Contest: Hockey On Vinyl

hockeyHockey are a band straight out of hot music scene Portland Oregon who have been receiving a ton of positive attention recently for their unique take on indie-pop/rock.  The band is fairly new to the game so check out their most recent single “Too Fake” below if you aren’t familiar with their sound.  To help spread the word about their music, Hockey want to give away some free music to the new fans they are creating.  Two lucky fans/winners will receive their very own copy of the band’s newest LP Mind Chaos on old school vinyl.  To enter, simply leave a comment about what’s on your mind or tweet us and mention something about the contest in your tweet.  Contest will close on Tuesday of next week (6/30).

[audio: https://austintownhall.com/wp-content/uploads/2009/06/hockey-too-fake.mp3]

Download: Hockey – Too Fake [MP3]

Talib Kweli @ Emo’s (6/24)

500x333_12925630talib-kweli1It’s rare that the ATH gives much mention to hip-hop, but when an artist like Talib Kweli comes to town, we’ve got to get the word out.  Having seen the man in action before, I can tell you that a ticket will be well worth the cost of admission and not at all what you’d expect from the usual boring rap show.  Several openers are involved including Strong Arm Steady, Zeale, Traygod, and local Bavu Blakes hosting the thing.  Tickets are on sale now for $15 and music starts at 10pm.

[audio: https://austintownhall.com/wp-content/uploads/2009/06/get-by.mp3]

Download: Talib Kweli – Get By [MP3]

Sunset Rubdown – Dragonslayer

dragRating: ★★★½☆

Let’s face it, Spencer Krug is a prolific guy.  Not only does he have the time to put together hits with his friends in Wolf Parade, but he also has made several records under the Sunset Rubdown moniker. Dragonslayer is his third proper album under the title, and it’s being released by Jagjaguwar Records.

Since the release of his first album, Shut Up I Am Dreaming, Spencer has enlisted various other members to flesh out his sounds.  The most noticeable change on this new album is that Camilla Wynee Ingr plays a more prominent role in singing backing vocals.  Her voice does a great job to compliment the sometimes wavering voice of Krug, providing a solid balance to the sound.

Of course, since the first release, we’ve come to expect that the songs of Sunset Rubdown would be grandiose affairs, almost epic in a sense.  This album gives you much of the same as almost every song sprawls over the five minute mark. Opener “Silver Moons” is your traditional piano driven Krug tune, and the restraint he uses in staying within the boundaries of the song definitely provide the listener with some of the album’s finer moments.

But, the opener is followed up by three raucous numbers, which those in search of a faster pace to accommodate Spencer will enjoy. While “Idiot Heart” slowly builds towards a calamitous ending, “Apollo and the Buffalo and Anna Anna Oh” takes off from the minute it picks up.  One of the detractors from this period in the album is that at times there seems to be too much going on in the space of the song. Spencer’s softer side seems to be the most fitting for his voice in this setting, and when he goes into other territory, the songs seem a bit strained. “Black Swan” is one of those numbers that seems to struggle with too much going on within the song.

As always, this man can pen some absolutely wonderful songs within the span of an album.  “Paper Lace” is one such song where you realize just how perfect he can be.  Keyboard and guitars seem to just hang in thin air, while his voice never seems to falter one single bit.  If only he could consistently knock out ballads like this every time out. And it also serves as the song that kicks off the best moments of the album.

“You Go On Ahead” and “Nightingale/December Song” are some of the best moments on this album.  Here the band finally has all the pieces of the cryptic puzzle put together.  Tribal drums dully rumble beneath the songs as Ingr’s vocal accompaniment displays the depth of the line-up.  When the sprawling tunes sound this strong it’s hard to see look back and see where the album ever took a misstep.

Then we close it out with “Dragon’s Lair.” It’s the ten minute epic that caps off this record perfectly.  It combines all the elements that you’ve witnessed on the album early on, and it puts them in a one-song extravaganza to encapsulate all the ideas posed by Spencer and the rest of Sunset Rubdown.  It’s a fitting end to a splendid story.

[audio:https://austintownhall.com/wp-content/uploads/2009/06/05-paper-lace.mp3]

Download: Sunset Rubdown – Paper Lace [MP3]

Girls Announce Release Date

girls During SXSW we took it upon ourselves to investigate the hype generated by San Francisco’s Girls. Lucky for us, they completely lived up to the hype, if not rising above and beyond. Now we finally have a release date for their debut, Album, which will be released on True Panther Records via Matador Records. The album comes out on September 22nd, and the following song “Lust for Life” is slated as the opening track. Look out album of the year, here come Girls.

[audio:https://austintownhall.com/wp-content/uploads/2009/06/01-lust-for-life.mp3]

Download: Girls – Lust for Life [MP3]

New Tunes from The Drums

drums I’m really psyched on this band The Drums right now. Of course, they come to us via New York City.  I’m not really surprised by that, but their sound doesn’t sound precisely like the rest of the bands using the wall of sound technique.  Just check out the bobbing bass line that runs throughout the song “Let’s Go Surfing” that’s down below. You can pick up this song and seven other right now off the groups self-titled EP.  They have a new Summertime EP coming our way on August 4th. Pogo…you know you wanna.

[audio:https://austintownhall.com/wp-content/uploads/2009/06/02-lets-go-surfing.mp3]

Download: The Drums – Let’s Go Surfing [MP3]

What Laura Says On Daytrotter

Over the weekend recent ATH fave What Laura Says recorded a live session on one of our favorite websites Daytrotter over the weekend.  The live set features 4 songs and includes this awesome unreleased version of “I Suppose”.  Check out the whole thing now and tell us what you think.

[audio: https://austintownhall.com/wp-content/uploads/2009/06/what-laura-says-i-suppose.mp3]

Download: What Laura Says – I Suppose [MP3]

The Mary Onettes – Dare Ep

dare Rating: ★★★½☆

Sweden’s The Mary Onettes have long been one of those bands that I wished everyone would get into, as they clearly deserve the recognition I’ve built for them in my brain.  Perhaps some will find them drenched in nostalgia, but their self-titled debut showed that they could rise above and beyond limitations of the past. So here they come with their first release in a few years, the Dare EP.

Right away, you sort of have to knock it down a bit based on the fact that there are only three songs on the EP, which is short, even for EP standards.  In the end, you find that this is possibly the only knock on these exceptional tracks; you’ll find nothing else wrong here.

“Dare” is the opening track, and one I threw your way earlier on in the year.  Opening the song you have a swirling guitar sound reminiscent of the opening moments of “Geraldine” by Glasvegas, though the lyrics here will delve further into true meaning than some of the simpler lyrics by the latter.  Also, as with most current bands, the melodious moments are accompanied by layers of atmospheric guitar screeching and pounding drums.  Everything about this song sums up carefully the abilities of The Mary Onettes when they’re at their best.

Following the opener is “Kicks.”  It’s a far cry from most of their earlier work; it’s clearly more subdued in mood and pacing.  This is one of the first songs in their career that I feel is driven by the vocals and lyrics rather than the beat.  Broodingly gently piano accompaniment continues to push this song into traditional ballad format.

“God Knows I Had Plans” closes the Dare EP with a shimmering wall of guitars and harmonies.  A certain warmth exist on this song, which immediately implies a certain craft leaning towards soundscapes.  This is perhaps a fitting association, though they fill the traditional elements with belting harmonies and pounding drums.

It’s a really short effort, but at its best, it portrays a band pushing beyond the boundaries of their glorious first efforts and bounding forwards towards new horizons.  Expect to continue to hear brilliant moments from this band in the near future.

[audio:https://austintownhall.com/wp-content/uploads/2009/06/02-kicks-1.mp3]

Download: The Mary Onettes – Kicks [MP3]

God Help the Girl – s/t

godRating: ★★★★☆

God Help the Girl is the project of Stuart Murdoch of Belle and Sebastian. It’s a fourteen song story created by Murdoch meant to be accompanied by his musical craftwork.  His devotion to the craft of pop writing has expanded greatly as evidenced by this album, which began during his writing for Dear Catastrophe Waitress.

Unlike most Murdoch penned songs, this entire album is fairly void of his soft-spoken voice, instead being replaced by Catherine Ireton on almost every song, aside from “Funny Little Frog” and the two instrumental tracks, “A United Theory” and “The Music Room Window.”

Here we find a remaking of The Life Pursuit’s “Act of the Apostle” opening the album, though it hardly seems recognizable, if any connection at all.  This version comes with Ireton’s vocals accompanied by some appropriate string arrangements.  For all intents and purposes you see this song as the introduction of the story’s narrator.

“God Help the Girl” quickly follows the opener, and it’s one of the most similar to the traditional Murdoch stylings.  Piano backbone and Ireton’s delivery remind you of other Glaswegian band Camera Obscura, which is all the more appropriate seeing as that band, and this project, both travel back in time to 60s pop girl groups. You can just imagine this song coming across with a dance routine and sharply dressed females filling the void in sound.

“Pretty Eve in the Tub” is a track one can possibly dismiss, but it’s going to strike home with most listeners, including the author, for the full use of Murdoch’s voice during the song.  It’s one of the few instances here when he steps in front of the microphone during this project.  However, he also utilizes his voice to trade verses during “Hiding Neath My Umbrella.” Such a song seems fitting in the B&S catalog, though the string arrangements take it further into the musical spectrum.  You’ll find that Murdoch’s arrangements allow for the presentation to go beyond their usual limits.

One of the more developed songs is “Musician, Please Take Heed.” Slowly, for the first minute, it builds with the focus playing upon the vocals, but then the chugging jangly guitars Stuart typically utilizes come into play.  From here the song takes off with a galloping pace as strings are added atop the entire track.  Stuart then returns in the following track with “Perfection as a Helper.”  Backing vocals are so noticeable in this song, which is due to their immediate throwback quality.  At this point, it’s clear just how far he’s really pushed himself in the production of the album.

Every song makes a powerful statement on the album, and there isn’t one that really goes awry when put into the perspective of the album as a story.  Murdoch is at his best with his songwriting, and even the closing moments are spectacular, such as “I’ll Have to Dance with Cassie.” Lovers of his pop song writing will see he’s gone beyond his concise tunes and into a whole other world; this album is the better for it.

[audio:https://austintownhall.com/wp-content/uploads/2009/06/02-god-help-the-girl.mp3]

Download: God Help the Girl [MP3]

FT5: Bands I Refuse To Apologize For

0619top5coverSince this is my first post, I thought I should give everyone a little bit of insight into who I am. Unlike the other ATH writers, I refuse to have “Guilty Pleasures.” Either I like a band, or I don’t. I won’t apologize or make excuses for what I listen to, and I try not to give other people a hard time for what they like (one exception would be Nathan). I’m not saying every band I like is great. Sometimes they have great musicians with bad lyrics and catchy beats. Sometimes they’re just catchy. And the best is when I hate a band, but I hear them so often that I’m tricked into liking them. That being said, here are five bands on my iPod that have play counts at or around 30, and that’s just since April.  Follow the jump for more.
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