Tag: austin

Ingebrigt Haker Flaten Shares Single + Announces Sonic Transmissions

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Seeing as we’re here to get weird on a Friday, there’s definitely a reason to branch out into the realms of the work of Ingebrigt Haker Flaten (Exit) Knarr, as the current ensemble is labeled. The group have recently announced Drops, their latest record, and below you’ve got the jazzy twists and turns tantalizingly tuning in and out. Squeaks and squawks, hammering keys and drums rolls, all peaking in cacophony and coming together harmoniously. It’s this aversion to modern construct that makes the ensemble so captivating. Plus, the group have also blasted news of the next Sonic Transmissions Festival, taking place here in Austin on September 11 thru the 14th, supported by Epistrophy Arts. It’s a celebration of storytelling and sounds that stretch our expectations of what pop is; you can get more details HERE.

Chronophage Drops Musical Attack

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A new release by Chronophage always warrants a celebration; they’re one of the gems of the Austin scene, and just last week they dropped Musical Attack: Communist + Anarchist Friendship. It’s four brief songs, all which seem to explore their various influences in different ways. When the album opens, it almost feels like they’re taking a Dead Kennedy’s approach with that pummeling drum opening, but they waste little time rushing into this fervent guitar jam that just shreds right through your speakers. The dancing guitar line that opens “We Must Be Evil,” embraces the absolute playfulness of the tune, letting the vocals sort of encircle and prance about the musical element. You can even find a nice little video HERE of the closing “Anti-Miracle,” which features this stuttering guitar wiggle that borders on moving into post jam band territory; it’s got this falling little chorus that’s perfect too. If you want a 7″ copy of the EP, grab it from Post Present Medium.

Dress Warm Release Divine Single

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First things first, the single is titled “Divine,” though I’ll admit that the performance is also similarly divine, in its own manner. We’ve covered Dress Warm for some time, trying to get the Austin bunch on your radar, and now that they’ve got a debut planned, we’ve got the album’s first single to share with you. Brandon Price seems to be the main player in the track’s first half, letting the gentleness of his voice work atop the light strums of guitar work; it’s a living room performance, the sort that brings you in with its natural intimacy. They work the song into a lather, letting it build up with this stomping tension before washing it clean by letting the full band sound sweep in and layer the track in emphatic texture. Their debut album, If I Could I’d Take You There is out on August 22nd.

The Living Pins Drop Gold Video

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I love a band that offers no bullshit. They get up on the stage, turn up the amps and just rock it out, much like you get when you catch the Living Pins. Their recorded music is much the same, as you’ll hear in their latest single. The band notes that the tune takes its roots in a bit of classic rock sound, but as the vocals hit with those stuttering riffs, there was something that felt like a rocking version of Alanis Morissette, which I actually think is really cool. The rhythm section holds the swagger, letting the edges kind of get fuzzy with psychedelic tinges and feedback while the rest of the group just give you straightforward rock. Give a listen, won’t you.

Day Friend Drop Blackout Single

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Over the last year or so we’ve been hyping up Austin act Day Friend; they played our SXSW show with SOTO, then dropped the rad “Brainworm” single. Today, there’s a fresh tune that I’m particularly excited about; it’s got a bit more of a pensive post-punk nature, taking time to stretch out the guitar sound a bit. But, don’t think they’ve gone soft as the cymbals and drums still smash through the mix, and you can hear this slight little growl on the vocals. But, if you stick around, you get to hear a little plot twist, which is one of the many reasons I love the group, as they take on more of an explorative psychedelic beat blasting off towards the track’s close. Be sure you jam this one.

Thanks Light Return with the Valley

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It was just a few weeks ago when Austin band Thanks Light were making RayRay and I nostalgic with their ode to Costa Rica. And, they’re right back at it with another fresh single from the current cycle, this one hitting more of a traditional indie folk sound. You get a steadily marching drum to open the tune, awaiting its union with light strings and a barroom piano line; it’s subtly uplifting, yet solemn once the heavier tones from the vocals sweep into the picture. They ride those moments up until the chorus, where gang vocals lift you up so as to swing you right back into the tilt-a-whirl feel of the verses. Another solid number from the ATX homies.

Obligatory Die Spitz Post

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Austin quartet Die Spitz are all the buzz in our fair city. Admittedly, I have a hard time writing about them, as I taught several of the members when they were wee tweens listening to Twentyone Pilots. But, I’m proud of them, and their recent signing to Third Man Records indicates their meteoric rise; I know our friend Marc from THEMM is an absolute huge fan. So, here’s a new single and video from their forthcoming LP, Something to Consume. They’re over in Europe right now if you’re looking to catch them at a show, or if you’re listening, click play to hear what the buzz is about.

Circling Back to the Stayres

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It isn’t always easy to keep up with the constant flux of new music coming out of Austin (though our friend John at 101X Homegrown crushes it on the weekly). So, it seems like we missed this new record from the Stayres, and I wanted to hit back on that to make sure I’m giving their Duplex LP a little more love. They embrace a sort of early 90s rock aesthetic (and no, not grunge), more of a kind of mixture of punk and late Replacements vibes. They mix it up too, so each track, while tied together, has its own vibe; I’m quite partial to “Don’t Touch the Humans” and “Cora,” with each one operating a slight bit of bravado and assuredness. I’ll drop those two tones at the bottom and encourage you to check out the rest of Duplex HERE.

Nuclear Daisies Drop Infinite Joy Single

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If you are marking things down on your calendar, you might want to pencil in August 1st, as that’s the drop date of the new LP from Austin’s Nuclear Daisies. The band features Alex Gehring of Ringo Deathstarr, which should build in some expectations of their sound, but, like many folks in the shoegaze genre they’re flexing their craft and making it into something a bit more refreshing. This single has a heaviness to it, almost an industrial brand of electronica, hitting with wave after wave; it’s balanced out by distorted guitars driving the rhythm into your brains. That big sound gets split right through the middle with Alex’s voice hitting some angelic dream pop notes, creating this tasty little melodic center you’ll want to bite right into. First Taste of Heaven hits on August 1 via Portrayal of Guilt.

Stella and the Very Messed Share Big Familiar

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The news of brand new Stella and the Very Messed has been sitting in my inbox for a few weeks, and I’m so excited about this record I couldn’t wait to share the news with you. Stella Maxwell, formerly of Cruiserweight, has been a powerhouse in the Texas music scene for several decades, and despite my love for all her previous works, this new single is just a straight hit. A light strum opens before the drums crash in with a wash of heavy guitar riffs, hitting you right in the face as Maxwell’s voice belts out notes with an assuredness of an indie rock veteran. The way the band pull back to kind of offer a little moment of rest, then blast back just builds this huge wall of power that washes over you again and again. You’ll be able to get yourself a copy of their new record, Big Familiar, this Fall via Double Helix Records.

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