Last Week’s Jams (4.8 – 4.12)

Apparently it’s that time of year when I just can’t help myself; I’m going full-time it seems, as we ran 28 brand new tracks this last week, plus some nods to albums we liked that dropped on Friday. We got some fresh premiere activity from the Wesleys and Max Blansjaar, then there were some recent favorites dropping in new stuff like Lightheaded, Neutrals and Autocamper. Me personally, I loved the new Gregor single, and that new CBVB plays into similar territory. This collection of songs, like my own catalog, is pretty random, though we always tend to aim for left of the left of the dial. Stream on.

Club 8 Share Sucker Single

Admittedly, woke up dragging ass today; it’s the post standardized test blues all teachers get after forcing their students to take a meaningless exam. So, I need a pick me up and the springing notes from this fresh Club 8 track immediately did the trick. Both the rhythm and the guitars are off and running from the get-go, encouraging you to get just the slightest bit of a wiggle running through your body; if you give in, you’ll find that wiggle turns more into a full-blooded head-bob and toe-tap. The Swedish duo’s bread and butter is locking into that energy, then juxtaposing it with a bit of sugary sweetness, which you’ll certainly get when you hear the intermingling of the voices! Another hit!

Last Week’s Jams (3.18 – 3.22)

After a week where I felt we left our visitors down, due to some musical gather in Austin, we came back with a vengeance this week. We repped some hometown heroes, announcing that Eastside Suicides would be reissuing their debut, along with a new tune from our friends in Blushing. Perennial site favorites Rural France and Red, Pinks and Purples made their usual appearance with fresh tunes for you. I loved new stuff from Winged Wheel and Yea-Ming and the Rumours. Honestly, I don’t think there’s a bad song in this playlist, which duh, we get to hand-pick what we cover. Press play and enjoy.

Club 8 Share Daylight Single

For the past few months, Club 8 have quietly gone about their business, releasing single after single, which I keep coming back to enjoy. When this one kicked off, there was a bit more danger in the way the track presented itself; there’s a growl from the bass line too as it works to give the song an edge and a hook simultaneously. But, where the band’s success lies is in there ability to work to create swirling pop realms by providing melodic vocals within tasty little pop nuggets, creating an endearing world that keeps you, and me, coming back over and over again.

Last Week’s Jams (1.29 – 2.2)

If you were anywhere near the musical interwebs last week, then you were given a lot of gifts; there was new music from the likes of Six Organs of Admittance, Camera Obscura, Ducks Ltd and more…all of which feature in this rendition of Last Week’s Jams. It was a pretty solid week for the ATX too, with new music from Water Damage, Holy Wire, Broken Gold…plus a Touch Girl Apple Blossom video from their latest EP. Bonus points go to acts like Savak, Cool Sounds and Torrey for adding further joy to my listening rotation. We also mentioned some Bandcamp recommendations for True Green, Flight Mode, TVXP and Fuvk. Kick in below for all the sweet jams we’ve got in one easy listening spot.

Club 8 Release Just Like Heaven

Contrary to popular opinion, this new Club 8 track is not a Cure cover song, and in fact, doesn’t even seem close, aside from the song’s title. There’s something about the group that faintly reminds me of Raveonettes, using a similar adherence to a simplistic formula; the rhythm section is tight and buoyant, but never out of pocket. This allows the group to focus on the pop sensibility, whether that comes via the sharp guitar notes or the coolness of the vocal delivery. This is their second single recently, so let’s hope we’re getting more classic pop vibes from the Swedish outfit in the new future, and maybe even a nice little LP.

Last Week’s Jams (12.11 – 12.15)

Unfortunately, this is probably the last of Last Week’s Jams for 2023. Not because I don’t want to write about new tunes, but because, for some reason, folks just stop putting out music and let the world dwindle to a compilation of year-end lists. But, last week we still had tons of tunes to cover, with a whole lot of Austin represented. We revisited Fantastic Purple Spots, plus had brand new stuff from Big Bill, the Infinites and Fading Yellow. Got a bonus with one more Maureens track, which might be my favorite on their latest LP, and a fresh Club 8 hit that came out of nowhere. If you’re just looking for a playlist of new music, why not start here.

Fresh Track from Club 8

If you’re pressing play, you can’t tell me that the song doesn’t immediately get stuck in your head! Club 8 open their latest single with a thumping single, tossing you into a toe-tapping frizzy as that infectious groove locks you into good times. Of course, the band always play with catchy notes while fusing it with really warm melody, and they do that here, with both singers trading verses back and forth with one another to charming effect. There’s no word as of yet about a new album, but hints of a slew of singles coming our way in the new year, so we’ve all got that to hang our hopes atop.

The Legends Return with Loser

Johan Angergard’s a seasoned hitmaker, playing roles in Club 8 and Acid House Kings, but it’s his Legends project we’re hear to listen to right now…and it might be my personal favorite project of his. This latest single immediately grabs you with this snappy little snare bounce, giving your leg that uncontrollable need to go up and down with the beat. In the guitars you’ll find the driving rhythmic nature that makes a good pop song, though its careful to hide beneath the vocals, only popping up in between to display the musicianship. Vocals, as you expect from Johan, are drenched in sugar, with duties shared with Club 8 bandmate Karolina Komstedt. Can’t wait to hear a new LP!

The Legends Share For Love Single

Johan Andergard has his hands in a lot of the great Swedish pop music I adore, from Acid House Kings to Club 8, but his solo work as the Legends always seems to always find the perfect home in my heart. This song, with an admitted study of the Field Mice, feels like is got this splendid gallop to it, like riding your horse through some sun-filled valley with flowered rolling hills. There’s just something about the vocals that lift your spirits, allowing you to peak in step with the tune itself, and a subtle backing vocal mixed in behind the front of the mix, furthering the song’s natural charm. Johan’s working on tons of tunes for 2022, so hopefully we’ll hear more soon!

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