Cinematic Shoegaze From Musique Le Pop

11160571_855657717837109_8403417751529844609_nAs I’m writing this post, the skies have opened up over Austin to release a massive quantity of water on our city and this track from Norway’s Musique Le Pop is providing the perfect soundtrack to this storm. The new single, “Same About You,” from this three piece is ethereal beyond belief; the soft female vocals glide over the low-key mix of synth and guitar. It’s a simple track, but as you listen, you begin to pick up on the nuances that make it sound like the score to a film that you want to watch over and over again. Wherever you may be, take a few minutes to listen to the song below and melt into the music.

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Jacco Gardner – Hypnophobia

jacco-gardner---hypnophobia (1)Rating: ★★★☆☆

If you were clued in to anything about this album based off its name, it should be the psychedelic genre that Jacco Gardner employs. Patch this together with the album artwork and just like that you can already begin to see where Gardner is leading you with this sophomore effort. What these two signifiers don’t inform you is that like a drug trip, Hypnophobia slips in and out of lucidity; there are times when the music completely engages you and others that encourage you to fall away from focusing on the tunes at hand.

The overall tone of this album is fairly one note, which is why the aforementioned phenomenon is able to occur over its course. That’s not to say that this one dimension sound—heavily mysterious/spooky 70’s synth matched with wandering guitar riffs and Gardner’s soulful yet wispy vocals—isn’t enjoyable. On the contrary, to say that any of the songs on this album aren’t good would be false, but there’s a loss of suspense in the repetitive nature of the sound here. By around the third or fourth track on the record you begin to feel that you’ve heard all there really is to hear from Hypnophobia. While that isn’t necessarily true (some of my favorite tracks come on the end of the record) the lack of variety in the twee psychedelic genre wears a little bit on your hopes.

There are definite numbers that will have your attention more than others. For me, among those are “Find Yourself,” and “Before The Dawn,” both of which are more upbeat and rambunctious numbers for Gardner. It is in this space where Gardner seems to shine the brightest: “Find Yourself” enters your headphones swiftly and with force: the tinny synth here bounces around almost violently, which pushes the song from meek to commanding. Surprisingly, Gardner’s vocals are heavily distorted on this song, but they too feel more forceful than on the other tracks of the album, and lead you to the catchy chorus that somehow ironically makes me want to lose myself in the track. “Before The Dawn” creates more of a swirling kaleidoscopic listening atmosphere, but then the electric guitar joins the mix to ground you with the vocals, akin to the feeling of walking through an optical illusion tunnel.

To me, this seems like the kind of album that you put on to comfort you in the background of studying, working, reading, etc. It’s easy to get lost in, but still occasionally pops in to pull you back to it. Perhaps you feel differently—the only way for you to find out is to have a listen for yourself to Hypnophobia.

Azure Blue Releases New Single

azure blueIt’s probably never a bad day, at least in my house, if Azure Blue is releasing something new.  We’ve known that the band were just around the corner from releasing their new album, Beneath the Hill I Smell the Sea, and they’ve added to that excitement with a teaser EP (and single). The EP is basically one great single (plus album track Baby You Are a Star) and a few remixes, but you’d miss out if you skipped over this delicious track they’re offering.  It’s got crisp guitar work, a driving beat and a coated vocal that, as always, brings the perfect harmony to the band’s sound.  Look for the album from Fika Recordings and Hybris on June 15th.

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Other Lives – Rituals

unnamedRating: ★★★½☆

Over the years, Oklahoma’s Other Lives have built a reputation for themselves as the creators of cinematically sweeping rock music; their first two full-length albums were delightful examples of this unique style, with the more recent of those two, Tamer Animals, showing the growth of the band and their ability to evolve their sound. Rituals, their third full-length attempts to pursue this growth in a different direction via the incorporation of more electronic elements into the mix.

So how does a band that knocked their last album of grand and dramatic music out of the park introduce their audiences to a new spin on their sound? Well, in true Other Lives fashion, “Fair Weather,” the opening track, begins this adjustment subtly. This slow moving song doesn’t seem to be so different from what we’ve heard before from the band, but soon you pick up on more of the use of what sounds like synth or artificial drum beats, evoking a sort of cool groove that sets the tone for the rest of the album. The instrumentation on here is less folk influenced rock and more carefully crafted electro-inspired simmering rock.

This third album shows the band shifting to a subtler sound overall; a bit of the drama that the last album possessed is replaced with sleek smoothness, which works in some places, but falls slightly short of my high expectations in others. Take second track “Pattern” as a prime example of where this works well—the whole song is lined with fierce violin part that never stops, whose immovable presence creates a bridge between the other parts of the song. Similarly, this violin part is mirrored by tinkling piano that shows the level of nuance that this band is so good at. The vocals here are almost entirely falsetto, making for a swirling mix of high and low elements. Another delightful track that shows the smooth approach from the band is “Easy Way Out,” which uses Jesse Tabish’s smokily sinister vocals to assures us that “we can find an easy way out–” and man do I believe him. While neither of these songs really go far away from where they begin, they both use suspense to hold you in their grasp.

Rituals provides us with some more great tracks to add to our listening catalogue from Other Lives, but on the whole it doesn’t make the same leaps and bounds that their sophomore effort did. The sound is still engaging, and the addition of electronic elements works well with the orchestral and grand sound that this band has made their own, but I find myself feeling like I’m missing a little something. Regardless, if you haven’t already fallen in love with Other Lives, there’s really no excuse anymore: pick up Rituals and let the slow crawling sound take you over to the darkness that this band does so well.

 

Yukon Blonde Will Have You Dancing

10982765_10152735413171733_8132872712012660046_oVancouver’s Yukon Blonde have shared a catchy as hell new single from their upcoming third studio record, On Blonde, that’s due out June 16th. “Como,” the track below, is a pure party that pulls out all the stops to have you shake it with the band. The song walks the fine line between pop and psychedelic rock, with the presence of highly distorted guitars and synth that echo through the track nonstop. But then there are the vocals, often joined by some group backing vocals for the “oohs,” that are playful and fun. “Como,” has all the makings of a song that will be stuck in your head for days to come, but in the best possible way.

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ATX Spotlight: New Dana Falconberry

danaDana Falconberry has been one of the most prominent voices in Austin songwriting for the last several years.  There’s a fragility in her voice that I’ve always found rather fascinating, and she’s got a great story to her new EP, The Lowering Night.  Seemingly fed up with the cycle of record, wait, release, tour, etc, she wanted to sit alone in her bedroom and write entrancing tunes.  The songs are meant for just you and Dana, her voice as your night companion…or day companion if you choose.  She’s technically offered up the EP for free, or name your own price, but I encourage you to donate a dollar here and there to help fund her continued craft.

Even More From Beach Baby

Untitled-1Nathan and Nicole have both already posted about up and coming UK band Beach Baby so I figured I better get on this cool kid train before it passes me by.  I’m winning between the three of us though because I’m getting to post what is, in my opinion, the best track of the lot entitled “No Mind No Money”.  From when we first heard the band back in February, I’m seeing an impressive progression here with more grit, power, and energy behind the already beautiful pop sound.  I expect these guys to be blowing up stateside real soon.

Beach Baby’s latest 7″ single with B-side “U R” is available for pre-order right now via B3SCI Records (out June 23rd).

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Meek Mill beat revival

Philadelphia rapper Meek Mill has hit the ground running since being released from prison in December. One of his recent contributions is a freestyle over a redone version of the same sample used on Raekwon’s 1995 single “Ice Cream”. Some may see this as a desecration, but I see it as a dedication. Meek Mill goes off in his usual aggresive delivery and the end result is gold.

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ACL Lineup Is Here!

untitledThough the lineup unofficially leaked yesterday, we were holding off to make sure everything was all official and whatnot before posting anything.  So if you haven’t seen it yet, the ACL lineup was just announced this morning for both of the festival weekends.  Of course ATH is excited about seeing The Strokes again, but as usual, we’re enjoying the undercards with groups like Kurt Vile, Waxahatchee, Talk in Tongues, Jose Gonzalez, etc.  Check out the full lineup here and form your own opinions.

You can also pick up a 3 day pass at 10am central time by following this link.  Do it.

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