Jangly Rock From Quasar Wut-Wut

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Stop me if you’ve heard this before… I found a new band I love. Yep crazy I know. This time my new favorite band is self-proclaimed #3 band in Chicago, Quasar Wut-Wut. Though the band’s name may be hard to say, I can assure you that the music is very easy to get into. For your consideration is the group’s latest single and video called “Jezebel’s Arm”. It’s a really fun bit of jangly rock music with some unique vocal deliveries and a totally upbeat tempo. It reminds me of late British invasion bands if they had better vocals like The Dodos.

Quasar Wut-Wut just released a new album called Digesting Mirror which is available to stream in full on Spotify.

Glittering Indie Rock From Coral Collapse

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If you’re like me, you can’t get enough of angular guitar riffs, hazy vocals and driving drum beats. Such is what you’ll find on the latest tune, “Atlantic,” from Coral Collapse. You get a bit of a Beach Fossils vibe with this one, though is meanders more to the alt-rock genre than you’d expect. Coral Collapse are from Buffalo, NY, and have a new album called Don’t Wait To See Me Say Goodbyethat’s coming out on April 26 on Admirable Traits Records. “Atlantic” is a shimmering slice of dreamy indie rock that implores you to listen to more from the group. Have at it.

 

New Freak Genes LP Drops

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I love listening to Freak Genes, the hottest UK act you might not have heard about before; it’s made up of equal parts Red Cords/Proto Idiot members, with final mastering touches done by everyone’s hero, Mikey Young. III is the group’s third outing, and they’ve got plans to keep things interesting, throwing in heavy synth focus this round to switch the mood. Every song definitely has its own vibe, from starting off sounding like Jay Reatard to walking down the line of experimental synth pop a la Liars; it’s scattered but interestingly so, encouraging you to revisit time and time again. If you’re into it, III is available via Drunken Sailor Records.

New To You: Bright Dream Pop From Wasuremono

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This track may have come out a little ways back, but it’s too infectious not to share. Wasuremono are an outfit out of Bradford on Avon, and they’re going to release an LP with the same title as this track on June 14 on The Wilderness Records. The name of the band, from Japanese, roughly translates to “something forgotten or left behind,” which is perfect, as while “Are You OK?” is a bright and sunny tune, there’s a lament of wistfulness that lingers though the song. From the start, the percussion is incredibly upbeat, joined shortly by twee synth and then the sheer vocals waft in with some “Ohhs,” and you’re hooked before the lyrics even start. Everything about this track feels like golden hour, just as the sun is setting; the lyrics put you at the sunny seaside, but that chorus asks you the same question, over and over, hinting that darkness is coming quick. An utterly gorgeous dream pop hit, “Are You OK?” is a track that will move you, not only with toe tapping, but also on an emotional level.

 

New Jonathan Something

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Jonathan Something has been dropping bonus tracks to last year’s Outlandish Poetica, and I think those hanging on the highs of indie rock will surely fine something to enjoy. At times, Jon sends his voice through your speakers much like Hamilton of Walkmen fame, though he pulls it back to more intimate delivery that perhaps lends it to a Tallest Man on Earth vibe. Musically, it’s hard to pinpoint, bouncing sort of all over the place, but that organ/keyboard in the distance definitely felt like it was drawing me into the track. If you like what you hear, OP is still available via Solitaire Recordings.

Fun New Pop Punk From THICK

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It’s quite possible by now you’ve heard of Brooklyn based pop-punk outfit THICK. They’ve been talked about on many major sites for their throwback early 2000s style version of pop rock music and have earned some praise along the way. Though I may have been reluctant in the past, I can’t deny I adore this new single “Green Eyes” and it’s fun, energetic vibe. It’s as if Saves the Day married someone from Dum Dum Girls and decided to have a huge party afterwards. Party time, excellent.

THICK recently announced a signing to Epitath with this song and two others available to stream on the band’s bandcamp page.

New Pop Number from The Artisans

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It seems like tons of folks in the indiepop rounds have been buzzing about the Artisans, and I’m here to pile on that excitement with the group’s latest single. The first minute of the track is teasingly slow, just toying with you from the get-go with it’s smooth vibes. But, just after the 1 minute mark we’re bouncing away in glorious fashion, jagged guitar cuts dancing their way through the rest of the song…or so you think. There’s a little switch near the two minute mark that spins both sides of the song into glorious infectiousness. Want to be charmed? The group’s self-titled album is out on April 8th.

Check Out Deliluh’s New Tune

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I awoke this morning to find this track from Deliluh hanging out in my inbox, and I gave it a couple of quick spins. At first, I felt I heard some Dismemberment Plan nods (and I do), but then the guitars got a little more dangerous, a little more jagged and jittery. That’s when I got hooked, fueled by the tension of the song’s natural bass pulse in contrast to the spoken-word vocals and furious chords jumping at you from the distance. Now on multiple listens, it sounds like the more dangerous brother of Ought, post-punk and creative, but more likely to get you arrested. They’ll release Oath of Intent on May 3rd via Tin Angel and Telephone Explosion (US).

Brad Armstrong Shares Carry Your Head High

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Brad Armstrong‘s story is one that seems fairly common nowadays; a brief rise to fame with his previous group 13ghosts before things all came crashing back to Earth. Okay, so maybe that’s a bit dramatic, but he had some success, then things went awry and he set off on a new path. But, he’s been back for a bit, quietly releasing albums that celebrate the great things in life, much like the single below. This track seems to recall his history, seems to beg the listener (and perhaps Armstrong) to keep your head up in lieu of letting things tear you down, be that people or circumstance. Thematically, we should all celebrate ourselves, so seems the story in my eyes. Musically, it’s got a bit of that Americana vibe, though there’s these little intimate whispers contrasted with a fuzzy galloping guitar line. Solid tune sir; it will appear on I Got No Place Remembers Me, out April 19th via Cornelius Chapel Records.

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