Local Natives – Gorilla Manor

localnatives-600x600Rating: ★★★★½

This California band just barely began making waves back in 2009 after successful shows and a rollicking time at SXSW.  All those things slowly began to build a lot of attention for the group, and finally we have come to the release of Gorilla Manor by Local Natives.  Listening to this for several months now, it’s the most complete record to come out in 2010, and will continue to garner extensive praise for the group.

When you first listen to Gorilla Manor, at least for this writer, I couldn’t shy away from thinking of Fleet Foxes, which is entirely due to the multiple-pat vocal harmonies the band uses. But the more that I let it unfold, the more that I began to see there are so many little touches across the album that it’s clear the group is doing their own thing entirely.

You come across those touches in the first song,  “Wide Eyes.” It seems as if the drummer barely hits the drums, other for the snare fills, as you can clearly hear the banging of the sticks atop the rim of the drum.  It’s something the band utilizes throughout the whole affair, giving a sort of tribal feel to their California-tinged summery pop. In fact, it distracts listeners from some tight-knit guitar work, that rarely seems to nod towards a folk sound, which is what one would think the band would imitate, if you only listened to the vocals.

“Airplanes,” the second song, begins with some piano noodling, before the vocals soar atop the steady percussive drum beat. Everything about the chorus here is perfect; each time I hear “I want you back,” I just get this chill; it’s the execution of the perfect song.  You could say the same thing for the following track, “Sun Hands,” the band’s first single off the album, but I’m sticking with “Airplanes.”  Still, people will love the usage of gang vocals at the 3 minute mark of “Sun Hands,” which provides a different dynamic before the band lashes into a little post-punk jam session.

One of the best things about Gorilla Manor, aside from the music itself, is that the majority of the songs are well-over the three minute mark.  Cleverly, Local Natives are able to sustain your interest throughout, leaving you with an album you can really go inside, immersing yourself entirely.  Each song has enough movement to keep it interesting, as the band doesn’t remain static for long, if ever.  That says a lot about the group, who can go in multiple directions in a song like “Warning Signs,” and hold onto a sense of cohesiveness within the song itself.   It really is hard to find a song not worthy of listening to multiple times.  Well done.

In the end, you can say that Local Natives have spent a great deal of time honing their craftsmanship, and Gorilla Manor is the ultimate reward for listeners and the band alike.  You’ll find that the differentiation and light changes will keep you interested all the way until the end, allowing you to finally spend time with a solid record you’ll want to listen to time and time again.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/02-Airplanes-1.mp3]

Download: Local Natives – Airplanes [MP3]

SXSW Radio Stream

So as you’re gearing up to head out to SXSW this year, you probably want to know about what’s hot or what’s cool.  We’d love to help you out, and we will, but now SXSW has set up a radio station where you can stream all the artists that are showcasing at this year’s event.  Keep a note pad handy, and start making that schedule for yourself.  The radio is HERE.

FTC: The English Beat

englishThis Friday over at Emo’s you can get into see the legendary The English Beat. Even more legendary is the fact that they’re known as a different band on opposite sides of the Atlantic Ocean, as our British compatriots refer to them simply as The Beat. But, what stands the test of time is their music.  They combined a lot of the two-tone ska elements and they combined them with really catchy pop hooks.  Sure, this was over-done by many people in that last wave of ska (we’re looking at you Sublime and Reel Big Fish), but The English Beat did it with a whole lot more sensibility than the rest; they did it a whole lot earlier too! My first introduction to the group was through “Mirror in the Bathroom,” though I found the rendition from SLC Punk by Fifi a bit more my pace.  The song that sticks for me though is perfect for all your dance party mixes, so throw this tune on the mix, and revisit The English Beat, or The Beat. Whatever.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/07-Save-It-For-Later.mp3]

New Tunes from Cats on Fire

catsonfire01So I was just listening to the Matinee Grand Prix, the stellar compilation from one of my favorite labels, Matinee Records, when I noticed something I didn’t notice on first listen.  A new Cats on Fire tune!  Their last record, Our Temperance Movement, was one of my favorites in 09′, so obviously stoked there is a new tune.  Take a listen, and you’ll see why I love this little band from Finland.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/cats04.mp3]

Download: Cats on Fire – The Hague [MP3]

New Tunes from Pale Sunday

Pale+Sunday+pale_sundayIn an effort to become the only member of ATH with a serious twee addiction, I bring you new tunes from the Brazilian group, Pale Sunday.  This is the first new music we’ve gotten from the group since 2005’s Summertime.  The warmth of the vocals in this tune, “Shooting Star,” make it perfect for this chilly winter day.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/pale6.mp3]

Download: Pale Sunday – Shooting Star [MP3]

Title Tracks – It Was Easy

titletracksRating: ★★★½☆

If you’ve been following the life of John Davis, then chances are you’ve enjoyed a great deal of music.  He made waves with his role as the drummer in Q and Not U, then jumped into the pop world with Georgie James.  Now, he’s playing under the name Title Tracks, which brings in some new sensibilities on It Was Easy.  You’ll find traces of his work in both previous bands on the album, but you’ll also see a new direction coming through.

As it all begins, you get “Every Little Bit Hurts,” which definitely has one foot in Georgie James, yet you can feel the ghost of Ted Leo (or his spirit, since he’s not dead, thank God) making his presence known.  The guitar sounds are similar, and the drumming is spectacular (done by John himself).  Why we know that Ted uses The Jam and Nick Lowe as reference points, you can see John go straight to Ted; just look at the way he tries to hit that falsetto note near the end of the track.

And so he slows it down to a little dub-step number with “No, Girl.”  Here yo see the pop sensibility of Georgie James coming through.  If it weren’t for the reggae-ish guitar, then it might very well be one of the leftover demos from his old group.  This isn’t a knock on the man, as GJ surely had some great elements across Cake Parade.

This is one of the most important notes from It Was Easy.  A lot of these songs wear the mark of Georgie James, and to be honest, a lot of the sonic exploration Q and Not U did with their last album Power.  John clearly isn’t staying in once place, which might be one of the reasons that this album just doesn’t blow you out of the water; you can see his next release being something ridiculously good.

One of the treats for me was listening to “Tougher Than the Rest,” a number which features my favorite Tracyanne Campbell.  Her voice is simply to wonderful to be ignored completely, yet it once again brings about the idea that John hasn’t fully left the ideas behind from the whole Georgie James affair. Still, they lyrics are really heartfelt, and it’s precisely the thing you expect Tracyanne to be singing.

You’ll want to listen to “It Was Easy” and “At Fifteen” as these are two of the songs which really show you that John is trying to step out of the shadow of his past.  “At Fifteen” is one of those sleeper tracks that I can see being one of my favorites.  It’s nothing more than guitar and whispering vocals; it’s just the sort of think I adore.

Closing out It Was Easy is a cover of The Byrds “She Don’t Care About Time,” just one more signal to the abundance of influences for John Davis.  Title Tracks have made a good start, but the one thing lacking is just a bit more cohesiveness all over.  Sure, the record is full of great songs and great influences (I’m looking at you Ted), but you can see a bright future in store for John Davis once he tightens the reins and kicks into gear.

[audio:https://austintownhall.com/wp-content/uploads/2009/12/04-Piles-Of-Paper.mp3]

Download: Title Tracks – Piles Of Paper [MP3]

New Tunes from Radio Dept.

The+Radio+Dept+radiodeptSweden’s Labrador Records have a stranglehold on all things Swedish pop, and I’m grateful for it.  Just recently they released a new Radio Dept EP, which features several of the songs off the bands upcoming album Clinging to a Scheme.  Not much is really known about the record at this point, other than it should hit during the Spring.  This track, “David,” has a sort of shoegaze-synth-pop-croon to it, and everything just sort of moves along from there.  You’ll be digging this track all day long.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/Radio-Dept-David.mp3]

Download: Radio Dept – David [MP3]

Hot Chip – One Life Stand

HotChip-OneLifeStandRating: ★★★★☆

By now, surely everyone has his or her expectations of what a Hot Chip record should sound like.  You’ve got the club bangers, and you’ve got the geek-tronica that makes you questions just why you’re moving to and fro.  Their fourth album, One Life Stand, sees the band doing much of the same, yet they finally honed their craft enough to create an album with very few imperfections.

One of the record’s longest songs, “Thieves in the Night” kick off the whole affair.  While the beats remain catchy, they aren’t as in your face as you’ve found on previous efforts, which actually propels the song along without letting the listener grow tired of redundant house beats.  You can follow that up with another similar tune, “Hand Me Down Your Love,” where the electronic elements actually aren’t forcing you to dance at all, yet you can tap your feet along just as well.  It’s reminiscent of Erasure (or Republic era New Order), a band who wrote love songs that could just as easily be enjoyed lyrically as you could dance to them.  This is sort of the story of One Life Stand; it’s no longer about creating great dance tunes, but just great tunes period, which Hot Chip does for the most part.

Middling point kind of dies down the minor tempo, slowing it down just a bit further.  The trifecta of “Brothers,” “Slush” and “Alley Cat” all take a step back from focused electronica in favor of fleshing out complete songs, albeit ones that include electronic components.  “Alley Cat” is possibly the best of the three tracks, due mostly to the fact that the band has composed such songs without going too far out with their experimentation.  In the past, the usage of too many elements often busied certain tracks, rendering them irritating upon repeated listens; this is no longer the case.  The away the created “Alley Cats” leaves the perfect amount of room where it should be, whilst still including certain touches for the die-hard Hot Chip fan.

Closing out the album, Hot Chip go back to where you want them, hitting you with the edgier “Take It In.”  It’s a dark number, but then it opens up in the middle, bringing you back to the light.  It sort of encapsulates the whole of One Life Stand.  You’ve got some electronic fused tunes kicking up the pace in the beginning, only to sort of relax and leave room for sitting back in the middle of the record.  You can’t argue with such an ending, and you don’t need to do it, as the group has clearly closed the record in the most appropriate way.

Throughout the years, we’ve watched Hot Chip tinker with their own recipe of electro-pop.  Finally, they’ve made enough breakthroughs, as well as missteps, to have landed upon what seems to be their final recipe.  It’s hard to imagine that they’ll create much better than One Life Stand; of course, we can always hope they take the lessons learned and push even further into their development of great electronic music.

[audio:https://austintownhall.com/wp-content/uploads/2009/11/Hot-Chip-Take-It-In.mp3]

Download: Hot Chip – Take It In [MP3]

New Tunes from The Octagon

octagon1webOnce again New York hits right at my heart, now offering me the great sounds of The Octagon. They’ve released their latest album, Warm Love and Cool Dreams Forever, on Serious Business Records, but I have a feeling not too many people have heard much from this group yet, but that should change soon.  The group has the ferociousness of old punk tunes with a lot of lo-fi tendencies, which might recall a little bit of Guided by Voices.  You can even grab a free EP from the group with several B-Sides HERE.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/04-Radio-Days.mp3]

Download: The Octagon – Radio Days [MP3]

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