to give you something more pronounced. But, that’s just it! They don’t need to captivate us with overt hooks and the like; they’ve already done it all here, and thus I’m transfixed. This tune appears on a new 10″ for Tin Angel, out in August.

Bops from June 9 – 18

We were rocking some sweet playlists, letting you catch up on what we’d been jamming on through the past week, but then we went on vacation and fell behind. So, you’ve got a whole whole lotta music to enjoy today, plus some hits from some records that came out during that time too! Just a collection of hits, and of course I’m starting it off with that ridiculously solid Wet Leg song. Enjoy my friends. Happy Monday.

1 2 3 4 5 9
Social Media Auto Publish Powered By : XYZScripts.com