Wand Show Off Exploratory Angle

WandThe first single off Wand‘s newest album was an all-out rocker, displaying the band’s live energy in a recorded manner. But, their new single has a different side to it; it holds onto some of the heavier edge of the live setting, but the band explores some of that negative space in their own way. There’s a darkly driving pulse to this tune, but it brings out that experimental attitude along the way, which should make Golem one of the album’s you’re most looking forward to come this March (In the Red, 3/17).  You can also check the band at SXSW, and read this rad interview I did with them a few weeks back.

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Woodsist Is Cornering Troubadour Folk

woodMan…Woodsist is on it this week, as far as the troubadour style folk stylings go.  They just tossed out two great tracks this week, both of artists that will be releasing new music soon. The first tune they had up was Simon Joyner‘s “Nostalgia Blues” off his Grass, Branch & Bone album (3/31); he has more of a Jeff Tweedy wistful quality, yearning, always yearning.  Their other hit was from Little Wings; it’s “By Now” from his effort Explains (5/26).  He’s definitely got more of a saddened touch to his style, but his lyrical playfulness reminds me a lot of David Berman.  Congrats to the label…these are some really great tunes.

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Another Young Guv Tune

bcI’ve been approaching the new Young Guv effort with a bit of trepidation for some reason; I think the first single caught me off guard, but I can see why the always reliable Slumberland Records grabbed this new LP, especially after jamming this tune all day.  There’s a bit of gritty shoegaze in the way the guitars swirl around in the mix, but Ben Cook definitely takes hold of his newer pop-centric aims on his vocal display.  This is one of those tracks that could seemingly break through the universe and catch hold of every pop fan out there; it’s that good. Look for Ripe 4 to hit the streets on March 10th.

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Colleen Green – I Want To Grow Up

colleenRating: ★★★½☆

As a female young adult, I feel as though the music of Colleen Green should really appeal to me, but her last album, Sock It To Me, didn’t sink in too deep, and left me feeling a bit weary as to the nature of her girl garage rock. I Want To Grow Up is another trip down the road of maturation and growing up, as the title would suggest, but this time around Green’s tunes themselves have matured a bit and we’re able to rock along with her navigation of youth and adulthood with the greater coherence of pop hooks.

“I’m sick of being immature, I want to be responsible” is one of the first lines on this album, giving you a snapshot of the general theme this album: wanting to transcend ones current state and be something else, but not quite achieving that goal instantly and the frustrations that arise out of this dilemma. This theme makes for an interesting subject matter for Green to craft some great garage rock gems to delight. Look no further than “Grind My Teeth,” or “TV” to give you fuzzy guitars and pop hooks. “Grind My Teeth,” is one of the more complex tracks you’ll hear from this artist, and it’s definitely one of my personal highlights off the album. This song goes several different directions, first beginning with a rapid pace, leaning more towards the stripped simplicity of punk song, then transitions to a slower grunge mode, when the buzz saw guitar takes center stage and allows for some sweet synth to solo for a bit. Before you know it the track is back to its hyper fast original state,

The lyrics, while they aren’t the deepest, acknowledge their own shallow-ness and play with this idea, especially on songs like “Things That Are Bad For Me (Part I).” Here, Green’s rhymes are simple and easy, sometimes elongating a word or syllable so that the rhyme will work out; there’s no apology or inhibition, Green just goes with it, and her honest naïveté goes a long way.

I Want To Grow Up feels light years away from Green’s last record and the tunes on here reach further than just noisy girl rock. While Green sticks to her guns lyrically, the music now provides an appropriate catchy- grunge pop setting for them to play in. Something has clicked for Colleen Green on this album, and perhaps something in her life has clicked as well, now that she’s realized she can do whatever she wants. Right on.

 

 

Check Out Spring King (SXSW Act)

springI was just talking about the search for rad bands I hadn’t had a chance to even really check out when I stumbled upon Spring King.  The UK pop group have this strong sense of pop traditionalism, though they juxtapose that with some rougher edges, building their tunes with driving guitar rhythms to hook listeners.  They just released this single this week, so if you’re looking for a bit of discovery, or just a rad hit to work into your daily listening rotation, then go with these lads.

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Electro-Folk From Lanks

10665674_668666903224733_3363586482483786576_nSometimes I like to mix it up a bit and go down a slightly different path musically, and boy, has Lanks satisfied that desire with “Hold Me Closer.” Lanks is the project of Melbourne artist Wil Cuming, and it focuses on turning your folk expectations on its head with electronic elements that will have you wondering if it acceptable to dance to this song, wherever it may be finding you. “Hold Me Closer” is a perfect example of this type of groove, with its constant beat that kicks things off, a brief blip of folksy sounding music, and then the eminent addition of more and more electronic elements, while keeping that twangy guitar. Sure, it’s a weird phenomenon, but one I’m digging. What do you think?

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Get Your Disco Electro Fix

lindstromLindstrøm has teamed up with Grace Hall to get you through your day, your night, your party, your after-party with nine minutes of Disco slanted electronica. Grace is in Skin Town, an LA based duo doing dance stuff. LA, Skin Town, I get it.

Anyway, Lindstrøm has been an ATH IT Deopartment favorite because he has a style, but collaborates with just about anyone to produce something a little bit new. This latest jam, due on 4/6 via Feedelity is pretty stuff and when you click play, pick whether you want to zone out or get up. Take me to the (synthetic) bridge…

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SXSW Interview: Melville

IMG_7489Hard to believe that SXSW is drawing ever near as the weeks seem to be flying by in anticipation.  Today we bring you even more coverage with an interview from Portland based indie group Melville.  As I’ve been doing, these are just some questions to build press for upcoming bands, get their feel for SXSW, and see what they think about our great city.  Follow the jump for responses.

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Keath Mead – Sunday Dinner

adventureWeird_LP_11183_newRating: ★★★½☆

Keath Mead is South Carolina boy and self taught musician, and Sunday Dinner is his debut album. Recorded in California at the home of one Chaz Bundick, of Toro Y Moi, the album comes off as a mix between these two distinguished styles: southern ease mixed with California lightness. The result is delightful, crammed full with bouncing pop tunes that make for easy listening.

Like the best kind of end to a relaxing weekend, Sunday Dinner kicks off without a hitch with “Waiting.” Some sugary synths come winding in, scattering around lightly while the lower synths ground the tune all before Keath’s high-pitched, yet still soulful, vocals chime in. This generates a pop song gently evolving and changing modes from the east to west coasts: from slow heated and sleepy to the breezier and permanently chill California style. It’s around two minutes into the song before it reaches its full potential and the drums and some ooh-la-la’s bring it on home. “Grow Up,” the following track, feels kind of like a sunnier Mac Demarco track; the guitar licks are clean and crisp but also distorted and serve as the backbone for the bopping nature of the song. Mead’s vocals and lyrics work together, telling you to “Grow up and act your age,” talking about the self-centered nature of youth, but the overall mood of this song is far from serious. Instead, it feels filled with whimsy and effortlessness, which is the trend of this album; light and airy pop songs with serious, often heavily grounded lyrics to give you that kind of delightful dichotomy.

But the tracks on here aren’t so bouncy that they’re overwhelming. As I said before, the lyrics tend of provide a sense of balance and gravity to the Sunday Dinner that Keath Mead has invited us to. The style itself also gains gravity as it progresses, like you see on later tracks “Quiet Room,” that provides an almost gothic tone with its alien synth parts and heavily distorted vocals. Although sunshine and bounce aren’t terribly far away, as moments like these provide just the right amount of weight before we return to brighter numbers like “Polite Refusal.” Though it begins with those same synth sounds, we get to the choral hook and the soaring vocals and acoustic guitar take over the track and there’s no shortage of sunshine.

Once you get to the end of the album, it’s only a matter of figuring out which tracks were your favorites and which were just really good. Sunday Dinner is brimming with pop gems and enough variation in style to keep your attention all the way through to its termination. This debut from Keath Mead has certainly put him on my map, and if you’re into sunny pop with melancholic undertones, then it should certainly put him on your map too.

 

Fun Fun Fun Fest X Early Bird

FFFX_Earlybird_IGTHE NEW PHONE BOOK IS HERE!!!

But on a more important note, word has dropped that the tenth anniversary edition of Fun Fun Fun Fest will have a presale and it will be on March 5th at 10am. The presale will feature three day passes for the fest next November 6-8 at Auditorium Shores (hopefully back to the old layout by then). And in case you are curious, ALL early bird passes will be mailed out. That means Linegate 2014 will not have a sequel for the lucky early birders.

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