New Pop from TORCHES

tochesYou know, I definitely have been enjoying straight rock n’ roll this year, but I don’t want to forget that I really do love great pop music; I won’t hide from that.  This new jam from TORCHES is really enjoyable, and you’ll be able to get your hands on it via the band’s new If the People Stare EP on May 6th…for free I might add.  On this jam the vocals are way up front in the mix, and they definitely have a strong focus, but I like a lot of the light cymbal work that’s going on in the background of the song.  It’s just a good pop ditty. You can enjoy that can’t you?

[audio:https://austintownhall.com/wp-content/uploads/2013/03/01-When-You-Gonna_.mp3]

Download: TORCHES – When You Gonna [MP3]

Rad Post Rock from Cobalt Cranes

CobaltCranes_album_LOW_RESI’m really stoked on this new jam from Cobalt Cranes.  There’s something about it’s nostalgic 90s post-rock bent that really is working for my ears.  At the same time, that heavy bass line combined with the atmospheric guitar work cascading in and out of the tune definitely provides the song with modern appeal; I also appreciate that it’s a bit more melodic than some of the rocking tracks I’ve been jamming to lately.  If you like what you’re hearing then you can grab the band’s debut album, Head in the Clouds, on April 9th when it’s released by Anticc Records.

[audio:https://austintownhall.com/wp-content/uploads/2013/03/Shake.mp3]

Download: Cobalt Cranes – Shake [MP3]

Welcome Return from Blue-Eyed Son

W139I actually haven’t heard anything about Blue-Eyed Son in so long that I can’t even remember the last time I busted out their old record, but I’m glad the group is back in the fold.  They’ve got a new five song EP titled Shadows on the Son that will be heading your way on May 28th courtesy of Eenie Meenie Records. It’s weird, but every time I listen to the group, I think back to the innocent days of Beulah, where great pop songwriting and usage of horns was bred out of late night jams rather than extensive layering.  Regardless, I really think people should write more songs like this, both musically and lyrically.

[audio:https://austintownhall.com/wp-content/uploads/2013/03/01_All_Went_Black.mp3]

Download: Blue-Eyed Son – All Went Black [MP3]

Wavves – Afraid of Heights

Wavves-Afraid-Of-Heights-600x600Rating: ★★★☆☆

Nathan Williams, better known as Wavves, may have crossed your radar at some point, be it through the media realm of the indie music world, or through his music; either way, Wavves is one of the most buzzed about bands. Back in 2010 he released a full length album, which seemed to take the buzz to a whole new level and his relationship with Best Coast’s Bethany Cosentino made for his place as the title within his 2010 release: King of the Beach. Now that it’s been a few years and the buzz has died down some, will Nathan Williams come back swinging from the fade?

The answer isn’t so straightforward, as this is decent album, but the honeymoon stage for fans may be long gone. Afraid of Heights begins with some tinkering instrumental, feeding the anticipation of audiences. The first track, “Sail to the Sun” bursts into life quickly, though, the guitar wailing along with Williams’ vocals, as he kicks straight into it. Fast paced and laden with lyrics classical to the California punk lifestyle that Wavves has always explores. It’s a short and sweet track, but reminds audiences that this guy knows how to rock.

Pushing onwards, you’ll find that it’s not all full speed ahead on Afraid of Heights. The second song, “Demon to Lean on” evokes a sound that reminds me of a grungier, wilder, Weezer, which isn’t a bad thing. Tempo slowed, you can focus on the details that Williams has to offer, which include small nuances within the verses. Other strong moments on this album include, “Dog,” which gives listeners a break from blasting guitars and offers a catchy chorus to sing along. Later on, “Cop,” continues this milder, less garage-rock style, with mini-builds inside of it to explode into choruses, but as on “Dog” there aren’t those waves of dominating electric guitar. Some fans may detest this, but Wavves may be gaining some new fans.

What works against Wavves on Afraid of Heights is time—the album just feels long. With songs that are so repetitive and similar to each other, it seems like a few could have been cut from the track list that would have simplified the album and made for a snappier overall sound. Williams’ music gets a bit sluggish toward the end, and so did my interest, which may be the biggest problem for listeners on here.

Regardless of length, there are some excellent garage rock tunes on this album, which should feed the buzz just enough for Wavves.

Return To Form From Rogue Wave

roguewave

It’s no secret around these parts that the ATH crew wasn’t exactly in full support of the last Rogue Wave album Permalight from 2010.  Nothing against the band, as everyone is entitled to change their sound as they see fit, but we just didn’t get the move towards a full on experimental dance band.  Now that we’ve got that out of the way, I’m excited to share this new song “College” that appears to be a return to the poppy goodness that we used to love about this band.  Welcome back guys.

New album Nightingale Floors will be available on June 4th via Vagrant Records.

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New Beauty From Active Child

Active Child

Over the last year, I’ve developed a major fan affair with Pat Grossi and his experimental pop group known as Active Child.  His album You Are All I See was, and still is, one of the most underappreciated gems from 2011 that somehow gets better and better with every listen.  Well today I’ve got some great new for fans of the group with this brand new track “Evening Cermony”.  It’s a great track similar to what I’ve grown to love about the act with it’s synth pop, beautifully placed harp pieces, and the glorious voice of Grossi mixed in superbly as usual.  Enjoy.

Stay tuned as we get more news about the upcoming new album.  This track actually appears on the soundtrack for the upcoming film The Host.

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SxSW 2013: Movies You Should See

The Film portion is becoming my favorite part of SxSW. I go on documentary overload, picking obscure topics or things that fit my mood. Sometimes, I even choose whatever is playing at The Ritz so I can grab a beer and a pizza.

This year, I jumped around quite a bit. The first night had polarized moments of horror in a doc about Idonesian “Free Men” and the Raimi/Campbell backed remake of Evil Dead. I also hit docs on Branson, old gay people, Napster and an all brother brass horn group. I took a chance on the black and white low budget Whedon and friends production of Much Ado About Nothing shot in Whedon’s house. Some notes and a few pics from the premiers to follow.

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More New Music From Mikal Cronin

mikal

Mikal Cronin is an artist who has drawn a lot of attention for the ATH staff, and rightfully so.  Already we’ve shared with you new track “Shout it Out” that showed Cronin had a bit of a softer side when compared to his previous work with Ty Segall.  This new song we’re sharing today called “Weight” also is a taste of something poppier and more mellowed out than previous work in other groups.  I like the direction Cronin is heading in and the new record is sure to be worth your time.

New album MCII is due out May 7th on Merge Records.

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Clever Girl Pop from Anna Hillburg

annaI’m a sucker for a female singer, especially one who can carefully craft a pop ditty with ease.  This is much the case with San Francisco’s Anna Hillburg who just released her self-titled album on California Clap Records.  “Wine In a Tea Cup” is a pretty simple track here, pushed forth by a quiet drum track and some keyboard-ish accompaniment.  She’s joined at times during the chorus by the perfectly placed backing vocal; all of this works together to make a joyous little number that you can definitely spin over and over again.  Girl power!

[soundcloud url=”http://api.soundcloud.com/tracks/80954051″ params=”color=ff6600&auto_play=false&show_artwork=false” width=” 100%” height=”166″ iframe=”true” /]

Solemn Ballad from Frank Smith

Frank SmithThe word might be out that there’s a fuller sound, and even a more rocking sound, on the new album from Austin outfit Frank Smith.  For me, none of that matters at all, especially when you listen to the quality of this latest single, “Chewing Glass.”  It’s got the backbone of a piano, with the guitar ringing in the distance; it paints the picture of what I always think of when it comes to Texas defined music, though with a heavier leaning here, slightly.  I’m already calling this one of my favorite tracks of the year.  The band’s new album, Nineties, is out next week!

[audio:https://austintownhall.com/wp-content/uploads/2013/03/10-Chewing-Glass.mp3]

Download: Frank Smith – Chewing Glass [MP3]

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