Rating: 
Rock n’ roll has a tendency to get stale, and the current landscape has seemed as such, by and large, until I came into this Omni album, Deluxe. Sure, there are nods here and there, but for me, the band have managed to reimagine the world of punk (pop, proto, etc) and capture it at its fascinating best.
The one-two punch of “Afterlife” and “Wednesday Wedding” set the tone for what’s an exciting listen from start to finish. Deluxeopens with a propulsive bounce, discordant guitars ringing in your ears and changing speeds via “Afterlife.” But, in “Wednesday Wedding” the group displays what’s made them wholly fascinating; this track seemingly works against itself, with stabbing chords and bobbing bass hitting in contrast to the cooled vocal punch. If you listen to the song’s chorus and aren’t in love, even though it’s brief, you’re not doing it right.
Really though, Omni have left you with what is actually a 1-2…10 punch. There’s not a bad song here, and every listener will likely find their own favorite. I mean “Wire” has this danceable stab that separates the dreamy state of the track. “Eyes on the Floor” could easily have been penned by the band’s many Aussie label mates such as Dick Diver, filled with these great guitar lines. Lately, I’ve been gravitating towards “Jungle Jenny,” which definitely seems to wear the touches of Frankie Broyles (who was once upon a time in Deerhunter). Those are just some of the standouts and benchmarks from my voice.
But, that being said, I don’t thing anyone that looks for a reason to hate something will find that within the confines of Deluxe. It excels in creativity, but is also fortunate in that there’s some brevity to the album, so you’re not worn out by anything. Each song turns and turns, leaving you flustered, yet immersed in the art the group brings to the table. Start to finish, you’re going to need to listen to this record; you’re going to want to listen to this record…and in a world of singles, that says a whole lot more than I can.
It’s available now via Trouble in Mind Records.
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Trying out something new, as I’ve got about a week and a half before I get back to maybe reviewing some albums, like Nightshift‘s Homosapien. The record is out today via the generous folks at Trouble in Mind Records. Instead of doing some long form review, I’m going go after the track by track breakdown format. It’s also a reminder to me, and others that records are sometimes best enjoyed as a whole. Obviously if I’m writing about it, it’s good, so it has my seal of approval.
For the past however many years, 
