Moaning Share Make It Stop Lyric Video

One of the acts I’m most excited to catch at SXSW (should it go ahead as planned) is Moaning; we had the band share a quick interview last week. Today, they’re back with a brand new tune and accompanying lyrical video. The song tackles the issues of fighting with the thoughts within your own mind; it’s about battling those demons and looking for ways to make it stop. Musically, it’s a little bit more of a brooding number with the guitars kind of crafting a backdrop rather than pushing the tune’s agenda. Despite the heavy connotation of the lyrics, there’s a budding pop moment curling through the chorus, which is worth a visit. Look for the group’s Uneasy Laughter on March 20 via Sub Pop.

Shasta Share Roaming Hearts Video

San Francisco’s Shasta has some heavy-hitters working on crafting the tunes that appear on their debut EP; you’ve got members who’ve played in Bleached, the Shins, Beck and Gothic Tropic…if we’re namedropping. On the band’s latest single, it’s just on the knife’s edge of a dance hit; the sharp edges are there, and there’s a seductive nature to the tune that beckons you to the dance floor. Perhaps a touch too slow for traditional dance grooves, but in that subtlety you’re likely to dive deeper into the song’s natural intoxication, guaranteeing you’ll have it on blast at your next late night shindig. Look for the debut EP on March 13th via Dowd Records.

Album Stream: Brian Mietz – Panzarotti

As a bit of a break from SXSW news, today I am pleased to share with you the debut album from New Jersey based artist Brian Mietz. Though you may not know him by name, Brian has spent a ton of time in the New Jersey music scene in various music projects and creating album art work for several indie bands. Mietz made the choice to step out on his own with his debut LP Panzarotti, and boy what a debut it is. At it’s core, the album is essentially a bedroom pop record, but with tons and tons of layers to peel back as you give it repeat listens. One fan can find elements of garage rock, some folk, and tons of bright and airy pop elements. You can purchase the new LP from Mietz via Sludge People.

SXSW Interview: Lightning Bug

Going through all the bands coming into town for SXSW, Lightning Bug made my list immediately. Last year’s October Song was both noisy and pretty; it reminded me of Radio Dept in a lot of ways, but maybe that was just wishful thinking on my part. Regardless, I’m really excited to see what they’ll have to offer in the live setting. Take a minute to get to know a little about the band below!

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The Legends Share Tan Cologne

Tan Cologne should definitely be a band on your radar, especially after the release of their debut Cave Vaults on the Moon in New Mexico. Now they’ve teamed up with Johan Angergard and his project, The Legends, to release this light-hearted ditty. It’s the complete opposite end of the spectrum of what you’d expect, considering it involves the US duo, but it’s so so great. My only complaint being that the tune’s just short…and not because it’s short but because I could have it all on repeat all day long. Maybe you’ll feel the same after a couple of short spins.

Primo Share Perfect Paper

Having already shared “Best and Fairest” from Primo‘s forthcoming LP, it only makes sense that we continue our personal hype machine for the band’s album with their newest single. What I love about the tunes we’ve heard from Sogni, like the one below, is that the band seem to have really settled into their skin as a group. The harmonies are spectacular, faintly outlining the band’s pop leanings. Here, the guitars ring out in this steady fashion, sort of holding court patiently with this crunchy sound; guitar layers get built in around to craft this wondrous wall of catchy discord. I love this record. It drops April 17th via Upset the Rhythm.

Chase Weinacht Releases Leap Day

A few years ago now we released the most excellent Please Don’t Stop by Marmalakes. Why does that matter here? Well, Chase Weinacht (he’s also in the Hermits!) leads the band’s songwriting, but he’s stepping out on his own to work on some solo stuff for our good friends over at Keeled Scales. Today, he shares that first single, and it’s every bit as special as what he’s done in Marmalakes; he has this way of storytelling that makes you feel as if his narration is your own. It’s hard to distance yourself from someone you care about, but man, his voice is one of my favorite ATX sounds…hear it for yourself.

Jordan Blackmon Shares 2 Songs

Been in an all-sorts-of-mellow mood as of late, when I came across these great tunes from Jordan Blackmon. He played with Toro y Moi as a guitarist for a bit, but has retreated to focus on his own work for the time being. The first of the tunes he’s shared is this really heartwarming piano ballad; it’s short and vocal free, and the studio mix definitely gives it a timelessness, especially when those strings swing into the song. “Family Crest” is the track that first drew me in, however, as it kind of sounds like something from the early 00s indie scene; it has lush arrangements built up around a song that seems like your best friend wrote on the spot outside your favorite coffee shop. Check it.

SXSW Interview: Ali Barter

I love a great Australian voice, and we’ve seen so many come across our pages recently, like Ali Barter, who we’ve mentioned in the past. But, it’s not always easy for acts to get across the pond, so I’m really excited that she’ll be make her way across to the US for this year’s SXSW. It’s never a year without one great Aussie act or another! Last year she released Hello, I’m Doing My Best, and as we see here, she’s in LA working on the follow-up. SXSW seems like the perfect time to work out some kinks. See what else Ali has to say below.

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Orpine Share Sondern Video

A full minute of exuberance opens the new single from Orpine, spiriting the listener before the duo retreat to gentler fare. Oliver and Eleanor share vocals from that point forward, carefully letting a string ring on the song’s horizon; Eleanor seems to take the lead here, with Oliver supporting. This switches as the song’s moves into phase 3, with Oliver dropping quicker lyrical lines as percussion and faster strumming drives further meaning into your ears. And the song’s not even near over, taking a moment of quiet respite before bounding back down the road. I feel like this song is what it’s like as a newborn, opening your ears for the first time to the beauty in the cacophony of the world. Their album Grown Ungrown will be out on May 15th via Heist or Hit! (Soundcloud link HERE).

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