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Everyone knows it–Spoon are a force to be reckoned with. Twenty plus years of crafting relevant and consistent rock music and 9 full length LPs under their belts hasn’t slowed them down in the slightest. Sure, the band has had ups and downs over the years, but their lows aren’t so much missteps as sidesteps. Hot Thoughtsis by no means a sidestep, but rather a confident stride in a marathon of a career.
It’s so much so a given that any record that Britt Daniel touches will be worth your listening ear that I debated whether or not to review this record for a while. With the release of the lead singles, “Hot Thoughts” and “Can I Sit Next To You,” the band hinted that the album would be jam packed full of disco-studded indie rock jams and they weren’t bluffing. The aforementioned singles are but the icing on the cake that you’ll find yourself gorging on time and time again. That being said, the singles make for some damn good icing. “Hot Thoughts” is a radio ready hit that plays with what you’ve come to expect from the band in that simmers to a raging boil, the instruments packing the bite and snarl before Daniel’s vocals do. Tinkering xylophone sounds make Eno’s always steady percussion a little spicy, while the guitars are tight knit and signature. “Can I Sit Next To You” is sneaky, sliding to your side with its handclap beat and snuggles into your arm with its waves of smoky synths.
There are no dull moments on Hot Thoughts. But the songs aren’t just catchy– they’re also musically quite interesting and push into realms that Spoon haven’t stretched into before. The band tries their hand at disco with “First Caress,” which features vocals from Sharon Van Etten and is a full on dance tune. We get a softer track(for Spoon) on “Pink Up,” whose musical motif carries over into the ending track. Shimmering percussion lies at the heart of this song while Daniel whispers lyrics like “Everything you think we are, we are” into your ear, as if he knows he has you under his thumb and knows you like it. But then “I Ain’t The One,” cuts this ‘cool-guy’ persona back down to raw sincerity and emotion that Spoon still embed into their work.
Personally, the song that has pulled me back the most is “Whisper I’ll listen to hear it,” which has landed itself high on this album as well as Spoon’s entire discography. It’s here that the band really shows their finesse and sleekness; the song is effortlessly cool while being musically interesting and involved, a far stretch from formulaic or dialed in. Pulsating synths make their entrance first, setting a foreboding tone before Daniel and some cutty electric guitar join in, letting you know that this is only the beginning. Just when you’re settling into this pace, hanging on every lyric, the rest of the band joins in and the band steps on the gas pedal, launching into a fast paced, white hot hit, complete with a non-cheesy and perfectly placed guitar solo. Daniel’s vocal delivery peaks on this song. As the tune progresses and evolves,growing quicker in pace, his vocals grow more intense, mirroring the musical build with their own growl.
The only faux-complaint I have at the end of Hot Thoughts is that the album seems short. This is purely selfish and not a real complaint– the album is actually a little over forty minutes, but these minutes fly by with this band at the helm and before you know it, you’re starting over, the familiar, quick lipped Daniel to guide you along. Spoon have done the impossible, somehow managing to please fans old and new, while remaining relevant and sharp, which is a feat you can only say about a few modern rock bands. Well done and press on, Spoon.
It’s not easy to cover a legend– to me a good cover pays homage to the original track while putting enough of a different spin on the sound to prevent the inevitable mental comparison of the listener. The Districts, in my opinion, have struck a pretty good balance on their cover of Leonard Cohen‘s “Lover Lover Lover.” What I like about this rendition is that the band keeps the focus on their gritty indie rock sound, but they retain the melancholic tone of the original.
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We’ve been telling y’all about Trevor Sensor for sometime now, so when are you going to finally going to take a listen already? Sensor’s latest effort, “The Money Gets Bigger,” expands Sensor’s singer/songwriter sound tot brand new heights with some production help from Foxygen’s Jonathan Rado. Sensor has amplified his sound with a backing band and the result is a bit of a toe tapper– there’s a great bounce to the tune in the piano and beats that puts a thread of americana to the music. Take a listen and watch the video below.
This track may be a week old, but that doesn’t mean it’s getting any less fresh. 
So I shared this track a few weeks back when it was released as a b-side to a single that 
While I’ve been a long time fan of 