Show preview: Better Oblivion Community Center @ Stubb’s -4/9

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This Tuesday night (4/9), we’ll be graced by the presence of Phoebe Bridgers and Conor Oberst in the form of the Better Oblivion Community Center as they take the stage at Stubb’s. Previously slated for the Mohawk, overwhelming support for the early 2019 self-titled album caused a move to a bigger venue; the hype is real and with good reason. Not only are both artists incredible on their own and in their various projects over the years, this new joint album is quite phenomenal. Tickets are still available and are a pretty sweet deal for the amount of talent you’re getting for the price. Openers are Lala Lala, who put out a great album last year, as well as Christian Lee Hutson. Some of our favorite locals, Being Dead will take the inside stage at Stubb’s Jr post-BOCC. Check out “Dylan Thomas” from Bridgers and Oberst (if somehow you haven’t already) and go scoop some tickets before they’re gone–it’s a great option for an early week night treat.

Surfin’ Charlie Bring The Rock

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Looking for a quick pick me up on a slow Monday? Look no further than this banger called “Beggars and Buskers” from Swedish based rock n rollers Surfin’ Charlie. This is a short track, clocking in at just under 2 minutes, so you should have plenty of time to give it a chance. You’ll be treated to a loud, old school rock n roll song sure to pep up your day.

The boys in Surfin’ Charlie are working on the release of their debut album due out later this year on Rexius Records.

The Smallgoods Share Satellite Video

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Sometimes a song is just too good to skip by, and if you’ve covered that song, shouldn’t you feel obliged to cover the video version? No? Well, this single from the Smallgoods is one of my favorite tracks of this year, and this video is pretty special. It begins with two explorer types, lost in the wilderness, frustrated with one another. That is until they see a satellite or star drop from the sky, dropping them knowledge via geometrical laser work. They awaken to find food and booze, and exuberance takes over; I love the go-to stick antlers move. Lost in the Woods will be out sometime in June on Lost and Lonesome (seems like the perfect home, eh?).

Tuung Announce Obscurities Compilation

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I’m not usually one to go revisit rarities and obscurities; it’s a dark hole I sometimes can’t get away from once I’ve journeyed that way. That said, I’m also not one to shy away from great tracks, like this exclusive track (previously only available on 7″) from the forthcoming Tuung collection, This is Tuung…Magpie Bites and Other Cuts. This is the sort of track where I feel like the band has found the most success, spinning subtle folky numbers into playful electronic numbers; it’s like if you got really drunk and decided you wanted to sound like a mixture of Arab Strap and Hot Chip, maybe with a touch of Boy Least Likely To along the way. The song speaks for itself, as does the band’s previous work, so maybe, just maybe, I’ll peep into this wormhole of an obscurities collection; it’s out on June 28th via Full Time Hobby.

Don’t Sleep on The Catenary Wires

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The Catenary Wires history is perhaps far deeper than their discography, but in their short time, Amelia Fletcher and Rob Pursey have already worked with some of my favorite labels in Elefant, WIAIWYA and Matinee…and now their sophomore release is slated for new powerhouse, Tapete Records. This fresh single puts the band’s dynamic at the forefront, relying upon the interplay between the two, trading vocal duties with one another, uniting in certain instances to maximize the harmony; Amelia has this sparkling nostalgic movie star tone, while Rob has this more forlorn croon. The string arrangement dropping in just before the 3 minute mark keeps listeners aware that both the music and voice will be broad sweeping on Til the Morning; it’s out June 14th via Tapete.

Hazy Jam from Film School

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The recent history of Film School seems to be a modern success, if ever there was one. They brought minimal expectations to 2018’s Bright to Death, hoping a few people would remember their early work, and they did indeed; people raved over the successful return. So, here we are in 2019, and the band have readied a new set of tunes, and a new EP on the horizon. Our first listen is this beautifully hazy pop number, swimming in and out of propulsive rhythm work and shimmering guitars. Amidst it all is Greg Bertens steadying voice, softly draped across the fuzzy melody of the track, sort of just hanging out there seducing the listener. Expect the EP to drop this summer via Hauskat Records.

Slow Jam from Shormey

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Shormey Adumuah isn’t a household name as of yet, but one can bet that you’re likely to find her influences hanging about your record collection; she’s pulling from Toro y Moi to the Temptations to ABBA, leaving just a little slice of heaven she’s crafted all on her own. Her latest single is this shimmering slow jam that uses subtle details to suck you into the tune. You’ve got this keyboard/organ line that seems to sort of stutter on repeat throughout, never losing pace even whilst Shormey slows things down with her vocal delivery; I dig the pop emphasis during the chorus. Get into this now, and prepare for Boogie Island Vol. 1, out May 10th via Citrus City.

Have Another One From Nightwatchers

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My new favorite French band Nightwatchers have another new single for you people to listen to and enjoy. This one is called “UPCist to the Bone”, and much like their previous single, you’ll immediately find a lot of passion and energy packed into this post-punk gem. At this moment in time I’m super bummed the band weren’t here during SXSW because who knows when we’ll be able to catch a live show. Until then, check out the song below and rock out.

Nightwatchers will release new album La Paix Ou Le Sable on April 12th via Lovely Records.

Dark and Dreamy Synth Rocker From Favours

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Favours are four piece synth rock outfit who hail from Toronto, who share the same sort of sonic aesthetic of the likes of The Vaccines with the darker element of Joy Division. Today, they’ve dropped a new track, “Afterwards,” which hits all the sweet spots. There’s layers of twee synth, the lead vocals have a bit of a Morrissey swagger to them, the cutting guitar riffs duel for your attention with the funky synth sounds and you even get some contrasting backup vocals to round everything out quite nicely. Take a listen below and fall in love.

 

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