Flower Crown Announce Sundries

The days seem longer of late, which always has me in a permanent state of daydreaming. Today, I found the perfect soundtrack tune to those dreams when Flower Crown announced their new LP, Sundries. It’s that sort of melancholic guitar pop with just a hint of bedroom recording thrown in for good measure. The vocals come across like whispers from a ghost, sort of haunting the song’s mix as the guitars sparkle sharply. There’s a few moments when I feel a certain pop sensibility swell that resembles Michael Stipe, but maybe that’s just my old ears. Anyways, Sundries sounds promising already; it will be released May 24th via Crafted Sounds.

Another Proper Ornaments Single

We’re not too far away from the release of Six Lenins, but this is the sort of single that keeps me coming back to the Proper Ornaments. The musicianship is crisp, falling under the vein of that sort of post-psychedelic vibe where guitar notes get sharper and melody gets just a bit more focus; they wind it all around this propulsive backbeat. Plus, the breathy vocals really add an extra element that gives the song this natural sense of longing/searching; it’s as if the song is out looking for its best friend, and that friend is me. Look for the new LP to drop via Tapete Records on April 5th.

Izzy Heltai Croons A Folk Beauty

Maybe I’ve been living in Texas too long, but I’ve developed a bit of a soft spot for folksy-americana tracks, and Izzy Heltai has hit the right blend on this simple ditty. Out of Northampton, MA, he has this elegant yet scraggly vocal range that reminds me a bit of Tallest Man on Earth with a slightly more refined element to it. I really enjoy how this song builds from just guitar and vocals to its soaring chorus. The light touches of tinkling piano and horns paint the tune into a melancholy march, as the name implies. Take a listen.

 

 

 

DMBQ Share Video for No Things

Last year Japan’s DMBQ unleashed Keenly via God? Records, Ty Segall’s imprint for Drag City. As album’s never die, the band have unleashed their video for standout track, “No Things,” hoping to keep their name in your consciousness. The video is as visually disrupting as the song is sonically; it’s filled with mostly live footage, spliced with various other bits that flash across the screen. Sound wise, it’s a barrage that begins with a heavy riff, akin to Black Sabbath, before blasting off into it’s own no-holds-barred sonic exploration. Quiet moments are hypnotic, giving you momentarily respite before the band tear right through your speakers. If you dig the record, it’s out now in the States.

Indie Pop From Tight Knit

We in the ATH crew love our indie pop and we get excited when someone sends us something new from the genre. Today I’m pleased to share this new single “Too Hot” from Melbourne based all girl group Tight Knit. This one is a sort of mellow take on the genre made complete with crunchy guitars and a simple drum beat. The band just put out this single via 7″ vinyl on Not Unloved out of Glasgow. If you’re into it, check out the label’s bandcamp page to make a purchase.

[bandcamp width=100% height=42 album=3154569830 size=small bgcol=ffffff linkcol=0687f5]

New Me Share But Myles

I love the ambition of New Me, trying to release a song a month for their debut LP, but sharing the tracks along the way. Today we’ve got the newest tune, a soft bouncing pop number. After the brief opening, the song’s in your face pretty much the entire time; it doesn’t follow a traditional verse chorus verse pattern, at least in so far as it comes across to the listener. It seems a half-hearted plea for a lover to stay over, though the doom of the world hangs heavily, as if love is no longer something needed as we’re all hurtling towards the end. Stay tuned as I reckon the group will have a new jam in April!

Slow Burner from Melby

When we first heard Melby, it was easy to categorize the group’s debut EP as something in the vein of modern psych-tinged pop music. But, as we ready ourselves for their debut LP, it seems like the band have broadened their sound, embraced their pop leanings and charged into the unknown. This new single has the group carefully crafting a vast expanse of tight guitar work, leaving singer Matilda with this perfect playground to traipse about as she coolly delivers her lines. Here, the band is in no rush, drawing things out so as to captivate the audience; they’re begging you to just let yourself go and follow them into the unknown. None of This Makes Me Worry is out on April 12th via Rama Lama.

Papercuts Bless Us With More Tunes!

Last year, Papercuts put out an incredible record withParallel Universe Blues, and now they’ve got a few more new tunes to share with us. So, rejoice, fans of hazy, jangly, just beyond bedroom pop, as we’ve got two new tracks to enjoy. While this EP features album cut, “Kathleen Says,” it also has a Jackson C. Frank cover and another Papercuts original, “Comb In Your Hair,” which is delightfully morose, thanks to the familiar vocals of Jason Quever. It’s kind of a stripped down tune, with just Quever and his rich and full guitar. At this point, I’m of the opinion that any more music from Papercuts is good music. What do you think?

Wand Continue Growth with Walkie Talkie

I was fortunate enough to catch Wand this past week; I left with one thought, that this was not the same band I’d seen a handful of times before. Cory Hanson seems to be guiding the band into newer, bolder directions…and I can’t really think of a Wand LP that sounds exactly like the one before that. This song has this pulsing groove that almost seems to emulate the sound of a ringing fire alarm; it’s a sound that works in contrast to Hanson’s almost Yorke-like vocal performance. Still, underneath the pulse lives noodling guitar work and tight percussion, perhaps the remaining mark that this is still Wand. Laughing Matter will be out April 19th via Drag City.

Das Kope Shares Tiger

I’ve been covering Das Kope for a hot minute, and he quietly dropped another tune online while we were hustling out at SXSW. While there’s that same dreamy wash over synth beats, it’s restrained for the first 45 seconds; once that volume jumps up you can hear comparisons to other pop constructionists like Washed Out. I do love how his voice is recorded as a whisper throughout, drawing the listener into the track, which can then turn jarring when the volume blasts…it’s a nice little switch. Feel like Das Kope is once again on the right track, so listen to see if you’re on my side here.

1 750 751 752 753 754 2,165
Social Media Auto Publish Powered By : XYZScripts.com