Mason Jennings has long been the troubadour of my heart. From the first listen of his self-titled album–which would probably go in my Top 50 list–he had won me over. There was fire and originality, something I had yet to come across from others in the same genre of music. I buy every album; I am a loyal fan.
However, I finally feel that Mason and I are through. I feel it has been coming for a long time; I think now it is officially time for the two of us to part ways. Finally I feel as if he arrived at a point completely on the opposite end of the promise he once showed.
I first noticed this departure in common ground on his last album Boneclouds, which felt a little over-produced, and by that I mean everything sounded really clean. It didn’t feel as intimate as his past albums had. Not to mention there were throw away songs.
What about the new one? Well, I found several throw away songs, in fact, I found one in “I Love You and Buddha Too.” I understand the search for spirituality, and the welcoming of all religions-as we should–but this is quite possibly the worst song I’ve heard all year. You can add to the list of throwaway songs “How Deep is That River.” Sorry Mason old pal, but you have so much more.
I don’t want to slam this record entirely because I feel like there are some promising moments. For instance, “Memphis, Tennesee” has the heart and soul of earlier recordings, and the opening track, “Never Knew Your Name,” does hold onto some of those intimate moments that I feel like Mason and I shared in the past.
Unfortunately, this album has drawn a line in the sand. I’m now going across to that side where I can no longer afford to buy Mason albums on our old bond alone. If you like Mason Jennings, or singer\songwriters, then you most likely will find some solace in this album, but I don’t think this is an album that will win him a lot of new fans–it might lose him some old ones.
Hear “Fighter Girl” off the new album In The Ever