Dry Cleaning Make 4AD Debut

With the London quartet Dry Cleaning now calling 4AD their home, they opted to release this new single to celebrate the new union…accompanied by an incredible video to boot. I love how the band stick to their simplicity, which is where they first started drawing from the likes of the Feelies and Pylons. At times, this definitely harkens to a sort of early 80s post-punk feel, though the edges aren’t as sharper, almost worn down by time; that effect matches the mood of Florence Shaw’s very matter of fact vocal delivery throughout the song. Plus, you get that bobbing bass throughout, giving you enough of a groove that the tune echoes in your brain long after the time’s run out. Betting 4AD are pretty stoked to have this lot on board.

Most Listened to Albums in 2019…According to Keeled Scales

Austin label Keeled Scales are clearly some of our favorite people; they’ve pretty much exploded into one of the best labels in the US, so we’re glad they had a few moments to list out their 10 Most Listened to LPs of 2019!

Be sure to visit their SITE and check out all the great releases; I’d start with this year’s Jordan Moser record, then maybe hop back to that Julia Lucille LP (if you were asking me!). They’ve also made us a great playlist of their favorite tunes from this year, as well as some hits from their artists, all after the jump!

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Let’s Have More Big Thief

What else can we possibly say about Brooklyn based Big Thief at this point? We’ve been posting about their music since the very beginning and have continually hyped the band ever since. A we previously reported, the band is returning this year with their second planned release of 2019 entitled Two Hands. Prior to the upcoming October 11th release date, we have been treated to another new single called “Forgotten Eyes”. This one is much more of a ballad of sorts when compared to the prior single, and features some hints of Americana here and there. This is sure to be another great release. Pre-orders are live here via 4AD.

Big Thief Back Again

If you thought Brooklyn based favorites Big Thief only had one album planned for this year, well you thought wrong. Nope, having just dropped U.F.O.F. back in May, the band are returning with the sure to be stellar follow up, Two Hands, coming in October. Of course a new album announcement also comes with some new material in the form of this bangin’ new track called “Not”. What starts as a typical Big Thief jam with the shuttering and gritty vocals of Adrienne Lenker, eventually turns into an all out, jam fest with heavy guitars, drums and bass. I’m sure you’ll love it.

Big Thief will release new LP Two Hands on October 11th via 4AD. Pre-order here.

Grace Gillespie Shares Hazy Psych Rocker

You may know Grace Gillespie, currently based out of London, from her work with 4AD’s Pixx, but if not, get ready for the bluesy sounds of her newest single, “I’m Your Man.” This track unfolds slowly, which is perfect for sleepy starts to the week on this Monday. Gillespie’s vocals walk the line between falsetto and crooner, which compliments the doo-wop, vintage feel of the track. There’s a lovely balance between slow-burn in the verses and a bit of a bite in the choruses and it feels like Gillespie will soon be taking her spot amongst the ranks of her contemporaries and fellow psych pop crooners Molly Burch and Angel Olsen. Take a listen below and fall for Grace Gillespie.

Another Stunner from Big Thief

We’re no strangers to the incredible tunes that Big Thief have already blessed us with, so we’re very excited about their upcoming record that’s out this Friday on 4AD. Today, they’ve released a new track from U.F.O.F. called “Century,” which grooves along in this unassuming jazzy way that will have you at peace this Tuesday. As always, Lenker’s voice takes the spotlight; its immaculate restrained power loud in the mix. Not to be outdone by the ever-present shimmery acoustic guitar and the brief electric guitar solo that leads you out of the tune. I’m very much looking forward to hear the rest of the tracks on U.F.O.F. , which you can pre-order here.

Listen to New Deerhunter

It’s interesting listening to this new track from Deerhunter, especially if you’re aware of Bradford hanging out with Cate Le Bon and Tim Presley last year in Marfa. That’s only important if you listen to either of those artists, as it feels like their spirit has seeped into Bradford’s songwriting. Regardless, the song’s wonderful, stretching the harmonies with these grand string arrangements behind the band. The more I listen, the more I become immersed in little moments like the group vocals behind Cox during the chorus; it’s intoxicating in the best way. Why Hasn’t Everything Already Disappeared will be available on January 18th via 4AD.

What A Jam From Methyl Ethyl

I am a bit late on this new Methyl Ethyl jam as it came out on Friday, but you will have to agree with me that it’s worth sharing and blasting. If you’re looking for a pop number to brighten your dark and cold Monday, this is the song for you. I’m finding myself dancing along to this song with its catchy beats, energetic vocals, and hazy guitars. Seriously, this is what pop music should sound like.

Methyl Ethyl will release new album Triage on February 15th via 4AD.

Always Down for New Deerhunter

Bradford Cox and Deerhunter are never far from my mind; I feel like Cox has crafted some of my favorite tracks over the last decade or so. Now we’ve got news of a brand new LP, one that gets production credit from Cate Le Bon; I feel like her influence can be heard almost immediately, riding through the background of the track. I love how the song swells to a bold punch around the 1 minute mark, creating this sly punch. That power gets emphatic as the song draws near a close, so it’s hard to turn a blind eye to Cox at his songwriting best. Look for Why Hasn’t Everything Already Disappeared via 4AD this January.

What a Beautiful Beirut Tune

I have to admit that I lost the plot with Beirut somewhere down the line…those feelings of being overcome just sort of faded away…though I still put on Gulag O. from time to time. And then today, I dared to click on the new Beirut album, and lo and behold, the brilliance is back. The band’s latest tune has this softened percussive gallop and a wondrous horn section; I have to acknowledge I got swept up right away. Then Zach’s voice hits, soaring in its baritone manner, losing me in the great swirling storm of emotive pop. Maybe it’s time I revisit my old friend; look for Gallipoli in February on 4AD.

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