New Twerps Tune for You

tewerepThere are some bands you just can’t get enough of, and, for me, that band is Twerps.  Any time they have something to offer, I clamor to get my hands on it.  So today, we’re tossing up this next tune from the Aussie group, in advance of their next album, Range Anxiety.  This tune take up the same emotional appeal as earlier work, though many people might be a touch surprised at the lead vocal role going to Jules on this number.  Still, the guitar work, as always, is sublime, working somewhere in the vein between jangling and drifting; it creates a lush bit of pop.  Look for the new album on January 23rd via Chapter Music/Merge Records.

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ATH Interview: Wye Oak + Show Preview (7/6)

wyeoakIf you’re looking for shows to attend this week, odds are you’ve found something to your liking.  But, before the work week starts back up, there’s a nice little show over at the Parish featuring Wye Oak that you should catch.  They’ll be playing with Pattern is Movement, and you can buy yourself a ticket to the show right HERE.  We caught up with Andy real quickly for some questions about their tour, and their latest album, Shriek.  Read on for the interview.  Read more

New Tune from Hiss Golden Messenger

hissIt’s been a quick turnaround for Hiss Golden Messenger.  After releasing Haw last year, the project is already back with another release, Lateness of Dancers.  This time, the album will be released by Merge Records, and as expected with such a move, there’s a definitive polish to the tracks that have been coming out.  That might irk some longtime fans, but you can’t deny the strength of the tune below; there’s an expressed naturalness to the delivery of the vocals and the traipsing of the guitar work. It’s going to be a special record come this fall, when it sees a release on September 9th.

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Another Fresh Tune from Bob Mould

bobbyThere probably aren’t many greater things than coming home on a nice Spring afternoon to a Bob Mould track in your inbox.  There’s something youthful about his music, even though he’s been in the music-making game for quite some time.  I’m just really excited that he’s bringing out the rock; though I still enjoy his work with Sugar, it’s these sorts of songs, encompassing the great writing of a power-pop genius, that really get me pumped.  I can’t wait to hear his new record, Beauty & Ruin, when Merge releases it on June 3rd.

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Wye Oak – Shriek

WORating: ★★★½☆

In 2011 we welcomed Wye Oak’s stunning third full length release, Civilian, which was a record of huge growth and refinement for Jenn Wasner and Andy Stack. After such a great album, it’s often hard to imagine where a band will travel next, especially one so small as this duo. This forth time around, the two have gone electronic, ditching the guitars from before and replacing them with atmospheric and electronic sounds. It is an interesting choice, especially after the success of their last release and one that comes with its rewards and drawbacks.

They open slowly this time around with “Before,” and immediately the new style is audible; a synthetic soundscape fills your ears as this duo transport you to a space of tranquility and effortless sound. The percussion is distant, with a faded, subtle quality that offers a dreamy kind of mood to the tune. Of course you have Wasner’s indistinguishable vocals that confess the opening and closing line of the song: “This morning/ I woke up on the floor/ thinking I’d never dreamed before.” The mood of the album is elucidated in that brief lyric; the whole thing feels a bit like melancholic and unpinned nostalgia expressed via delicate sound.

I was quite impressed with the first half of the album; while the sound is not overwhelmingly complex or drastic, the songs they’ve crafted are a solid step into the electronic side of things. Title track, “Shriek,” picks the tempo up a little while maintaining that dream-upon-waking atmosphere. Lead single and my personal favorite track, “Glory,” will have you dancing along to the beat while the vocals craft a bit of drama to latch onto, propelling the song from just being a groovy number.

While there are still some pretty good tracks on Shriek that beg for repeated listening, the sweeping majesty that was introduced on the past album isn’t really matched here. I find myself missing the clean guitar and Wasner’s crisp and elegant vocals that Wye Oak did so well the last time around. After the mid point of the album there is certainly a drop off in the level of intrigue in the tracks and the minimalist sound becomes a bit bleak. That being said, I appreciate the last song, “Logic of Color, ” as the electronic elements take a backseat to the vocals and round out the album with a track reminiscent of those encountered earlier on the album.

Shriek takes Wye Oak down a different path than we’ve seen them go before, and it is enticing for the most part, but I wish a few of the tracks went a little further down this trail and out of the box.

Have a Rock Fit With Flesh Wounds

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Here’s an easy song for anyone to like called “Bitter Boy” created by the indie punk band known as Flesh Wounds.  The tune appears on a new 7″ being release by the band on May 13th via Merge Records (pre-order here).  In the theme of this awesome short and sweet song, I will also keep this post short and just tell you to have a listen below.

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New Jam From Bob Mould

MouldBob, It is a common mistake, sure, but it is Mr. Gray, G-R-A-Y.

Mr. Mould is back with a song that sounds like it is twenty years old, but still fresh as a daisy. Called “Hey , Mr. Grey”, the first single to hit the intarwebs from the pending Beauty & Ruin due June 3rd via Merge Records is a quick-hitting song following a classic formula of big chords and immediate lyrics. I missed Bob during SxSW, but had a chance to briefly chat during FFF late year. He seems energized, ready to play hits.

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Show Preview: Superchunk @ Mohawk (2/6)

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Date Thursday, February 6th
Location Mohawk
Doors 7:00 PM
Tickets $18 from Mohawk


When you talk about the legend that is Superchunk, you can’t just talk about the influence they’ve made musically, but also the influence they’ve had on modern indie rock music.  Mac and Laura founded Merge Records (one of our favorite labels) as a way to put out their own songs, and that of their peers.  It seems only fitting that these taste makers would team up with another up-and-coming act, Waxahatchee, to organize an incredible show for Austinites.  While the old school act has a bit of a pop-grunge sound, the young bucks are going to bring you a more noisy version of folk tunes.  Seems like the perfect way to spend a Thursday night.

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Download: Superchunk – Digging for Something [MP3]

Hospitality – Trouble

hospRating: ★★★★☆

When Hospitality first appeared on the music scene two years ago, I raved about their debut album, which was full of whimsical and fun sounding poppy numbers. Now they’re returning with a sophomore release that feels like a take in a whole new direction. Gone is the odd and strange photograph from the album artwork, and in its place is a darker black and white picture with black stripes over it, which is parallel to the newfound gravity that Amber Papini and company have brought musically to the table with Trouble.

“Nightingale” gives out a dose of heaviness that you would haven’t imagined coming across on their first release; powerful guitar rivals in dominance with the vocals, each pushing at each other in a pure rock style. What you get is this lovely juxtaposition of the lightness of Papini’s vocals with the heaviness of the guitar at instances, and in others you still can see the simple whimsy of the band you fell in love with. From this first track, Hospitality shows that they have been doing some growing, but haven’t lost who they were from the start. The next track, “Going Out,” continues this trend of maturity and gravity, but in a funkier rendition. With its smooth percussion and subtle dance beat, Papini really seems to be in her element here, and I imagine it would be an excellent song to witness in a live setting.

A few tracks in, you may be asking yourself, just where is that quaint little Brooklyn three piece that I remembered liking so much? Well they are still there, and so is the fun, it’s just been redirected in the form of darkness, which I believe works exceedingly well for this group. “Rockets and Jets,” a sultry, synth based number, will have you bobbing your head and perhaps even busting a move with the best of them. My personal favorite track comes a bit later on, with “Last Words,” a sprawling further trip into the synth dance trail, which is infectious and subtle; Papini’s vocals are mixed with some male vocals as well to give a new element of duality you haven’t yet met with this group. They merge this dark track with the aptly titled “Sunship,” that will have you yearning for that lovely feeling of cool spring breezes and warm sunshine.

As I mentioned with their last album, what Hospitality does remarkably well is the variation in song length and style. They seem to have locked down just exactly when to be brief and when to let a track linger on, which provides for a lack of dull moment on Trouble. What’s better than no dull moments is an album filled with standout tracks, which is what you’ll find here. Have a listen.

New Music from Hospitality

hospitalityWhat a difference an album can make!  The first effort from Hospitality was a joy, filled with catchy folk-influenced tunes that you could sing whilst still feeling a bit introspective.  But, as evidenced by their latest tune, which is slated to be on their new record, Trouble, they’ve taken things into a more sinister place, at least in so far as the mood created.  I also think their sound has expanded, filling out some of the empty space that may have been present on their first effort. This tune definitely has me intrigued, wondering if they can maintain their exuberance while going darker (you can hear another tune HERE).  I guess we’ll all find out when Merge releases the album on January 28th.

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