Wye Oak – Civilian

Rating: ★★★★½

It seems like Merge Records can do no wrong as of recent, with stellar releases this year from names like Destroyer, Telekinesis and Apex Manor. So it is not a big surprise that this record is remarkable, well produced and enticing. Wye Oak has indubitably grown a great deal since their last release, and continue to amaze with how fulfilling their sound is for just a two member band.

Civilian is typical in that it has its immediate standouts, but unique in that after repeated listens, those that didn’t stand out before begin to emerge from the background, becoming new favorites. The opening track, “Two Small Deaths,” is one that grabs your attention upon the first listen. A bit of indiscernible chatter opens the song, giving that feeling of the moment before a show is about to start. It puts a bit of anxious-excitement about what is going to come after the chatter falls away, and Wye Oak certainly do not disappoint. Some simple feedback eases you in, and then the elegant and buttery vocals of Jenn Wasner hit you over the head, commanding your attention.  The track ebbs and flows between the swell of folk sound from the beautiful vocals and the shoe gaze guitars.

While the start to this album is certainly calm in it’s nature, it is by no means a template for the rest of the songs. On numbers like “Plains,” there are drastic build-ups to the powerful, vocal and instrumental, crescendos. It is here, along with the rest of the album, where the rich and strong vocals of Wasner are comparable to that of Victoria Legrand from Beach House. It’s so easy to get lost in the delicate, yet hurricane force strength of the vocals, but it’s not a feeling of misdirection. Instead, it’s the wonderful feeling of having nowhere to be, and getting lost leads you to something that you never would have found otherwise.

On the title track, “Civilian,” the song builds upon itself, layering the crispness of folk and the grit of the guitar. It grows and grows, and then hell breaks loose; all tension that has been built is suddenly released in a cathartic swell of squalling feedback. Elements of brilliance such as this are found all over Civilian, both in the attention grabbers and the slow burners. The prevalence of control and detail that Andy Stack and Jenn Wasner bring to their sound allows for them to push their boundaries, all while staying calculated. Sound like this merits multiple listens, and careful listens at that, or else you might miss a savory indie rock treat in this album.

[audio:https://austintownhall.com/wp-content/uploads/2010/12/05-Civilian-1.mp3]

Download: Wye Oak – Civilian [MP3]

Destroyer – Kaputt

Rating: ★★★★☆

When thinking about Destroyer, one might envision the older drunkard who mumbles brilliant things under his breath. While Dan Bejar may or may not be drunk when he writes the songs for his albums, it is still obvious that he writes vaguely brilliant songs, often coupled with a variety of different musical accompaniments, which vary depending on the album. On Kaputt, it seems that Mr. Bejar has chosen to go the way of jazz, along with 80’s pop elements that put a new spin on his coded lyrics. 

 At the opening noises of “Chinatown,” it’s possible to think that perhaps you put a different CD into the player, due to the presence of saxophone and tambourine, but when the familiar guitar strumming is heard and Bejar begins his craft, you know you’re in the right place. The smooth jazz beat in the background mixes with voices, creating a hazy fog where Destroyer lives. It’s foggy enough so that you can see everything right away, but clear enough to understand and enjoy. Slowly, that irresistible beat pulls at the muscles in your feet and makes them tap, and you have been hypnotized by Kaputt.

I could go through the list of songs on this album and tell you of the brilliance in each and every single one, but that would spoil the fun for you. I will however tell you that along with this new jazzy sound, there are some other new aspects to the album, such as the presence of feminine vocals. No, Bejar does not climb to falsetto, but rather hires the vocal talent of Sibel Thrasher, who can be heard on almost every track. Whether it is a big part, or a tiny one, she adds another dimension to Destroyer—as if they needed more complexity. On “Kaputt”, she blends in with the lead vocals and disco beats, giving the impression that the narrator is an ambiguous figure, not just one man preaching to you about the delicate intricacies of life. At one point in the song, Bejar remarks that “it all sounds like a dream,” which sums up the lyrics, as well as the smooth music that becomes Kaputt, all swirling around in your head.

With this new spin on his wit, Destroyer’s choice to incorporate a different sound with their classic style contributes to the catalog of albums. It does not hinder the witty lyrics, nor does it take away from the intricacy that the group does so well. Bejar and company continue their path of wowing their audience with their sacred knowledge of changing just enough to keep their style fresh, but not too much where they have become unrecognizable.

If you’ve been a Destroyer fan since their origin in 1995, or this is your first experience with the group, the waves of cryptic lyrics will wash over you, leaving each person with your own spin on the meaning of his words, just like every well written album should.

[audio:https://austintownhall.com/wp-content/uploads/2010/11/01-Chinatown-1.mp3]

Download: Destroyer – Chinatown [MP3]

New Music from The Mountain Goats

John Darnielle is one of my absolute favorites.  I enjoyed his barefooted performance at ACL, and I own even the most obscure pieces of his back catalog.  Come on, the guy writes exceptional lyrics, sometimes dark and murderous, other times pensive–what’s not to like?  His newest album, All Eternals Deck, will be hitting the streets via Merge Records on March 29th.  Luckily, Stereogum gave us all a nice little sample of the piano-laden ballad, which never really seems to busrt forth in regards to volume, as his previous album did.  The best thing for me will be trying to sit down and decipher just what John and The Mountain Goats really mean when they say “Damn These Vampires,” not to mention the rest of the album.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/The_Mountain_Goats_-_Damn_These_Vampires.mp3]

Download: The Mountain Goats – Damn These Vampires [MP3]

New Music (Free EP) From Jonny

Admittedly, I’m a huge Teenage Fanclub fan, so much so, that I freaked out when I bought the recently re-issued Bandwagonesque a few weeks back.  Now, frontman Norman Blake has joined with Euros Childs (of Gorky’s Zygotic Mynci) to create Jonny, and they’ll be releasing a self-titled album on Merge Records, which is out digitally Feb. 1st, and in stores on April 12th.  They’ve also put up a free EP, which you can get over at Merge by clicking HERE.  If you go with this small sample, its going to be a splendidly soft-spoken pop affair–just the kind of I love to rave about.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/01-Jonny-Free-EP-Gloria.mp3]

Download: Jonny – Gloria [MP3]

New Music from Wye Oak

Having been a long time fan of Wye Oak, of course I was looking forward to this track, and any ensuing goodness they had to offer up.  But, when the song appeared on TheGum I had no idea just how good it was going to be.  Jenn’s voice sounds phenomenal here, and part of me has this tingling feeling I got when I first heard “Zebra” by Beach House last year.  If that’s any indicator, then Civilian, the new album out on March 8th from Merge is going to be one incredible animal.  Just listen to that squalling feedback near the end! It’s like steamy sex in the woods, then Sonic Youth reckless abandon. Yes, I realize that might be a bit redundant, but go with it.

[audio:https://austintownhall.com/wp-content/uploads/2010/12/05-Civilian-1.mp3]

Download: Wye Oak – Civilian [MP3]

New Music From East River Pipe

The eccentric songwriter FM Cornog is ready to release another album under his East River Pipe moniker on February 15th via Merge Records.  The album, We Live In Rented Rooms, features more of Cornog’s songs about his bleak outlook on the American way of life.  A preview of the new album can be heard below in the form of new tune “Cold Ground”.  The subject matter may be sad, but it’s kinda catchy.

[audio: https://austintownhall.com/wp-content/uploads/2010/11/02-Cold-Ground-1.mp3]

Download: East River Pipe – Cold Ground [MP3]

More New Music From Telekinesis

Shortly after dropping a new EP at the end of summer and losing most his band, Michael Lerner is returning with a new Telekinesis album in 2011.  The new LP, 12 Desperate Straight Lines, is set for release on February 15th via the ever growing Merge Records label.  Prior to that date, you can check out new straight up pop track “Car Crash” below.  I know many of us around here in the ATH offices, and out there in the interwebs world, have been eagerly awaiting a follow up to the stunning Telekinesis debut album from 2009.

[audio: https://austintownhall.com/wp-content/uploads/2010/11/carcrash.mp3]

Download: Telekinesis – Car Crash [MP3]

New Music from Apex Manor

When your band calls it quits, its difficult to know precisely what to do.  Luckily for Ross Flournoy, formerly of The Broken West, he’s got his head on straight, heading in direction of power-pop bliss. His new outing, under the name of Apex Manor, will be releasing their debut, The Year of Magical Drinking, on his his old label Merge Records. The first single offers up a steady back beat, cleanly distorted guitars, and popaholic bliss.  Look out for the record on January 25th in the New Year.

[audio:https://austintownhall.com/wp-content/uploads/2010/10/02-Under-the-Gun-1.mp3]

Download: Apex Manor – Under the Gun [MP3]

Superchunk – Majesty Shredding

Rating: ★★★★½

When you’re putting out records by the likes of Arcade Fire, Spoon and Destroyer, one would think you could easily get influenced by the great songwriting, unless of course, you’re Mac McCaughan, founder of Merge Records.  But, let’s not forget that Mac’s been jamming with his band Superchunk for close to two decades, and their newest album, Majesty Shredding, shows that no matter how often they pop up, they’re always going to be awesome.  Period.

Perhaps this whole record owes to perfect timing, but then again, as soon as you hear the squall of feedback that opens “Digging for Something,” you are met with a barrage of powerful gunshot drums and pure pop sensibility.  Mac’s voice sounds as youthful as ever, and who’s going to argue when he’s tossing up sing-a-long choruses so tasty?  Of course, the band isn’t solely intent upon giving you quick guitars that cut straight to that pop spot in your heart, they’ve got other offerings.

“Rosemarie” takes a softer approach, almost one that lives in the vein of The Replacements, which is completely acceptable, if not utterly awesome.  The balance between Mac and Laura sounds as tight as ever, and they’re not tossing in frills just for the sake of doing so; there’s a purpose in every single musical note on the plate.  You’ll find “Crossed Wires” coming at you in the similar territory, using the most basic formula with guitar interplay to keep it more than interesting.  Hopefully everyone will find themselves enjoying the clarity of the vocals, enjoying the fact that you can turn this album way up, and scream along to the fact that we’ve all got “crossed wires.”

Its funny, as you probably won’t look at Majesty Shredding and think to yourself that this band is breaking new ground, kicking all those tired genres to the curb, but at the same time, they’re not just resting on their laurels, sitting back waiting for you to love them. “Learned to Surf” opens with some great guitar work thats both angular and heavy, things we’ve seen other people do, but not this earnestly.  Superchunk will also throw traditional ballads, of their own personality, at you, like in “Fracture.”  This is the first time you can see a bit of the age in Mac’s vocal performance, not that we’re seeing this as a bad thing by any means.  Even with that, it’s a song that seems forever innocent, almost timeless.  Shouldn’t it all sound just like this?  And, if you want that in your face rocker, then you can visit “Rope Light” late in the record, just in case you weren’t sure how much you would love this album.

Occasionally we find a band like Weezer rehashing the same tired sound, but nothing about the work on Majesty Shredding seems dated, or even throwback.  Time has treated Superchunk with the appropriate amount of wisdom, allowing them to craft an album that isn’t trying to be anything other than good, simple as that.  It’s god ballads you can sing to in your car, its got rockers to get your energy going, and its just a joy to listen to a band who has no intent other than to offer up a great collection of songs that can stand the true test of time. Bands like this make it easy to write about; they just offer up good old fashioned killer rock n’ roll.

[audio:https://austintownhall.com/wp-content/uploads/2010/09/1-01-Digging-For-Something-1.mp3]

Download: Superchunk – Digging for Something [MP3]

1 7 8 9 10 11 12
Social Media Auto Publish Powered By : XYZScripts.com