Original Slumberland Records Act Lorelei Returns

Slumberland Records has made a name for itself recently by signing big acts like Pains of Being Pure at Heart and Terry Malts, but we often forget just how long the label has been promoting great tunes. Luckily, a lot of their first wave of bands are coming back to the fold as the label’s popularity continues to rise.  One such act is Lorelei, who will be releasing their first album since 1994 on August 14th.  The record is called Enterprising Sidewalks, and it picks up where the band left off, crafting beautiful melodies backed by some jagged cutting guitars.  This is the sort of music that gave the label the ability to rise to its current position, so I’m happy to see a solid return to form.

[audio:https://austintownhall.com/wp-content/uploads/2012/06/01-Hammer-Meets-Tongs.mp3]

Download:Lorelei – Hammer Meets Tongs [MP3]

More New Music from Magic Trick

Tim Cohen‘s newest track has been floating around for a few weeks now, but it was just made available to us, so I’ve got to fawn over Magic Trick some more.  His newest LP, Ruler  of the Night will be out on Hardly Art this week, and I suggest you pick it up if you know what’s good for you.  Of course, if you’re familiar with Tim’s work in Fresh and Onlys, the slow progression of the guitar and Cohen’s vocals will certainly be surprising. There’s an abundance of creativity, however, in the song’s final construction, which is one of the things that’s made listening to Magic Trick so enjoyable.  Dig in folks.

[audio:https://austintownhall.com/wp-content/uploads/2012/06/Magic_Trick_-_Invisible_at_Midnight.mp3]

Download:Magic Trick – Invisible at Midnight [MP3]

Great New Tune from Tiger Waves

Obviously Tiger Waves are one of our favorite acts, and as they continue to work together, they become increasingly better.  We’re going to help the band by putting out their next album, which is still being recorded, but they’ve passed along this great new song; I’m practically ready to put this record out already.  You’ll find that the vocals are vibrant, yet just a bit quiet in the mix; it’s one of the things I really enjoy about the group’s recordings.  I’m not going to spend time trying to compare them to anyone else, as they’ve gone to eclipse obvious influences by creating a sound entirely their own.  We’ll keep you posted as more details unfold about the group’s next record, but for now, enjoy “Weekends.”

[audio:https://austintownhall.com/wp-content/uploads/2012/06/01-Weekends.mp3]

Download:Tiger Waves – Weekends [MP3]

New Jams from Seapony (+ New Album)

We were fortunate enough to have Seapony play at our SXSW party this year, so we’re happy to hear that the band are already about to return with a new record, titled Falling (odd title considering the release date is September 11th).  It will, again, be released by the hard-working folks over at Hardly Art, and I’m really loving this new track.  Jen’s voice sounds really good, but there’s a directness to this track that is quite striking; there’s less of a shoegaze element to the song, though you can still find a bit of the group’s endearing haziness.  I can’t tell you how excited I am for this record.

[audio:https://austintownhall.com/wp-content/uploads/2012/06/Seapony_WhatYouWanted.mp3]

Download:Seapony – What You Wanted [MP3]

More New Music from Poor Moon

It’s clearly a chilled out week on the Internet, as shown by us over here at ATH; this new track from Poor Moon is just another such example.  There’s an element of tropicalia/lounge act going on in this song; it’s got a similar touch to Jens Lekman‘s work of late.  After recently releasing an EP, the group is slated to unleash a self-titled full-length via Sub Pop on August 28th, and I’m hoping it all shapes up to sound just like this here.  Something about summertime and warm weather makes this song really come alive down here in Texas, or it’s just a great song all around.  I’ll take it either way.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Poor-Moon-Holiday.mp3]

Download:Poor Moon – Holiday [MP3]

Show Preview: Alcoholic Faith Mission @ Mohawk (5/22)

Date Tuesday, May 22nd
Location Mohawk
Doors 900 pm
Tickets $10 at the Door.

It’s going to be a great week for rock shows in Austin, and I have the perfect way to start off your week in the proper fashion. Danish pop group, Alcoholic Faith Mission are coming into town in support of their recent record, Ask Me This.  They crossbreed straight pop with elegant songwriting, giving listeners hooks galore.  Plus, they’ll be joined by Old Flame Records labelmates, You Won’t.  The Massachusetts group blends indie pop and folk, in a fashion that has garnered them accolades for some time.  School’s out for a lot of people, so let’s all go and enjoy the music folks.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/07-Ask-Me-This.mp3]

Download:Alcoholic Faith Mission – Ask Me This [MP3]

Best Coast – The Only Place

Rating: ★★★★☆

Chances are, if you know anything about Best Coast, it’s that front woman Bethany Cosentino really likes cats.  Or perhaps you’ve delved into the tuneage of said cat-obsessed female and found that she also creates some pretty sunny California pop jams. Best Coast have shown they can crank out some quick paced and fun jangly pop, but can they be more than that?

Substance has never really been Best Coast’s style; their first album, Crazy For You barely passes the thirty-minute mark, with each of the thirteen songs not averaging much more than two minutes apiece. If length of songs is any indication of the changes that this band has undergone, than it’s clear that they’ve grown up a bit. The Only Place has a range of songs, but the majority reach three minutes. Even at this first glance, you can see that the second time around this group is straying from dropping into the pattern of becoming the same old same old. The first song and title track, “The Only Place” sets things off on the right foot. From the moment you press play, it’s like opening a bag of sunshine and ocean spray into your speakers. It’s classic Best Coast: we’re still having fun, we’re still hitting the beach and those guitar riffs are still surfy.

The biggest difference between this sophomore release and Crazy For You is maturity. Yes, the songs aren’t chock full with lyrics of eloquent diction and complex syntax, but Cosentino has definitely stepped it up. She has moved past the overt simplicity of songs like “Happy,” in which repetition was the song’s key lyric. On The Only Place, even on one of the shorter numbers, “My Life,” there’s still an immense amount more of actual lyrics that make sense to generate some kind of story instead of just the moody emotions of a California Girl.

Another sign of this maturity is a big push for stronger, slower songs on this album. One of my favorite numbers, “How They Want Me,” combines Cosentino rocking the ballad, with the continuation of the groovy guitar of the rest of the tracks, some interestingly detailed percussion topped with some “oohs” and “ahhs,” that layer to give this song that extra punch. It’s tracks like these and others like “Do You Still Love Me Like You Used To,” which lead me to believe in the longevity of this album. Whereas Crazy for You got a little tired a little fast, this albums packs a greater punch than just a few listens.

It’s a perfect album for the upcoming heat and freedom of summertime. So roll down your windows and savor those last few weeks of a breeze with Best Coast.

New Pop Number from Stevie Jackson

If you read this pages, you’re probably aware of how much I love Belle and Sebastian, so I will always buy into a side-project.  But, Stevie Jackson is making it really easy, as his first single from I Can’t Get No Stevie Jackson is an old school pop gem–the sort you and your parents will both rave about.  He’s releasing the album via B&S’s Banchory Recordings on July 3rd, and you can expect something lush and clever coming your way.  This track just goes to show you that while Stuart Murdoch may man the helm, there’s plenty of great songwriters hiding in the wings of my favorite pop group.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Where_Do_All_The_Good_Girls_Go.mp3]

Download:Stevie Jackson – Where Do All the Good Girls Go [MP3]

Mystery Jets – Radlands

Rating: ★★★★½

The boys in Mystery Jets have come quite a long way, staring first with their angular guitar pop and moving forward into a full-fledged pop group.  But, with all their success, the band needed a move to Texas for a different perspective, leading to their most accomplished album to date.  Radlands, despite some roots in Texas, remains a uniquely MJ affiar, one that shows the group far advanced in their songwriting prowess.  For my ears, they’ve crafted a pop album that hits on almost every note, from start to finish, a feat worthy of high praise alone.

“Radlands” opens the album with just the echo of a guitar, soon joined by Blaine Harrison’s vocals.  It takes a moment before you hear the slight introduction of strummed guitar, which then bursts into a full-band affair.  As the guitar rings, you hear Blaine take control with his soaring vocals, but then the group settles back down to the vocal/guitar approach again; few people are making such well-crafted pop songs like this. And it doesn’t just stop here, with the first several tracks from Radlands easily being called knockout punches.  You’ll find a bit of a Texas jangle when you listen to “You Had Me at Hello,” which features perhaps one of my favorite choruses from the group’s career.  Personally, I dig the fragility in Harrison’s voice on songs such as “Someone Purer.”  He can belt out a chorus with great strength, but a great deal of his power comes from his ability to reign that in when it’s needed most.  If you’re looking for a traditional pop moment with verse chorus verse chorus, just give this track a listen to find yourself pure pop gold–it even has some “ooh oohs.”

One thing I’ve always appreciated about Mystery Jets is that while there’s some elements of high brow music, they still remain youthful and playful.  This album’s playfullness comes via “Greatest Hits.” It’s a song for writers, answering the age old question of the influences for the band as a whole; at one point, the group gives a nod to Neutral Milk Hotel, Belle and Sebastian, The Kinks and the Minutemen all in a twenty-second span.  There’s whimsy all over these tracks, which is one reason why I think the group writes some of the best pop tunes around–they’re songwriting is serious, but their heart still says music should be fun. Radlands also indicates the band’s willing to takes risks, especially when you look at the duet between Sophie Rose and Blaine.  It’s definitely a tune that seems influenced by the group’s recording in Texas, and like all songs on this record, it succeeds; it’s clever, and yet heartfelt. 

Sitting here writing this review, I’m trying to think of how to include every single song in this review, as I know I left off some hits like “Sister Everett.” But, it’s probably too long-winded to try and touch on all the highlights of this album, although  I easily could do so.  Radlands is one of the best simple pop albums to come my way in a long time.  There’s no spectacle, there’s no hype, it’s just great songwriting wrapped up in the perfect way.  For this reason, and a ton of others, Mystery Jets remain high upon my list of best pop groups; cheers to you lads.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/03-Someone-Purer-1.mp3]

Download: Mystery Jets – Someone Purer [MP3]

Beach House – Bloom

Rating: ★★★½☆

Let’s face it, there’s no one out there crafting music just like Beach House.  That is, except Beach House.  Seems redundant doesn’t it? Well, if you’re looking for a fault on the band’s fourth LP, then it might be that the group seems a bit cornered on Bloom.  While the music itself is beautifully emotional, it’s not too far from where they left off with Teen Dream; that’s going to appease hordes of folks, but it might also leave some detractors this go round.

Beach House has a knack of opening an album with brilliance, much like they do here with “Myth.” That twinkling keyboard line complimented by the lofty vocals of Victoria Legrand demonstrate that the duo will continue to find themselves atop year-lists, with few songs capturing the eloquent pop of this track.  When the group takes a slight turn near the 2 minute mark it’s clear to any listener that few songs can eclipse this one.  Bloom is filled with similar moments like this opener, but it’s hard to top your first impression of this listening experience.

“Lazuli” seems to have a bit more sparkle to its construction, which enables the track to stand out from many others on the record.  There’s an underlying quality of brightness to this track that’s not always present with regards to the wistful quality of Legrand.  You get the feeling that she pushed herself here in the studio, and it pays off huge dividends…these are the moments you long for from a group with such a distinctive sound.  Other moments such as this one exist on the record, and Bloom succeeds due to their presence.  “The Hours” is the shortest of the tracks on the record, and its brevity definitely is filled by the group pushing for a slightly different sound, be it the vocals or the guitar work.  And near the end, “On The Sea” gives us a completely different side of Beach House, using a less electronic side of the keyboard.  Really it’s Victoria who steals the show, and while there’s still that element of smoky fuzz in her voice, you’ll also notice a songstress giving the recording of a lifetime (in my opinion).

You see, Bloom has absolutely fantastic elements sprinkled here and there for the listener, so be sure to listen to the record through and through.  However, other tracks do find the group in some middling territory, seemingly unable to escape the remarkably distinct sounds they’ve created in the past few years.  Those moments were beautiful, but at times they do come across as a bit of audio overkill. Beach House is growing here, showing glimpses of new dynamics in their songwriting; they just haven’t completely distanced themselves from Teen Dream.  For some, that’s exactly what you’re looking for this go round; others, like myself, love it, but can’t wait to see where the group takes us on the next go round.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/01-Myth.mp3]

Download:Beach House – Myth [MP3]

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