New Single From Bass Drum of Death

Bass Drum Of DeathBass Drum of Death head out on a short tour soon (sorry not coming to Texas) and a celebration is in order with this new single “Black Don’t Glow”.  It’s about what you’d expect from the band, and that’s a good thing of course.  Garage rock sounds, washed out vocals, and wailing guitars are all here, and badass.  Hopefully we’ll be hearing about the workings of a new album sometime soon.

[soundcloud url=”https://api.soundcloud.com/tracks/129438934″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

New Dark Pop From Mode Moderne

cbd362f71e1718a05ae2976a93d447d2c47c1911After a few spins of this great new track “Unburden Yourself” from Vancouver based Mode Moderne, I’m excited to see what their new full length has to offer.  The band will of course get the Joy Division label from the get go, but I think the band mix those darker tones with some brighter, more polished pop tendencies.  I’ll keep ya posted on how the entire album turns out.  Count me as a fan.

New album, Occult Delight, is coming out on January 21st via Light Organ Records.

[soundcloud url=”https://api.soundcloud.com/tracks/97641723″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

Austin Free Week Reflections

ATH Free Week 14 BannerDespite the debates of recent months concerning Free Week and proper pay, it’s probably best if we look at the unique situation set up by promoters here in town (and Transmission wasn’t the only force putting on great shows!).  For a little over a week, every big venue in town was filling out line-ups with their favorite acts, the newest bands and the old stand-bys. Personally, I had an incredible time, and relished in the environment Austin offers.  

Here’s some thoughts for you, as well as my highlights. 

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New Music from Each Other

eachotherOne of my favorite memories from SXSW a few years back was actually stretching myself to the limit by catching an all day hangover show at Beerland, after spending 7 days rocking and drinking like a champ.  I pushed myself to the max, but I was able to catch Each Other (among others), which was a blessing.  They’ve just announced a new album, and I’m really digging the first number.  It begins with this jagged proto-punk attitude, which normally would be enough to catch my attention, but just after the two-minute mark, they offer this mellow pop opus within the track; it’s quite a special moment.  They’re debut, Being Elastic, will be released by Lefse Records on March 4th.

[soundcloud url=”https://api.soundcloud.com/tracks/127557931″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

Have Fun with The Crookes

817Here’s a fun jam called “Play Dumb” coming your way from UK based band The Crookes.  The trask isn’t one that you should spend too much time trying to overanalyze with labels and whatnot, just enjoy the beats.  This could be one to watch out for in 2014.

New album, SOAPBOX, will be available for purchase on April 15th via Modern Outsider.

[soundcloud url=”https://api.soundcloud.com/tracks/129345532″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

 

New Liars Jam Coming Your Way

liarsFor as long as I can remember, I’ve admired the work of Liars.  Their records never once sound the same, yet they always have some linear links to previous works.  On their latest they continue to explore some of the more electronically influenced moments of their catalog, but it’s the hook during the chorus that really grabbed me.  It’s built as a danceable moment that could really unite those in attendance at a show, though I’d be remiss if I didn’t wish they threw it down just a bit harder…perhaps that’s awaiting in the live set.  You can grab their new record, Mess, on March 25th, then plan on including it in some year-end lists. They’ll also be appearing at Austin’s Psych Fest.

[soundcloud url=”https://api.soundcloud.com/tracks/125756312″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

FFF9 News And Early Bird Info

FFF9I was very worried. I was a bit vexed by the plans of See Three to renovate Auditorium Shores thereby undermining our friends at Transmission to have their party. Would it be the death of Fun Fun Fun Fest? That spot is perfect for the festival that is three festivals in one.

My mind has been put at ease with the announcement that the City of Austin has in fact confirmed that Auditorium Shores will be available for FFF9. With that, dates have been confirmed and Early Bird purchase news has been delivered. Joy of joys, Christmas is saved.

Fun Fun Fun Fest 9 – November 7, 8 and 9 @ Auditorium Shores
Early Bird Tickets – February 12th @ 9AM CST

Fresh Tune from New Electric Ride

OLYMPUS DIGITAL CAMERALondon’s New Electric Ride get a lot of the psych nod for their work, but I don’t think that’s so much the case in their newest single, streaming below.  This tune harkens back to a period where pop construction encouraged playfulness and creativity, which is precisely what you’ll get when you listen to the tune.  It’s got a this odd organ that wraps itself around the tune, while the rest of the song is focused on the core melody.  It’s hard to not find enjoyable elements within this number.  You can pick it up on the band’s new album, Balloon Age, when it’s release on February 25th via Beyond is Beyond is Beyond.

[soundcloud url=”https://api.soundcloud.com/tracks/128916000″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

New Jam from Flowers

flowersWhen I first played this song, I immediately thought Flowers was going for something darker than their pop stylings of early releases.  But, while that does appear to be the approach taken, the infectious voice of singer Rachel brings about a greater sense of light.  They surround the pristine vocal with swirling guitars and a down-trodden beat that broods throughout the track.  If you’re looking for a song that juxtaposes beauty with a gritty underworld then you’ll need to look no further than this jam. No idea if this comes with a release or just a jam the band wanted to share, but I’ll keep you posted as I know more.

[soundcloud url=”https://api.soundcloud.com/tracks/129332684″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

You Blew It! – Keep Doing What You’re Doing

ybiRating: ★★½☆☆

The Emo movement of the early nineties spurred a number of bands that you either loved or hated to jam to, like The Get Up Kids, or Sunny Day Real Estate. You Blew It! offers their own take on Emo, but does this revival band from Orlando, consisting of three“cat-loving, taco-eating dudes” give a nice new take on a past genre, or are they digging up a sound that should remain buried by a decade? The answer lies largely in if you enjoyed the waves of Emo sound the first time they came around, as Keep Doing What You’re Doing riffs off this.

If you weren’t already acquainted with this band from their debut release, Grow Up, Dude, don’t worry, as the instant you press play on opener “Match and Tinder,” you get a sense of what this band is all about. Shredding guitar is soon doubled up on itself with heavily cymbal-laden percussion joining the mix for a hot minute until Tanner Jones’ intentionally strained screaming vocals burst in, kicking the door down. It’s a lot for a first track, and may scare some off, but for those who stick around, this trio has some softer numbers, and some equally as jarring tunes remaining on the album.

One song that strikes a happy medium between these two alternatives is “Strong Island,” which is third up to bat. The hyper-active percussion and hard guitar riffs are still there, but Jones isn’t quite straining his voice so much, though it still retains its strength and guttural power. The affect that these softer vocals have on the sound is that the lyrics are suddenly accessible, and herein lies the other half of this bands revival of Emo—the deeply self reflective writing. The choral tag of this third track bleeds out: “I’m still finding pieces of me that I could live without.” Such emotional and sometimes self-deprecating lyrics are commonplace for You Blew It!

This thirty-four minute brief album serves as a nice little slice of violence. What I mean when I say that, is that the rough edges and thrashing guitar juxtapose with the emotional lyrics to provide a fresh, crisp taste on a genre that flourished not so long ago.

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