Dinner Announce Dream Work

Ah yes, the much welcomed “I Didn’t Know I Needed This, But I Did” single that drops in your inbox overnight. Today we get news that Dinner is announcing a brand new LP for Captured Tracks titled Dream Work, and there’s even a little hint of Austin on this tune. I actually caught Anders Rhedin in Austin at SXSW a few years back, and was quite impressed with his ability to control a room while working solo. On this tune, you get this real lush little bouncing pop tune, with Rhedin working his vocals, sounding like a wamer Aidan Moffat, so if you’re an early Arab Strap fan please stop in. Rhedin gets some help too with backing vocals from Charlie Hilton of Blouse, adding a little nuance to the tune. This new LP will be out on October 22nd!

Gustaf Share Best Behavior Single

I’m not entirely sure I’m able to describe to you my infatuation with Gustaf. Early on, with their debut 7″, it was all about those angular riffs and the band lobbing up these huge choruses that would crash down emphatically and sweep you away. But, on this new single, you get the band relying almost solely on the rhythm section; it’s the propulsive element here…well, unless you just look to singer Lydia Gammill. All the band’s videos portray Lydia with this natural tenacity, which perhaps could be construed as a certain wildness, but it’s harnessed here, almost tethered to the lonely guitar notes. Even still, you can see the rhythm of the band taking hold, pushing Gammill and company to the brink. Look for their Audio Drag for Ego Slobs on October 1st via Royal Mountain Records.

Black Marble Share Ceiling Video

Usually when a band like Black Marble gets four albums deep into their career, you sort of think you know what you’re getting when you unpack that new LP. For me, I think Chris Stewart has continued to let his electronic soundscapes evolve with each album. Bigger Than Life felt bolder and punchier, if you can say that; it just had this overt pop nature to it. That still seems present as we listen to “Ceiling,” another tune from the forthcoming Fast Idol. You can still hear the accessibility in the beats; they carry this generally pleasant feel to them, something that’s super difficult to replicate. Still, Stewart’s vocal have this faint hint of darkness, creating this bit of anxiety within the tune that ties into some of the thematic elements being put forth. The new LP is out on October 22nd via Sacred Bones Records.

Kyoto Lo-Fi Return

Our old Dallas based friend Nehuen Erazo and his band known as Kyoto Lo-Fi fell mostly silent during the seemingly never ending pandemic. Now that things are sort of (are they?) getting back to normal, the band is playing around with some new sounds as they look to create a ton more music in the coming months. The first taste of this new material comes in the form of this new track “Everything is Forever” which features the band expanding on their indie pop sound and sprinkling in some edgier, rockin elements with growling vocals and an overall more frantic pace. I’m excited to see where we go from here.

Lazy Daze Share Two Hands on the Wheel

The immediate hook of the guitars in this Lazy Daze tune had me swooning; I was sold before the vocals even came into the picture…such is the infectious nature of what’s at play here. As the song progresses, I’m stoked on how playful things get, with the vocals; they toy with the listener, rising up joyously, then falling back down to match up with the delicious melody that courses through the tune. Feel like the song’s too sweet for you? Well, there’s a steady little calm at play in the song’s middle, giving you a bit of a moment to catch your breath before getting caught up in the song’s joy. If you love it, check out the band’s Pitted EP!

The Great Electric Return with the Greater Electric

We take a break from our regularly scheduled brand of rock n’ roll to bring you an instrumental tune from one of our favorite, The Great Electric. This last week the band have announced that they’ll follow up last year’s debut with The Greater Electric. Here you’ll find the group texturing with layer after layer, and it all seems to slow to a halt right near the 2 minute mark, but the electronic pulse beckons you to stick around, and the sounds come falling back into you, looping around your ears with a wonderful groove that you just can’t run away from. Look for the new LP via WIAIWYA on October 1st!

Tam Vantage Announces New LP

Tam Vantage, aka Tam Richards-Matlakowski, has played in some of my favorite Aussie outfits, whether you’re talking his old act Pop Singles or more recently, Girlatones. Now we’ve got Tam back at it with solo stuff, and he’s just announced Laughing Gas & Apple Pie, a new long player slated for November 5th via Still Traveller Records. This song finds Tam working his way in and out of a 10 chord cycle, letting the drum work punctuate the riffs, all the while his voice calmly soothes the listener. There’s certain moments when I hear this pristine old school pop, but other moments where I hear the track taking on a sort of GBV feel, but perhaps that’s down to the clever guitar work. Whatever the case, it’s never a bad day in my neck of the woods for a new Tam tune!

Sex Park Share Obligation

Well, just another case of the Mondays here, so feel like getting wrapped up in some sort of dark electronic blanket to cozy up next to my computer before my kids come in today. This new Sex Park tune just dropped, and it’s got some great things working for it, which works for me. The tune kind of takes on this shimmering sort of electronic pop, akin to maybe Black Marble at current. But, what really drew me in was the vocals here; I’ve heard tons of bands doing dark electronic pop after all. I love the deepness of the vocals; they remind me of Majical Cloudz and a voice I really miss. This tune appears on the band’s forthcoming LP, but it’s also on a split 7″ for Dowd Records!

Last Week’s Jams, Today (August 16 – 20)

Let’s start off Monday right, sneaking right in with a great track from the latest Flowertown LP. The rest of our playlist is pretty solid too, as there were some jams last week. I’ll admit I kind of feel like too many people are sleeping on Cindy still, so be sure to check out their latest single in this weeks hits. Plus, it’s great to hear our friends Letting Up Despite Great Faults drop right back in where they left off years ago. Ease into Monday with a playlist of jams we were digging last week…and have a decent day.

Cool Album Streams: Flowertown, BRNDA, The Suncharms and The Arctic Flow

Friday’s are great days to just get lost in an album, because let’s face it, none of us are really focused on work right now anyways. We’ve got some stellar ways to spend your day here; feel free to just press play and check back in to the world in a few days. You deserve it!

FlowertownTime Trials (Paisley Shirt Records)

1 part Cindy + 1 part Tony Jay = Genius. Seriously, the first LP this band put together was great. But, they were like, you know what? We can totally do better. And they did. Not a bad track here. Just imagine yourself loving pop music but getting stuck in your best dreams. That’s this record!

BRNDADo You Like Salt? (Crafted Sounds)

Why yes, I do like Salt. I also like this record from BRNDA a whole lot. All of you kids that are super into that Dry Cleaning LP, but secretly hoping for a little bit more of a groove have come the right place. This band takes that post-punk/no-punk brand and gives it a swift kick in the ass. Your Friday needs it!

The SuncharmsDistant Lights (Sunday Records)

Having mostly been quiet for the last 30 some-odd years, legendary act The Suncharms recently started to pop back up in 2018, with a couple of tunes for the heralded Slumberland 30 Series. Today, you get treated to an entire record of delightful pop tunes, perhaps a little softer around the edges, but I promise you’re all the better for it!

The Arctic FlowLost You Long Ago (Sunday Records)

Sunday Records thought releasing one great was fine, but releasing two in one day is even better, so here we are with the follow-up to Umbrella (2017). Brian Hancheck’s songwriting has always had this incredibly strong emotional pull to it, and it doesn’t seem like he’s holding anything back on this record. It’s like a softcore jangle pop record, certainly built to woo you as your drift into a Friday afternoon.

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