Tow the Line @ Red 7 (3/27)

Date Saturday, March 27th
Location Red 7
Doors 900p
Tickets Free Show

If you haven’t heard of Tow the Line yet, don’t be surprised, as they’re a brand new band in town, but one with deep roots in the local scene.  Tow the Line features two fellas from a band you should remember, Recover, and two guys from a band you definitely missed out on, The Visitors.  Expect this to be an energy fueled show, and one you have no excuse missing, since its free.  Tow the Line play in the middle of the night’s line-up, which also included Broadcast Sea, We’ll Go Machete and Autons.  Be there to get a glimpse the band before they run this town!

[audio:https://austintownhall.com/wp-content/uploads/2010/03/TowTheLine-Taking_Off.mp3]

Download: TowTheLine – Taking Off [MP3]


New Music From Suckers

The timing for this new Suckers jam couldn’t have hit more perfectly after we yet again loved their live show during SXSW.  This tasty little jam, “Black Sheep”, will appear on the Brooklyn boys debut LP Wild Smile due out June 8th on Frenchkiss records.  Seriously peeing my pants in anticipation for this record.  (Thanks P4K)

[audio: https://austintownhall.com/wp-content/uploads/2010/03/Suckers-Black-Sheep.mp3]

Download: Suckers – Black Sheep [MP3]

Let’s Wrestle – In the Court of Wrestling Let’s

Rating: ★★★★☆

Originally, the UK trio Let’s Wrestle released their album In the Court of Wrestling Let’s in 2009 in England, but fortunately, those clever lads at Merge Records got a hold of it.  They’ve re-released this record here in the United States, and every listener will forever be indebted to them for doing so.  Let’s Wrestle is an honest band, bound by no pretension, built to cheer you on towards brighter days and generally just make you smile.

“My Arms Don’t Bend That Way, Damn It” opens this sixteen song delight, and despite some rather somber lyrics, the jangling guitar lines and furious drum pounding indicate a narrator, and perhaps a band, pushing towards frivolous days.  This happy assault on your ears always seems to carry more serious undertones, but in disguising it as they do, you can’t help but pogo along.

You’ll absolutely love listening to “Tanks.”  It definitely has a very British sound to it, as the bass bobs in line with the guitar work.  Every bit of this song sounds utterly familiar, yet it stands out in a very distinctive manner, which recalls the early work of The Wedding Present.  Similarly, the “ba, ba, ba” chorus that runs throughout “We Are the Men You’ll Grow to Love Soon” just sticks inside your head all day long.  Once again, bass work is key to the simplistic formula here, propelling the song along when the chorus isn’t present.  Don’t even try to tell yourself that you don’t already feel yourself growing to love this band.  It seems like soon is now.

Apparently the band have an affinity for American pop acts of the past such as Buddy Holly and Roy Orbison.  Such influences definitely bleed through here, especially on songs like “My Schedule.”  There’s a certain swing you’d find in the records of your parents; you know, the ones they told you they first danced to when they were courting each other. But, the group has the knack to make it all their own, using a hint of tropicalia on “In Dreams.”  While the subject matter is definitely a nostalgic allusion, you get the precise feeling of listening to this on a beach, if not for Gonzalez’s echo-effected vocal.

A wondrous thing about In the Court of Wrestling Let’s is the fact that their is a youthful vibrance throughout, keeping the album from ever feeling stale.  “I Won’t Lie to You” has a blistering pace to it, and although it does come across a touch raw, you’ll be drawn to the purity of a band pushing themselves to have fun.  And “It’s Not Going to Happen” feels as if a bunch of British brats decided to borrow a touch or two from Ted Leo.  This is meant as flattery, sincerely.  It uses the stop-start formula, along with mono-syllabic moments repeated, sucking you in as it goes.

For a debut record, you couldn’t really ask for a whole lot more.  Not a song on will turn you off, and despite being a straight pop-rock album, you probably won’t skip a song.  Sometimes the best records are the ones that present themselves honestly, destined to bring you nothing but joy.  In the Court of Wrestling Let’s is precisely such a collection of songs, and one that  Let’s Wrestle should be extremely proud to have created.

[audio:https://austintownhall.com/wp-content/uploads/2010/01/wearethemen.mp3]

Download: Let’s Wrestle – We are the Men You’ll Grow to Love Soon [MP3]

New Tunes from LCD Soundsystem

We’ve heard the news about the possibly final LCD Soundsystem record that drops May 18th, but we’ve only been able to hear snippets of tracks. Luckily, 130bpm leaked the track today, and so now we have it up to offer you guys.  This song recalls hints of Bowie or Eno for me, but you be the judge.  I know I like it, but we’ll see how the rest of the tunes turn out.

[audio:https://austintownhall.com/wp-content/uploads/2010/03/drunkgirls.mp3]

Download: LCD Soundsystem – Drunk Girls [MP3]

FTC: Uncle Tupelo

While recently pondering the music world and my depression with the current state of Wilco, I started thinking back to a time when I really dug Jeff Tweedy’s music.  A time when Tweedy used to write music with current Son Volt front man Jay Farrar in the alt-country group Uncle Tupelo.  Now I can’t obviously claim that my young self was around when this band started up in the late 80s, but I do know that I’ve been smitten with them ever since I heard the twang of “Screen Door” off their rough edged debut LP No Depression.  That record introduced a band to the world with some young kids who couldn’t decide on punk or country, so they just decided to fuse the two.  Of course Uncle Tupelo is long since gone after many years together and many country jam filled albums under their belt.  With that huge discography, it’s tough to choose a favorite, but I’ve got to stick with their final album of 1993 Anodyne.  I’m also going with the album closer “Steal the Crumbs” which sort of seems right as a send off to the band since it appears as the closing track on their last recorded album together.  Sad…

[audio: https://austintownhall.com/wp-content/uploads/2010/03/12-Steal-The-Crumbs.mp3]

SXSW Discovery: Beach Fossils

I had heard of Beach Fossils before SXSW, but in this world of constant music exchange, I guess I glanced over them.  That is until I saw their rocking set at the Force Field/Terrorbird Party on Wednesday.  They definitely sounded a lot poppier than what I remember hearing, and you could tell they were having fun on stage, which is always a good thing!  They recently recorded a studio session for Insound you can check out HERE. But, just in case you’re not into that, we’ve got a tune for you to check out as well that comes off their recent 7″ for Woodsist.

[audio:https://austintownhall.com/wp-content/uploads/2010/03/Daydream.mp3]

Download: Beach Fossils – Daydream [MP3]

A Giant Dog @ Beerland (3/26)

Date 3/16/10
Location Beerland
Doors 9pm
Tickets Free!

It’s a great week to catch up on some of our best local talent, and a free show at Beerland on friday night is one of your best options.  The lineup features up and comers A Giant Dog, Electric Jellyfish, and Kingdom of Suicide Lovers.  Best of all, it’s a free show!

[audio: https://austintownhall.com/wp-content/uploads/2010/03/ToPutItBluntly.mp3]

Download: A Giant Dog – To Put it Bluntly [MP3]

She & Him – Volume Two

Rating: ★★★☆☆

After a stunning debut that won over many a doubter, She & Him return for their second album, Volume Two.  You’d be hard-pressed to find someone who didn’t appreciate the first effort, at least to a certain degree, but would the yearning for a second helping of Zooey be nearly as fulfilling as the first run through?  Honestly, it’s probably equally as rewarding as the first record, but that gets lost in the fact that it doesn’t find the group really pushing any limits.

“Thieves” finds the duo transported to precisely the place where they left off, cashing in on our adoration for Motown girl-groups of the past or female country singers with lush orchestration.  While you can see that this was definitely mapped out a whole lot better, with Ward’s raspy whisper singing along during the chorus, it’s not too far removed from the last release, something that may trouble some listeners.

“In the Sun” displays Zooey’s vocal prowess.  Perhaps it’s not the most perfect voice of all time, but you’ll find it every bit as enchanting as you did the first time you heard her sing while watching Elf. However, it has to be M. Ward who steals the entire show here; his guitar work cutting in and out of the song definitely makes this a whole lot more memorable than some of the tracks you’ll hear this time around.

While the album opens with a more upbeat feeling, due mostly to predominantly featured piano, the warmer songs hold the bread and butter.  “Me and You” is probably the most simplistic song, yet the arrangement of the song, accompanied with slide guitar makes it extremely powerful.  She & Him back this up with “Going to Get Along Without You Now,” a song that definitely has a hint of playfulness to it, but Ward’s simple strumming holds the song in place, never letting it stray to far into the realms of kitsch.  Which is not how much of the latter half-of the album goes.

Perhaps the redundancy of the piano work here makes it all seem a bit too childish.  There’s not a lot of exploration on the keys, instead relying upon simple chord progression. While it was charming mixed in on Volume One, this time around it comes off as if the band has run out of ideas. You can contrast that with some of the simple guitar songs, like “Brand New Shoes,” which comes in near the end, and you can feel as if something just hits home with your heart when the piano is absent.

In the end, “If You Can’t Sleep” closes out the record, doing so in a bit of a different fashion.  The title definitely reflects the emotional appeal of the song, and the pacing, which makes perfect sense, as the band isn’t one to push boundaries too far.  All in all, Volume Two leaves you with the feeling that She & Him didn’t want to stray too far away from their original work.  That being said, a detractor here is that it doesn’t stray too far at all, and you get the feeling that this sits perfectly next to Volume One. It’s a pleasant enough listen, just one that isn’t nearly as exciting as the first time you heard Zoeey and Matt together.

[audio:https://austintownhall.com/wp-content/uploads/2010/01/She-Him-In-the-Sun.mp3]

Download: She & Him – In the Sun [MP3]

New Music From Unnatural Helpers

Unnatrual Helpers is a group of Seattle musicians who, after quite some time playing local live shows, are dropping some new 7″ vinyl records on indie label Hardly Art.  The first one will hit stores next week and features this old school garage rock single “Sunshine/Pretty Girls”.  Shortly thereafter in April, the group will drop another split 7″ with labelmates Golden Triangle and San Fran band The Fresh & Onlys.  Keep up the good work kids!

[audio: https://austintownhall.com/wp-content/uploads/2010/03/UH_SunshinePrettyGirls.mp3]

Download: Unnatural Helpers – Sunshine/Pretty Girls [MP3]

New Tunes from The National

This morning news broke of “Bloodbuzz Ohio” being leaked all over the net.  Being huge fans of The National, we wanted to run it, but it was a radio rip, so we hoped to bring you better quality.  Fortunately for us, the band posted the song on their web site, probably hoping people would get to hear the recorded version.  This song makes me really excited for the record, High Violet, which comes out on May 11th.

[audio:https://austintownhall.com/wp-content/uploads/2010/03/The-National-Bloodbuzz-Ohio.mp3]

Download: The National – Bloodbuzz Ohio [MP3]

1 1,930 1,931 1,932 1,933 1,934 2,134
Social Media Auto Publish Powered By : XYZScripts.com