Divine Fits – A Thing Called the Divine Fits

Rating: ★★★½☆

When there is a collision of famous indie artists, it’s not really an exaggeration to say that the internet world blows up a bit. So a few months back when this project between Indie darlings Dan Boekner, Britt Daniels, Sam Brown and Alex Fischel came to the surface everyone was abuzz with excitement for their debut album. As a fan of Spoon and Wolf Parade/Handsome Furs, the main projects of which Daniels and Boekner are frontmen, I jumped right on the excited bandwagon. How could this much creative genius combine to equal something less than amazing?

First up on the album is the much hyped single “My Love is Real,” which features Boekner taking the lead on vocals and a heavy amount of synthesizer and other electronic sounds. It’s an interesting start, as it is a pretty straightforward song, lyrically and sonically. You have the steady drum machine beats, some thick synth lines and Boekner iterating that “[his] love is real…until it stops;” a tangible one liner that can get itself stuck in your head for hours at a time. Next up is “Flaggin’ a Ride,” on which Daniels takes vocal lead. Noticeably, it sounds a lot more like Spoon, as the first song exhibited signs of Handsome Furs. Apart from the vocal similarities, you have the signature guitar lines that takeover the song and the overall rockier sounding song.

The album progresses gradually, with most of the tracks ringing true to their titles, which are often repeated quite frequently. Another standout, and perhaps the most cohesive song for this group comes on “Baby Get Worse,” on which Boekner has the lead in the beginning and the focus is strong on synth lines and buzzing beats. However, instead of leaving on a one note status, a break comes late in the song with electric guitar surging through with Daniels shortly following, giving it the magic touch of both of these guys. “Shivers” also possesses such a factor of intrigue as “Baby Get Worse,” despite it being an altogether Spoon-ish sounding effort. The lyrics on this ninth track walk a bit on the somber side, but are no less than the brilliance that we’ve all come to know, doling out lines like “my baby’s so vein she’s almost a mirror,” and other quirky darkness that adds to the overall appeal of the Divine Fits.

While this is by no means a bad album, it is a bit of a disappointing one. I was expecting the powers that combined on this work to be greater than the sum of their parts, culminating to an excellent new super group I could get behind. However, A Thing Called the Divine Fits comes across as a mixture of slightly altered songs from the original bands of these gentlemen, but when it’s such talented artists, who’s really complaining?

Show Review: Handsome Furs @ The Mohawk

Seriously, I am sick of the heat. This has been a brutal summer, but everyone that was at the Mohawk Friday night braved the radiant warmth and put their energy into the show. Handsome Furs’ performance was contagious. Dan and Alexei were giving themselves to the crowd, thanking us fans for allowing them to be on stage, to perform for a living. It was too much almost, but the profuse appreciation for the audience never came across as staged or as pandering. It was genuine.

Austin’s Lean Hounds set the crowd up for the exhausting performance. More notes and some of the favorite pics I’ve taken in a while are after the break.

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Handsome Furs – Sound Kapital

Rating: ★★★½☆

Electronically driven, but vocally backed, is what Handsome Furs have shown us their sound consists of on their past two full-length records. It seems on Sound Kapital, they chose to put an even larger strain on the electronic elements of each song, nixing the guitar somewhat completely. Although an interesting choice, this heavy electronic sound is one that works stylistically for Dan Boeckner and his wife, and follow member, Alexei Perry.

This album starts out somewhat misleading on “When I Get Back.” Sure, there is the lovable drawl of vocals, but there is also this backing dub-esque beat that throws the number off a tad bit. Despite this underwhelming start, Handsome Furs progress as the album moves along. After the pace increases on “Damage,” they follow with “Bury Me Standing,” which is the first real standout track, complete with raging synthesizers, a hint of electric guitar and quickly iterated lyrics. Here, you also have the introduction of a mechanical feeling emoted from the songs. The repeated lyrics turn into a motif, feeling similar to a machine doing the same thing over and over.

This proves to be a bit of a double edged sword for this band. For some, this may prove to be simply too much because of the doubly repetitive base in synth. However, others may be allured by the gripping intensity of Boeckner’s vocals that Handsome Furs has not previously been known for, as exemplified on the power double of “What About Us,” and “Repatriated.” As I mentioned before, it seems like as this album moves along, the songs get better and better, and these two are no exception; they don’t contain the redundancy that the earlier tracks seem to have. Or perhaps the band’s sound just grows on you with more exposure.

But the most impressive song for me comes at the very end with the seven-minute stunner that is “No Feelings.” The exact opposite of its namesake, this song is packed with head bob inducing beats, but is also driven intensely by the power of Boeckner’s vocals. He successfully takes over the song, as opposed to letting the electronic aspects have the lead, and it does not feel longer than any of the other songs on Sound Kapital because it is so enjoyable. The track itself ends with the repetition of “no feeling” over and over, contributing to the overall theme of the growth of industrial behavior, in the most careful way possible.

With the large focus on electronic beats, I was pleasantly surprised with this album. The prevalence of Boeckner’s vocals draw away from heavy synth, creating nostalgia for those who love his power in his other works, and furnishing a new love for those who haven’t delved into his catalog.

[audio:https://austintownhall.com/wp-content/uploads/2011/05/07_Repatriated.mp3]

Download: Handsome Furs – Repatriated [MP3]

More New Music from Handsome Furs

Today we were greeted with yet another new track from Handsome Furs off their upcoming record, Sound Kapital, which will be released by Sub Pop on June 28th.  Again, this is a really electronic driven track from the duo, with Dan B. taking the majority of the vocals, giving his throaty vocals to the rhythmic track.  It’s a reminder of just what Dan’s voice can really do when he’s given the chance to take control, as he occasionally does for Wolf Parade.  It’s a wonder with songs like these, and the many project of Spencer Krug that WP haven’t been able to blow us away like they once did on Apologies. Oh well, at least we have this killer track to enjoy all weekend.

[audio:https://austintownhall.com/wp-content/uploads/2011/05/07_Repatriated.mp3]

Downlaod: Handsome Furs – Repatriated [MP3]

New Music from Handsome Furs

As reported earlier today (via P4K) there is a new record coming out from Handsome Furs, yet another side-project from one of the key members of Wolf Parade.  This one’s definitely one of the finer pieces the duo have put together, with the focusing revolving around electronic beats and Dan’s voice, which sounds really strong and polished, for him at least, on this outing.  You’ll be able to get this electronica-influenced record titled Sound Kapital on June 28th from the good people over at Sub Pop Records.  Listening to this track, sounds like this could be the most focused work the duo has compiled, leaving us as excited as ever for their work.

[audio:https://austintownhall.com/wp-content/uploads/2011/04/Handsome_Furs_-_What_About_Us.mp3]

Download: Handsome Furs – What About Us [MP3]

Handsome Furs – Face Control

fursRating: ★★★☆☆

Dan Boeckner and his wife/girlfriend/whatever, Alexei Perry are releasing their second album, Face Control, on Sub Pop Records under the Handsome Furs moniker.  The first outing had a lot of interesting moments, carried mostly by Boeckner’s voice.  Interestingly enough, you don’t find the band breaking new ground with their latest release.

The instant the album kicks off with “Legal Tender” one will immediately note that the beats on this round are a lot more prevalent than on the last outing.  That’s not to say that Dan doesn’t throw in some slicing guitar licks, as he surely does so on this track, but they seem merely as extra moments.  It’s as if the beats support the entire infrastructure of the songs, while the guitar seems to be an afterthought.

Still, one has to question whether or not this is enough to carry an entire album’s worth of songs.  Answering this question will more than likely divide a lot of people, as the better tracks coming from this album, such as “Talking Hotel Arbat Blues” or “All We Want, Baby, Is Everything,” are really fantastic, displaying how some of the more thought out moments on the album can rise above the simplistic formula.

And yes, there is Boeckner’s phenomenal voice.  As part of Wolf Parade, he’s pushed his voice to the limits, sometimes letting his voice curl into a bit of a yelp.  This is not so on the Handsome Furs work, where we find him restraining himself quite a bit, allowing for the vocals to pull out every ounce of emotion from both his voice and the listener. Clearly the power of his voice is capable of serving as the backbone of an entire album, but probably not as the sole focus of said album.

“I’m Confused,” for instance, relies upon Dan entirely, using his voice to carry the entirety of the song until his guitar work angularly cuts through the background of the song.  It’s an interesting sound, but it fails in the fact that it comes across as if the whole song was just merely a momentary thought; it has no flesh or filling.  This is not what one asks for in such cases.  Sadly, this is the feeling a lot of listeners will be left with when listening to this album all the way through, time and time again.  There are moments when you can’t help but to be taken aback by the songs, but other moments exist when you might ask for a bit of density to the songs, a little exaggeration if you will.

You’ll come to the end finding that you’ve enjoyed the album as a whole, most notably for previously mentioned tracks, but you won’t find yourself dying to listen to it over and over again, only asking yourself questions about whether the band could have done more to fill some of the blank space that stands motionless throughout the album.

[audio:https://austintownhall.com/wp-content/uploads/2009/03/03-talking-hotel-arbat-blues.mp3]

Download: Handsome Furs – Talking Hotel Arbat Blues [MP3]

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