Rating: 
Modern punk rock seems to have gotten a bit stale, in my opinion. You get tons of reverb on the vocals, you get guitar riffs galore, but you never get a band that embodies everything, until you listen to the new Flesh Lights record. Listeners will find songs that are brash in parts, or tracks filled with arena rock riffs, but most impressive is that Free Yourself shows true musicianship.
You couldn’t ask for a better opening track than “Just About Due.” It’s a power pop gem filled with this huge guitar stomp that really emphasizes the band’s skills with their respective instruments. Every riff begs you to pump your fist, and I’m in love with the solo that breaks through briefly near the end, not to mention the growl of the vocal. Such a tune would fit perfectly alongside “I Wait,” if we were to look at modern album structures, but the band holds off on offering that hit until later in Free Yourself. The lead guitar works its way through a great mini-solo, but the chorus is best appreciated by people screaming at the top of their lungs with their best set of buds.
Still, this isn’t a power-pop record; it’s a record of great rock songs. Flesh Lights kick you in the teeth with tracks like “Middle Age” and “We Go Off.” The former takes a knock at middle-aged wannabes and hangers-on, all the while rocking things with a swagger all their own. Can’t believe these guys are calling me out! “We Go Off” is perhaps one of the record’s most dangerous moments, knifing it’s way through your speakers with these jagged guitar riffs and a ferocious vocal that nears going off the tracks. There’s a stuttering approach that sort of reminds me of the stylings you’d find on an ALL album; just listen through this track to hear the band’s talent.
One of my favorite tracks, “Time Thief” seemingly comes off like an outlier, jamming out in a semi-Ted Leo fashion, at least in regards to the vocal delivery. But, in the spectrum of the album, it fits in perfectly, displaying the band’s willingness to fill Free Yourself with nothing but their twelve best recorded songs. Honestly, you can’t throw a single song on this album to the side; every single song is great in its own right, so sticking them all together in perfect order is yet another reason while Flesh Lights should be considered by all as a band at top of their game.
[audio:https://austintownhall.com/wp-content/uploads/2014/10/02-Middle-Age.mp3]
Free Yourself is available from 12XU.
Typically, I fill our pages with Norman Wanklord rock and roll revelations in the Austin scene, but today I wanted to take a look at the ambient side of Austin’s music scene with long-time ATH favorite, Sleep Good. Will’s been busy working on other varying projects, but he’s returned to his studio to complete the work that will comprise the entirety of his new record, Dream Dealer. The song below is just a little taste of the instrumental structures he’s been able to compose, which no doubt also influences the film’s he’s been able to score (with some T. Malick character). Look for his full return when the LP hits on January 6th.
