Month: August 2023

Two New Singles from Woods

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Just a couple of weeks now until the new Woods album drops, thus why we’re getting two fresh new singles from the record today. On “Little Black Flowers,” the tune opens up with this weird little spacey warble, carrying the song into the dreamier regions of folk; this one feels like its all about the accompaniment, and for some reason the vocal pitch rise after the 2 minute mark had me rushing to pull the one Pink Floyd LP from my collection and put it on. “Day Moving On” switches the gears completely, almost opening with this jazzy little introductory shuffle; the track moves into some feathered vocal notes, but you can still feel this joyous bit of swing to the tune, like a slow dance with your favorite person is just awaiting you. Perennial is out on September 15th via Woodsist.

Lower Plenty Announce No Poets

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Just as I thought the year couldn’t have spoken to me anymore, musically speaking, Bedroom Suck Records went in and snuck a new Lower Plenty LP into my listening schedule. It’s interesting that the timing of the release coincides with Spring down in Australia, as it almost feels like you can hear the rustling of the leaves as the breeze washed between Winter and budding trees. It’s dominated by a really strong and steadied strum, with layer upon layer upon layer of vocals building the song’s depth. There are these little “oohs” that lurk in there too, leaving you with this really special nuanced charm that has me grinning from ear to ear. Look for No Poets to drop on October 6th.

Bewilder Share Another Single

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When Bewilder‘s first single from their debut LP dropped, folks were already clamoring, so I stood back listening quietly, waiting to see what would come next. This new single is definitely something that draws from a lot of the late 90s underground sounds, though it stretches into utilizing a lot of the post rock tendencies that rode through the next decade. Still, little pieces here and there bring it into the present, from the sampled drums at the 3 minute mark to the way all those elements get woven together ornately. I can think of all sorts of influences coming through here, but ultimately, its just a solid track I felt like popping up. They release From the Eyrie on Tiny Engines on October 6th.

Helena Deland Announces Goodnight Summerland

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We’ve heard a few new tunes from Helena Deland recently, hinting that there was a new album coming…and today is the day she announces Goodnight Summerland. This song was penned shortly after Deland lost her mother, and my favorite piece of commentary on the track is that it left the concept that our interactions with others can lead to “life-affirming purposefulness.” Musically, I’ve really appreciate the move into more open musical spaces in comparison to what we got on Someone New; those tunes felt magical in a sense, like an adventure into a well-scored dreamland, but the newer tunes open Helena to this striking intimacy that makes it tough for you to pull yourself away. Looking forward to hearing all of the new LP when it drops on October 13th via Chivi Chivi.

New Double Single From Omat

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New York City based indie label Fire Talk has long been one of our favorite sources for new and upcoming bands both in the NYC area and throughout the country. Over the last year or so, the label has been dropping a ton of new and unreleased tracks from bands not necessarily on their main outlet via the imprint Open Tab. You can spend your day checking out all those tunes, but also put some heavy focus on these two new ones from the Brooklyn based band OMAT. Both have a heavier focus with a sort of post-grunge inspiration and straight badass vocals from leading lady Dharma Ramirez. Dig it.

Rae Fitzgerald Announce Say I Look Happy

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You can almost always place your bets on an act that works with Keeled Scales; they’ve broken some great Austin acts, and continue to branch out with their tastes, like Missouri’s Rae Fitzgerald. This tune beings subtly, switching in a little more pace within a few seconds to open the track to the poetic lines from Fitzgerald. Personally, I love the line “there’s nowhere I can go where ghosts won’t laugh me out of town;” it’s a sentiment of many a person, whether those ghosts are lost friends/family or just lives we once lived, we’ve all left something. I think that speaks to the sentiment of Rae’s song too, discussing the “collapse of so many foundational American myths.” All of that poetry gets swept up in the solid strum and really powerful vocals that are likely to pull you even further inside. Look for Say I Look Happy on September 1st.

Bennett Shares Glass Ball Single

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After time away from the local scene, Bennett has returned to the Memphis musical world, this time on their own, fleshing out a collection of songs that’s likely to charm as well as offend. Admittedly, I felt a blast of emotion here. I loved the stuttering drum opening, met by twinkling guitars and synths. But, then there was this warble that threw me off; I wasn’t sure where to go, but the groove kept me tethered, dragging me along for the ride. As the track unfolded, those vocal forays fleshed out into more traditional crooning, kind of reminding me of playful artists like Jarvis Cocker. That playfulness pushes into the song too, especially in the latter half, with the song moving into a more theatrical pop realm. It’s one of those tunes where at first I was completely bamboozled. Like, WTF?! But, I went back again…and again…and again. This debut single here comes courtesy of Goner Records.

Checking In on New Screensaver

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This Screensaver track has been around for a few days, but I’ve been busy okay! Still, I love the rawness of the tune, so I had to be sure that someone over here gave it a look-see. It’s a really challenging vibe, in terms of my ability to pigeonhole things and put them into little boxes, but I’ll give it a go. The track has these varying textures; it feels very much like an early 00s synth band in one channel; the other ear gets to hear this industrial toying, like machines gone awry. All of it gets paired up with this exasperated punk howl that dominates the band’s performance while also fusing all the pieces into one concise musical throttling. the group will release Decent Shapes on October 20th via Poison City and Upset the Rhythm.

Sundozer Share Double Single

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Sundozer quickly amassing a collection of great songs, not to mention great musicians in their line-up; the newest singles feature Danny Reisch on percussion. Speaking of those new tracks, they’re taking their gloomy post-punk tones and spinning them in this glittery pop fashion. On “Charmed,” the bass bubbles as these little shimmering crystals fall into your ears; I love the way there’s these little syllabic punches delivered in the vocals on this tune too during the verses. There’s this great little turn before the 2 minute mark that opens up the song to this more vast vibe that stretches into a stabbing guitar piece atop the bass line. “100 Lives” has a different pulse to it, something that feels naturally frantic and energized. I love how the project keeps the mood circling about here, whilst still capable of kicking in some energy around those quick little jangles. One of my favorite ATX acts, so keep an ear out.

Dark Wave From Great Northern

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California based outfit Great Northern shared this new track “Bad Light” late last week and today seemed like a good time to share. It shows a depth of dark wave pop for fans of say Beach House or The Kills but with heavier synth and even gothier undertones. The single comes as part of a series of new joints from this year which allude to an upcoming collection or album coming later this fall. Stay tuned.

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