This is fine.
We all have friends on Twitter, right? Sure you do! Well, one of my Twitter friends, Burton Parker (@welvis), on occasion, tweets from the future. Most of the time it’s fairly asinine, but there are some genuine moments of hilarity. So for this week’s Friday Top Five I decided to jock Burton’s style and recall some of my favorite moments from 2009’s Fun Fun Fun Fest…from the future!
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That band with the sad name Tristeza have a new LP dropping in December and we have a first taste of the album. This little instrumental jam is called “Manitas” and will appear on upcoming album Fate Unfolds due out Dec. 1st via Better Looking Records. For those of you that don’t “habla español”, “manitas” means “little hands”. De nada.
Download: Tristeza – Manitas [MP3]
No one really knows anything about the California band Jump Clubb, and in fact, they try to keep it that way. I guess that seems a little ridiculous to me, but still, they recently released this killer Elliott Smith cover “Angeles.” It’s not what you would expect, but it seems like an appropriate way to wrap up a Friday.
Download: Jump Clubb – Angeles (Eliott Smith Cover) [MP3]
| Date | 11/8/09 |
|---|---|
| Location | Mohawk |
| Doors | 900pm |
| Tickets | $13 from FrontGate |
I think most of us will be about done from our Fun Fest weekend on Sunday, but if you’re still raring to go, head to Mohawk for a headlining after show by locals Trail of Dead. Joining the guys on the outside stage will be Dark Meat. Bands getting down on the inside stage are An Albatross, Au, Free Moral Agents, and Zechs Marquis.
[audio: https://austintownhall.com/wp-content/uploads/2008/08/02-another-morning-stoner.mp3]Download: … And You Will Know Us By the Trail of the Dead – Another Morning Stoner [MP3]
We move along with our Fun Fest interviews today with the great Dan Bejar and his musical project known as Destroyer. We’ve been following Dan for quite some time with his work in and out of Destroyer so we were excited that we could get some email questions in with him. Follow the jump to read the full interview.
Rating: 
David Wingo easily won me over with his first album, Ola Podrida, but at the time, he was living in New York, working on various film scores and what not. He’s returned to Austin, which makes me love him even more, and he’s just released another album, Belly of the Lion, that shouldn’t go unnoticed. Be it the warmth of his voice, or the emotional landscaping he creates with his tunes, you’ll find something enchanting throughout the duration of his second album under the Ola Podrida moniker.
For some reason, and this isn’t meant in a disenchanted way, this album feels ultimately louder than the self-titled album, well, as loud as Wingo seems to get. “The Closest We Will Ever Be” seems like a more complete version of the songs on his first record. Much as most of the songs are, this song has grown to include various layers to accompany David’s vocals. Perhaps some might see this as a less-intimate affair, but rest assured, getting inside the listener is something he accomplishes with ease.
“Your Father’s Basement” was the first single to be let loose from the wonderful label Western Vinyl, and this is just one of the many tracks that will standout in your mind. As usual, you’ll find precision guitar strumming, creating a comfort zone within the song; it’s a place for all the listeners to sit and rest. And as you do so, you’ll find it difficult not to fall in love with Wingo’s unique vocals. There is a familiarity in his delivery, perhaps one indebted in Texas folk musings; regardless, this song stands up to the expectations set forth by the former album’s “Jordanna.”
Songs such as “Monday Morning” and “Sink or Swim” definitely demonstrate that Wingo has done some work in the film industry. While “Monday Morning” uses various backing tracks to create and emotional appeal throughout the story of the song, “Sink or Swim” fits perfectly into the intimate moments between a romantic encounter, one that is likely to take place in some sort of wintery wonderland. Such is the strength of the album, as Wingo has included more in the bedroom listening he provides for his audience.
For this listener, “Lakes of Wine” is a remarkable track, aside from the fact that I consider them ALL remarkable. He gently picks at the heart of the guitar, drawing your ears closely into the song itself. And in doing so, you find yourself absorbed before the lyrics even jump into the tune. There is something extremely personal in both his delivery and his lyrics here, as he waxes nostalgic; you, too, will travel back into the past with him. Such is the true art of David Wingo.
While it seems that too few people have had a proper chance to expose themselves to Ola Podrida (such is the tragedy of technology’s effect on our listening habits), Belly of the Lion is an example of a confident piece of work that was carefully crafted to draw upon every human emotion, plugging it into each song. You’ll want to have this album on hand as we prepare for the winter, and as you prepare to make your record collection complete with masterful pieces of art.
[audio:https://austintownhall.com/wp-content/uploads/2009/08/WV67_YFB.mp3]Download: Ola Podrida – Your Father’s Basement [MP3]
| Date | 11/7/09 |
|---|---|
| Location | Mohawk |
| Doors | 900p |
| Tickets | $11 from Frontgate |
Fun Fest aftershows are pretty slim pickins this year, but Saturday night at Mohawk has a nice little lineup of big name local talent. Your outdoor stage will feature Voxtrot and Octopus Project while indoor talent includes Coathangers, Twin Tigers, Walter Schiriefels, and Jazzus Lizard (Jesus Lizard jazz tribute band). Should be a good time if you’re still standing after day one of Fun Fest.
[audio: https://austintownhall.com/wp-content/uploads/2009/08/01-Berlin-Without-Return…-1.mp3]Download: Voxtrot – Berlin, Without Return [MP3]
Every once in a long while you hit upon something that triggers your memory, and you open up the door to your past; you revisit old haunts, and most importantly, you revisit old bands. You see, I grew up listening to Nick Drake, as my dad always played it around the house, so I was always a huge fan. His intricate guitar playing and his spectacular voice. Sure, Pink Moon is the most well-known album for this artist, due largely to Volkswagen, but all those who appreciate his music will surely find gems in the rest of his tunes. So young, so tragic, and yet so beyond brilliant. Every one needs a Nick Drake album in their collection. I’d like to thank the superb Pink Moon book from the 33 and 1/3 series for reminding me of Drake and his sublime talents.
Rating: 
Holopaw had a decent output back in their days on Subpop, but they had been quiet for the better part of the last four years. That is until Bakery Outlet released news that they would put out Oh, Glory. Oh, Wilderness. And, despite that singer John Orth has ties with Mr. Brock from Modest Mouse, you can’t really feel the odd signatures and multi-instrumental moments that he threw into the completion of the Ugly Cassanova album. It’s much more of a mainstream approach, but by that, perhaps it just means it’s more straightforward than what one would expect.
When “The Art Teacher and the Little Stallion” first burst onto the Internet, there was something really casual about the vocal delivery. It seemed like a band that was comfortable in what they were creating, and that, for me, was quite refreshing. It was just a simple guitar driven song, nothing special about it, but nothing one would consider mundane.
For the most part, the album doesn’t do too much else to steer you away from that understanding. “Boys on Motorbikes” has a strange feeling of 90s radio meeting with vocals of someone like Bazan or Enigk or even one of the Kinsella brothers. Something in the vocal just seems to pull at that emotional level just enough to differentiate itself, but not so much to where you will forever remember the vocals.
A special moment does appear on “Cherry Glow,” the album’s fourth track. Strummed guitar serves as the primary background for Orth’s voice, and then it slowly builds towards a quickening of the pace. And as the lead guitar takes over, you’re reminded that you’ve found a song; the female backing vocals cooing in the background don’t hurt too much either. Similarly, “The Last Transmission” is perfect as a single instrument strong. Sure, the flourishes in the background from the slide guitar aren’t really going to hurt anyone, but by itself, you can really get pulled into the song itself. All this can probably be placed at the foot of Holopaw‘s history, as they were forced into a duo years ago, only to pick back up as a group very recently.
The group aesthetic is all well and good, but some of the songs, such as “Little Stallion with a Glass Jaw” sometimes seem a bit overdone by having the full band presence. This is what makes Oh, Glory. Oh Wilderness. a good album as opposed to a moderately great one. Intimate moments across the album are perfect and rewaring, but occasionally, you just seem to get stuck in the middle of the album. Alas, they’ve just reformed a proper band, so the future for Holopaw could be very bright.
[audio:https://austintownhall.com/wp-content/uploads/2009/09/holopawartteacher.mp3]Download: Holopaw – The Art Teacher and the Little Stallion [MP3]
Suhweet. Spinner’s the Interface hasn’t had too many bands recently that I care a lot about or at least not enough to tell you guys about. That changed this week with an in studio performance by our favorite Quinn sisters Tegan & Sara. The girls perform 4 songs all from their new album Sainthood which has been growing on me more and more with each listen. Maybe these live videos will help you to decide if that big ticket cost for their show at Bass Concert Hall in February is really worth it.
Download: Tegan & Sara – Hell [MP3]
