Loney Dear – Hall Music

Rating: ★★★½☆

As the story goes, Emil Svanangen returned to Sweden after his last trip to the US, holing up in the country with various orchestral and chamber groups.  One listen to his new album under the Loney Dear moniker and you’ll see the grand effect the entire venture had on his writing, leading to a record with lush arrangements and careful touches, the like we haven’t quite heard from Emil.

If you’re reading carefully, you can skip beyond album opener, “Name,” as it really is more of a carry-over from early Loney Dear work.  But, “My Heart” gives birth to a fuller sound.  Accompaniment trickles, but as the song continues forward, you can here bits of electronic bass gurgling beneath, waiting to be unleashed.  It never quite jumps out, but the presence in the background adds a greater density to the track, which is much the case for the entirety of Hall Music.

But, with all the attention to detail, would the music really alter that much in the long run?  It’s a simple answer, no.  You see, the highlight of the group has always been Emil’s voice, a very distinct delivery like that of Justin Vernon, where you realize right away you’re listening to a Loney Dear album. “Loney Blues,” for instance, definitely sounds more complete than many of the songs from Dear John.  There’s a general swell in the construction of the song, allowing the melody to sweep you away in a much more powerful manner than in past outings.  Svanangen’s voice truly carries your listen, especially when you come to tracks like “D Major,” which might just be the best song he’s written to date. A gentle guitar opens, serving as ground zero for the whole track, but the vocals have this pitch that just sits perfectly in the foreground of your speakers.  Once the backing vocals join in during the last minute of the track you can’t help but to get emotionally carried away.

Still, the effort put into the craftsmanship on Hall Music shows that Emil’s really reaching to find a larger sound, one that harkens back to his initial return to Sweden.  “Durmoll” uses horns and string accompaniment to create a song that’s both grandiose and simple, but it works.  Or take a listen to “Maria, Is That You,” which appears as more of a spoken word piece set to studio tinkering.  We should all applaud the man for refusing to put out the same record time and time again, moving ahead as his heart desires.

For most of us, we’ll take our melodies and our pop appreciation, enjoying our simple pleasures.  But, it’s clear that Loney Dear won’t willing accept the status quo in pop construction, pushing himself to create songs that go beyond the basics.  You get the feeling that while he’s several albums into his career, Hall Music marks a huge leap forward into the pantheon of great modern songwriters. Congrats Emil.

[audio:https://austintownhall.com/wp-content/uploads/2011/07/Loney-Dear-My-Heart.mp3]

Download: Loney Dear – My Heart [MP3]

Liam Finn – FOMO

Rating: ★★★★☆

Getting out of the shadow cast by a famous father is a difficult feat. Just ask Julian Lennon or Jakob Dylan. In not quite the same extent, Kiwi Liam Finn feels their pain. Finn’s father, Neil, the widely respected and renowned musician from Crowded House, luckily has spread his musical genes on down the line. In cases like these, it’s uniqueness that divides the father/son relationship. There will always be members of the media that dwell on that fact, raising never ending comparisons. What Liam brings to the table for his sophomore release, FOMO, is pure unbridled musical creativity spanning genres as well as blood lines. Now, enough talk about fathers and legacies. Liam is trying to build his own, and he’s certainly on the right track where we find him at the moment.

The whiskers on Finn’s face scream folk, but on FOMO, there’s none to be seen. What we get is a mixture of the purest pop, solid psych guitar riffs (as always), and a little R&B thrown in for good measure. Compared to his debut I’ll Be Lightning, there is certainly much less aggression and more bubbliness, with the exception of ‘The Struggle’. The vibes could almost be opposites on the spectrum between lead single ‘Cold Feet’ and ‘Lead Balloon’. However, the psych influence is still placed at the base of FOMO’s pyramid, seen especially on ‘Chase the Seasons’.

Finn starts us off slow with a buildup of heavy feedback and his divine vocals on ‘Neurotic World’. Inclusions of piano and synth layer into a much more complete sound than were used to from Finn in the studio and certainly in the live setting, where he’s known for his raucous performances. ‘Don’t Even Know Your Name’ picks things up where I’ll Be Lightning left off, exhibiting the slow crescendos of vocal and guitar work with a steady beat churning the number along like a runaway train before busting through the station about a minute and a half in. The vibe gets smooth on ‘Real Late’ with Finn channeling his best inner Marvin Gaye. It’s by far the sexiest track on the album and unsurprisingly is a fantastic track to play as the night winds down.

It seems that for this release, Finn channeled all of his aggression into ‘The Struggle’, and in the overall scheme, it works well placed sixth as a palate cleanser of sorts. Otherwise, we find almost too much pop and not enough substance. Always one to end with a barn burner, rock anthem ‘Jump Your Bones’ finishes off the album with heavy feedback and a  theme that even the most unaware of people could pinpoint. This is surely the track that audiences will find the live power prowess that they’ve come to expect in Finn’s live performances.

Overall, FOMO is fantastic from front to back and is certainly a grower. Every time you go back, there’s something else pulling at you that was missed in previous listens. We Austinites are lucky to have Finn in our city for a show on October 12th at the ND. Who knows that next chance we’ll get to see him in town, so be sure not to miss what will surely be an awesome show. You just might want to bring some plugs. Don’t say we didn’t warn you.


Fun New Jam from MiniBoone

It’s the middle of the week, and we all could probably use a bit of a pick me up, as that lull begins to creep in.  Well, for those of you with an infatuation for bits of post-punk and old school art rock, you’re going to love this jam from MiniBoone. There’s little intricate moments and there’s all out joyous moments, all which make for a great midweek listen.  You can find this track along with others from the group on November 8th with the release of their MiniBoone Mountain EP, courtesy of the fine folks over at Drug Front Records.

[audio:https://austintownhall.com/wp-content/uploads/2011/10/BrandNewThing.mp3]

Download: MiniBoone – Brand New Thing [MP3]

New Jam from Lyonnais

I got this Lyonnais record in the mail a few weeks ago, and I’ve been waiting to share the first single from the band with you.  It’s a bit noisy and gaze-y, if you will, but the melodious moments bring out this internal music that really holds the entire record together.  Speaking of said record, you can pick up Want For Wish For Nowhere on October 18th via Hoss Records.  I promise you that this little gem of a mini-album is not going to let you down.  Please, allow me to introduce you to the wonderful Lyonnais.

[audio:https://austintownhall.com/wp-content/uploads/2011/10/02_The_Fatalist.mp3]

Download: Lyonnais – The Fatalist [MP3]

Dum Dum Girls – Only in Dreams

Rating: ★★★★☆

Last year, Dum Dum Girls released I Will Be, an album filled with noise pop riffs and all the girl power you could possibly pack into a single album. This album launched these girls into the fame of the indie-sphere, forever allowing them to be of buzz worthy status. On this sophomore album, they look to branch off a little from their power pop to a more dimensional sound, as to show their diversity.

With so many of the members of this band in various other acts, it shouldn’t come as a surprise that their sound has matured in nature since their last release. It seems as if each lady gained some experience from their individual projects that allowed their collective dreamy pop to feel tighter knit. The first song is “Always Looking,” which kicks things off on a jamming note from the instant it begins. At two minutes and twenty-one seconds, Dum Dum Girls waste no time ad jump straight into the wailing guitars, the sassy powerful vocals of lead singer Dee-Dee and the luscious waves of sound. Already, it is apparent that the sound quality is already triumphant over previous releases.

Even though not much seems to have changed stylistically for these ladies, there is a definitive confident sound that emanates in these jam. Most of the songs hover around the traditional three-minute mark, save for “Coming Down,” but that is a different beast entirely. At six and a half minutes, this song is a crawling delight that ebbs and flows with the angular guitars and that slow resonating drum beats that juxtapose with the honeyed vocals. For me, it is one of the more intriguing numbers that this band has crafted. It is not as though the youthful spirit has been lost, but instead, it is channeled into emotion rather than just fast drumbeats and surface level lyrics. Don’t get me wrong, you can still find this fast and furious pop on Only in Dreams. The next song, in fact, is the epitome of this classic poppy sound with ample jam for you to shake your hair to.

This album is definitely a step in the best direction for Dum Dum Girls. They have taken what was best from their previous releases, perfected them, and then added new elements to spice up their sound and keep old listeners from getting bored. It’s an entertaining album that plays around with what you would expect from these ladies. Have a listen.

New Music from Guineafowl

If you haven’t heard of Guineafowl until now, we’ll forgive you, as we’re just catching onto the band ourselves.  The Australian group is coming to the States to support the release of their Guineafowl EP. The feel of their first US single totally epitomizes my need for high-fueled energy on Wednesday; it’s got bits of stomping, yet I can sort of hear that blissful swoon of the Dears hiding beneath their guitar work lines.  Just sort of imagine blending pieces of eclectic elements with bits of electronic rock, add some swinging chorus lines, and you’ve got this group summed up. Damned if that doesn’t sound like a great bit of fun to me.  Their EP is out now on Dangerbird.

[audio:https://austintownhall.com/wp-content/uploads/2011/10/02-Little-Fingers.mp3]

Download: Guineafowl – Little Fingers [MP3]

Show Pics: Cymbals Eat Guitars @ Emo’s

Plenty of shows getting thrown about these days, this was the end of a three night run. Cymbals Eat Guitars headlined with Milk Thistle and Hooray for Earth.

The nostalgic feelings grow with each show at Emo’s. I found myself taking more pics of the place for the archive. There was ice in the urinal. No pics of that. Milk Thistle shared crafted Indie-Pop, Hooray for Earth battled technical difficulties and Cymbals Eat Guitars played a perfect set.

A few more thoughts and plenty of pics after the break…

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Show Preview: Braids @ Mohawk (10/4)

Date 10/4/11
Location Mohawk
Doors 9pm
Tickets $10 @ Frontgate

Several awesome shows are going down this evening in Austin, and one of them that’s sure to generate a lot of buzz is going down at Mohawk with Braids and Pepper Rabbit throwing down together.  San Francisco based Painted Palms round out the all indie lineup and provide opening support.  This one is a hipster bloggers wet dream.

[audio: https://austintownhall.com/wp-content/uploads/2010/12/Braids-Plath-Heart.mp3]

Download: Braids – Plath Heart [MP3]

Show Preview: Nurses @ Lambert’s (10/4)

Date 10/4/11
Location Lambert’s
Doors 9:30pm
Tickets $10 @ Frontgate

It really is a crazy night in Austin with tons of shows for you to choose from in a variety of styles.  The show getting down at Lambert’s featuring indie-pop hit makers Nurses should definitely be one of the sets on your radar.  Joining the band to co-headline this show is fellow indie buzz band Dominant Legs.  Rounding things out and opening up the show you’ll get locals Boyfrndz.

[audio: https://austintownhall.com/wp-content/uploads/2011/08/tryingtoreachyou.mp3]

Download: Nurses – Trying to Reach You [MP3]

New Tunes from Working For A Nuclear Free City

Manchurian shoegazers, Working For A Nuclear Free City have just posted an epic free download and a new single. Below you can find a free download via the band’s soundcloud page and on their bandcamp page, you can purchase their latest single, Turning Shadow. The former, exhibits snippets of every style in which WFANFC dabbles and the latter, a solid wave of sound reminiscent of their acclaimed and highly underrated debut, Businessmen and Ghosts. It seems details are slowly emerging about the band’s follow-up to last year’s sprawling release, Jojo Burger Tempest.

[audio:https://austintownhall.com/wp-content/uploads/2011/10/apopTAPe.mp3|titles=WFANFC – A-P-O-P-T-O-S-I-S]

Download: A-P-O-P-T-O-S-I-S [MP3]

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