Austin Show Preview: Grape St. @ Hotel Vegas (11/2)

Grape St.I’m feeling local this weekend, and though there are a couple of interesting traveling tours coming into town (Those Darlins/The Blow), I really think your best bet is to end up at Hotel Vegas on Saturday night. Some of our favorite bands will be playing that evening; these are bands we’ve supported in some fashion since we started this site. You’ll get to catch Booher, which is the new project from former Zykos member, M. Booher.  Plus, you’ll get Frank Smith, who’ve put out tons of great songs, all of which we’ve enjoyed.  Headlining the night will be another band we clearly support, as we helped the band put out their self-titled LP: Grape St.  They’ve only gotten better over the last year, and you should expect a full house to bring things to a riotous evening. And, it’s going to be cheap, so why not hit up a great local show?!

[audio:https://austintownhall.com/wp-content/uploads/2013/02/10-Track-10.mp3]

Download: Grape St. – Double Golds [MP3]

Meet Morgan Delt

MorganDelt_AlbumArtTrouble in Mind Records remains one of the most solid choices for a band looking to get signed.  They’ve got a unique blend of artists, though the all have some sonic similarities.  So, it’s no suprise that their latest signing, Morgan Delt, has his feet firmly planted in the history of California.  There’s bits of classic Cali pop, yet you’ll also find this lurking psychadelia that courses throughout.  He’ll be releasing his self-titled debut on January 28th, helping us keep things interesting to start off 2014. I’m interested to hear more from Morgan, and we wish him the best.

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Old School Indie Rock From Lo Fine

lofineI’ve been in a bit of an old school mood lately and this track “All We Need is Hell” from Lo Fine is keeping me in that mind set.  It’s a little on the slow side for you rock n roll fans, but I dig the throwback quality myself.  It reminds me of something we would have heard back in the day from bands like Nada Surf or Built to Spill.  These guys have been around for awhile so it’s no surprise that they’re hanging on to what they know best.

New album Want is a Great Need is due out November 15th.

[audio:https://austintownhall.com/wp-content/uploads/2013/10/01-All-We-Need-Is-Hell.mp3]

Download: Lo Fine – All We Need Is Hell [MP3]

New Found Track from The Hunt

huntSeems like today is a good day to catch up with all the tunes that have been coming out recently that I liked, but saw other people get to first.  It’s slow around these parts, so I want to post this tune from The Hunt, who are no longer, but will see a lost LP released soon.  All they really had to tell me was that the guys in the Hunt now work in Cult of Youth, which is one of those bands I love to love.  Their sound reminds me an awful lot of a more Robert Smith influenced version of Cold Cave; it’s built on gothic premise, but remains every bit a pop sound.  You like it? You’re in luck. Sacred Bones Records will release The Hunt Begins on November 12th.

[soundcloud url=”https://api.soundcloud.com/tracks/117514875″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

Another New Blanche Blanche Blanche Tune!

blancheMan, I’m really digging what Blanche Blanche Blanche has been putting out.  It’s like this weirdo post-punk meld with touches of industrial added in for fun.  This new track has some weird effects on Sarah Smith’s vocals, which still have this dark sterility feeling.  Sounds dangerous and odd right? It is, but there’s still this level of attachment that comes for listeners via the driving spirit that creates the constant tension in the track.  Their Breaking Mirrors LP will be released by Wharf Cat Records on November 5th, next week!

[soundcloud url=”http://api.soundcloud.com/tracks/109123772” iframe=”true” /]

Fun Track From Painted Palms

paintedpalmsHere’s a great new track called “Spinning Signs” from one of our more recent discoveries Painted Palms.  This song is just downright fun to listen to.  It’s poppy, it has a sort of doo wop vibe, and it seems to get more enjoyable with each spin.  Hope you enjoy on your spooky evening.  Say wha?

On January 14th you can pick up new album, Forever, on Polyvinyl.

[soundcloud url=”https://api.soundcloud.com/tracks/117697573″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

New Music from Magic Trick

EMP019_Jacket_Front_med_125233I hate to be that guy, but I am that guy.  I love pretty much anything and everything that Tim Cohen touches. His work with Magic Trick seems to have taken an even softer approach today, with his latest single hitting the streets.  It’s a gentler man than his other gig, which is why we I love getting to see the two sides of Mr. Cohen; it’s great to see that our favorite songwriters have other outlets and are pushing themselves. His new effort, River of Souls, looks to be wrapping up the year nicely, seeing a release date of December 3rd on Empty Cellar Records.

[soundcloud url=”https://api.soundcloud.com/tracks/116564434″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

Poliça – Shulamith

Polica_ShulamithRating: ★★★☆☆

It seems like in this day and age, making an album once every year is no big deal for an artist to do, so it’s no surprise that this 2012 buzz band is back for round two so soon. Lead by front woman, Channy Leaneagh, Poliça first made waves in the indie world with their synth based take on R&B. With the rise of synth pop and triphop groups with female, hyper-feminine vocalists, a-la Grimes and Purity Ring, it only seems natural that Poliça is making their rise quickly; the atmosphere is right for this group and Shulamith offers a grouping of songs that utilize the tools already in place from Give You The Ghost.

“Chain My Name,” kicks the album off with fast paced, body roll-inducing beats and Leaneagh’s auto-tuned vocals spouting off lyrics quickly, trying to keep up with the music. A funky bass line compliments the tinkering upper levels of synthesizer sound, and the percussion constantly pattering beneath it all. What is interesting about Poliça and a little different from other than the other groups that I mentioned previously is that the lead vocals aren’t exceptionally strong in their nature—Leaneagh’s altered vocals almost blend in with the other electronic elements; an extra layer of synth to add to the mix. It’s a fun number that should have you dancing around whatever space you find yourself listening in.

Next up on the highlight reel of this record is “Vegas,” which plays into the R&B vibe that this band has played into. Slower and more seductive, but never sleazy as the title would suggest, this track is purely enticing to listen to. Leaneagh’s voice takes on some power in this track, though still not overt in its nature. Later on, Justin Vernon joins the group to add some much needed variety half way through the album. Such song, “Tiff” is a another slower number, but Vernon’s higher pitched backing vocals give a twist on the song that sets it apart from the other numbers; the element that seems to be lacking from some other tunes.

Despite its redundancy in sound to their debut album, and to itself in places, Shulamith is an album that offers a nice change up in your listening catalogue. Perhaps a bit too long—on a song to song basis as well as the whole album—there is definitely room for improvement. Obviously some tracks have gleaned my attention more than others, but if you’re looking for some new jams to groove out to, check it out.

 

PYAITK: I Break Horses – “Faith”

This song is so good.

I love it.

SRSLY.

It came out last week as a second preview track of I Break Horses pending, much synthier and dancier, 2014 release. There is a video for this song and another not-as-awesome preview track called “Denial” after the break. But before you do that, hit play and put your head down. …or dance around like a whackjob.

[soundcloud url=”https://api.soundcloud.com/tracks/117591242″ params=”color=ff6600&auto_play=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

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