Show Pics: Bowerbirds @ The Parish (4/11)

Middle spot in a busy night of music photography, Bowerbirds headlined a show at the Parish. Dry the River opened, but I only caught the last two songs due to shooting Real Estate and Twerps (more on that to come).

Once again, good booking for The Parish to highlight the subtle tones and layered organic melodies. And good lights help the mood. Head past the break to check out the shots of the show from a band that delivered one of our favorite albums so far this year.

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Literature – Arab Spring

Rating: ★★★★½

No mincing it, we love this band. So much so that Nathan has Austin Town Hall backing the vinyl which can be ordered here. So why do we need to review the record? Probably because it is warranted. A recent blog post by Michael Corcoran lamented the mediocre Austin music scene. I simply retorted you aren’t trying.

Make no mistake, there are jams being laid down by several bands born of the Live Music Capital and Literature is one of the bands doing it in their blue collar, super pop way.. So let’s examine Arab Spring.

The album opener is a gentler affair, easing into the poppy blasts that are coming. And blasts they are with the longest track weighing in at an impressive 2:51. This pace creates the punk tension, stay on top of it, or you might miss something. So, “14 Seconds” features a break midway of guitars, a recurring theme for the rest of the album. Great introduction to the band and the interplay of Kevin and Nathaniel on vocals.

“Lily” starts to really show off the melodic constructions, from the vocals to the building guitar layers. Has a feel of Arctic Monkeys in the best way, without accents and over indulgence. “Push up Bra” brings unleashed pop, jangly riffs, quick lyrical delivery and festive backing vocal destined for sing along participation. “Criminal Kids” starts the swing into my favorite span of the album. “This town scares me.” – attributable to Corcoran? The band follows with “Arab Spring”, the title track, “Then there is you, and others too, that will be left uninvited.”

“Grifted” and “Rooney” are two songs I would use to show off our Austin scene. The former is my high point, best opening hook I have heard in a long while. Nice breakdowns and layering as the vocals resume and proper use of keys to settle the song in for the outgoing jam. The latter is the biggest song on the album, another great guitar hook that climbs and gives way to loud chords. The short run time just makes you want to play it again, right away. Again, trading vocals, trading guitar lead, all while Mike and Seth run the show with the rhythm section.

The album’s finish is composed of a three song set. “O.J.” is the tender vocal moment with a great climbing and falling bassline from Seth. “Esquire Esquire” asks what am I supposed to do? when I can’t win, can’t lose. The finale, “I am Right Here”, doesn’t let us off easy; staccato, fast, short and sweet. Vocals are delivered in a matter of fact way.

So what do I want to complain about? It is over too soon. But it has to be. Arab Spring as a collection of songs is fast, to the point and leave you wanting to do it again. Literature captures the essence of pop, bridging gaps, sometimes more serious and sometimes more playful. Most important, the album shows where we are going. Things are breaking down and our “scene” is getting back to basics. It is time to have fun at shows. It is time to get sucked into two minute blasts of energy, take a short break and do it again.

[audio:https://austintownhall.com/wp-content/uploads/2011/12/06-GRIFTED.mp3]

Download: Literature – Grifted [MP3]

Here is a little video of the song “Rooney” taken a few months back…

[youtube width=640 height=390]TlA-CkpYUWM[/youtube]

 

Show Pics: Best of Showcases @ SxSW 2012

So this is goodbye…

I officially declare SxSW 2012 done with this collection of pics pulled in from showcases. While this isn’t every band I saw, it is every band that I happened to enjoy seeing, other than the Night at the Belmont shots already posted. I still have trouble remembering what happened and when. Is it time to register for next year yet?

Click through and I will share a few thoughts and you will see shots of Solander, Django Django, Blondes, Class Actress, Howler, Blouse, Breton and more…

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Show Pics: Best of Day Parties @ SxSW 2012

SxSW 2012 will not go away. It refuses to be ignored. It boils rabbits (that is a movie reference before anyone gets mad at SxSW).

I have a mess of pics from the day parties. This is a hot mess. I am still doing forensics on who and where based on when. I have a rough idea of where I was, but add in an occasional adult beverage, the fact that these were taken five days into my SxSW and I have a lousy memory, you can understand if the details evade. Regardless, these are some my favorite shutter clicks from the unofficial that has become official.

From MWTX to The Fader Fort presented by Converse (professional obligation there, you can thank Converse for saving Fader Fort), I got all kinds of bands performing in daylight. Yech, daylight…

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SxSW Pics: Jesus and Mary Chain @ The Belmont

Still more coverage of the conference left…

Every SxSW, I like to pick a night to just camp out at a bigger venue and take in some stuff I may already know usually with the headliner that is trying to be cool. Duran Duran palyed last year’s Wednesday line up at Stubb’s that included Yuck and Rapheal Saadiq. I chose the Belmont on the Thursday night of the conference to catch The Jesus and Mary Chain with Cold Showers, Night Beats, (a band we shall ignore) and Titus Andronicus.

It was a night of noise and feedback and awesome. I made some new friends from Brazil and in the Russian Space Program, ran into old friends in the crowd and managed to meander through a freshly remodeled and tightly packed Belmont patio room to get pics from both sides of the stage (quite a feat).

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Show Pics: 2nd St. Showdown @ SxSW 2012 (3/16)

I was a happy kid. Sure, things could have gone a tiny bit smoother with sponsor issues and sound-guy car troubles early, but we pulled together like a community and put on an excellent day of music. Big thanks to all involved, my +1 for bartending early, the bands for helping each other out, whatever it took was whatever it took and the party felt like SxSW of old.

So here are a bounty of pics from the 2nd St. Showdown

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BGray’s SxSW Reflection

I had my camera. I took almost 4,000 pictures. That seemed like a lot, but once I factored in the number of bands, the odd things that have to be documented, the friends gathering for shenanigans and the eight long days involved, it really wasn’t surprising. I haven’t done the final tally, but it would be fair to say that I saw part of a set from around seventy bands.

It is my turn to give a rundown on bests and worsts of The Conference. The many highs were tempered by very few lows. I chased that BUZZ that drives the relevant music fan. My summary will be a little different because I did the whole damn thing; twelve movies, several Interactive and film panels and of course all the music.

So, plenty on the movies, panels and bands and a flurry of pics to accompany all that 411 after the break…

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Show Pics: Other Lives @ Erwin Center (3/7)

Most unfortunate, the approval to shoot Radiohead didn’t come through. All was not lost as friends of Austin Town Hall, Other Lives, were opening. Into the bowels of the Erwin Center I headed to get shots of a band that everyone should experience live.

And should I mention I saw Major Applewhite again? Yeah, I did. He was kicking it with Manny Diaz.

Anyway, click through for pics of our friends on the big stage…

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Show Notes: Radiohead @ ACL Taping (3/7)


As I regroup and prepare my brain for a second night of Radiohead mania, I wanted to reflect a bit on our evening the Moody Theater. Getting be one of the relative few that got to go, I carried a bit of reverence into the venue, no doubt one of the smallest they will play on this or any tour. I was soon disappointed that not all concert-goers shared this feeling of privilege.

Click past the break and I’ll reveal my highs (the band) and the lows (the crowd) and the set list.

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Show Review: Grimes @ Lambert’s (2/29)

I believe that the blogosphere is quite abuzz with Grimes. Canadian Claire Boucher is working hard right now, she is in demand. That is why the relatively small space afforded by Lambert’s must have been an early, but fortunate, booking. It was fortunate because it was such an intimate space for Grimes and openers Born Gold, but unfortunate because more could have said that they got to see her before SxSW this year.

There were sound issues, weird and then no lighting, props galore for the opener, shoulder to shoulder dancing and many happy fans. Buzz.

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