Tag: new single

New Double Single From Omat

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New York City based indie label Fire Talk has long been one of our favorite sources for new and upcoming bands both in the NYC area and throughout the country. Over the last year or so, the label has been dropping a ton of new and unreleased tracks from bands not necessarily on their main outlet via the imprint Open Tab. You can spend your day checking out all those tunes, but also put some heavy focus on these two new ones from the Brooklyn based band OMAT. Both have a heavier focus with a sort of post-grunge inspiration and straight badass vocals from leading lady Dharma Ramirez. Dig it.

Rae Fitzgerald Announce Say I Look Happy

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You can almost always place your bets on an act that works with Keeled Scales; they’ve broken some great Austin acts, and continue to branch out with their tastes, like Missouri’s Rae Fitzgerald. This tune beings subtly, switching in a little more pace within a few seconds to open the track to the poetic lines from Fitzgerald. Personally, I love the line “there’s nowhere I can go where ghosts won’t laugh me out of town;” it’s a sentiment of many a person, whether those ghosts are lost friends/family or just lives we once lived, we’ve all left something. I think that speaks to the sentiment of Rae’s song too, discussing the “collapse of so many foundational American myths.” All of that poetry gets swept up in the solid strum and really powerful vocals that are likely to pull you even further inside. Look for Say I Look Happy on September 1st.

Bennett Shares Glass Ball Single

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After time away from the local scene, Bennett has returned to the Memphis musical world, this time on their own, fleshing out a collection of songs that’s likely to charm as well as offend. Admittedly, I felt a blast of emotion here. I loved the stuttering drum opening, met by twinkling guitars and synths. But, then there was this warble that threw me off; I wasn’t sure where to go, but the groove kept me tethered, dragging me along for the ride. As the track unfolded, those vocal forays fleshed out into more traditional crooning, kind of reminding me of playful artists like Jarvis Cocker. That playfulness pushes into the song too, especially in the latter half, with the song moving into a more theatrical pop realm. It’s one of those tunes where at first I was completely bamboozled. Like, WTF?! But, I went back again…and again…and again. This debut single here comes courtesy of Goner Records.

Checking In on New Screensaver

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This Screensaver track has been around for a few days, but I’ve been busy okay! Still, I love the rawness of the tune, so I had to be sure that someone over here gave it a look-see. It’s a really challenging vibe, in terms of my ability to pigeonhole things and put them into little boxes, but I’ll give it a go. The track has these varying textures; it feels very much like an early 00s synth band in one channel; the other ear gets to hear this industrial toying, like machines gone awry. All of it gets paired up with this exasperated punk howl that dominates the band’s performance while also fusing all the pieces into one concise musical throttling. the group will release Decent Shapes on October 20th via Poison City and Upset the Rhythm.

Dark Wave From Great Northern

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California based outfit Great Northern shared this new track “Bad Light” late last week and today seemed like a good time to share. It shows a depth of dark wave pop for fans of say Beach House or The Kills but with heavier synth and even gothier undertones. The single comes as part of a series of new joints from this year which allude to an upcoming collection or album coming later this fall. Stay tuned.

Quien Es Geronimo Shares Levedad

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If ever there was a song that felt like rubbing the sleep out of your eyes on a Monday, it’s this new track from Quien es Geronimo. The project is the moniker for Chilean songwriter Tomas Mendizabal, who is currently spending time in Mexico City, though the roots of this song stem from the artist’s time spent in Berlin. There’s a really light strum, almost like the melodic nature of the vocals was meant to be the dominating factor. Bits of electronic orchestration build and swirl around the strum and voice, peaking, then fading into obscurity as the track quietly leaves you, sated and calmed, ready for the rest of your day. This track is made available courtesy of Western Vinyl.

 

Charming Pop from The Slow Summits

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There’s definitely been a whole in my heart since Cats on Fire called it quits a few years ago (or went dormant). But, it looks like The Slow Summits are here to pick up the fallen torch of charming-man indiepop. Anders voice definitely harkens back to Mattias’ vocals in the aforementioned Cats act; they do a great job here too filling in some of the empty space with really light backing tracks, allowing the melody to blossom. Steady drumming and a wash of synths definitely build that swoon that accompanies many an orchestral pop act; I particularly like the little nuanced shuffle in the distance at the 3:11 mark, which close ears will catch. What a splendid day to start the week!

 

Fortunato Durutti Marinetti Announces New LP

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For some reason, ever since I devoured Memory’s Fool, Fortunato Durutti Marinetti felt like the natural heir to Jens Lekman; the songwriting had the same joyousness, even in serious tracks; it also had layers of depth, sonically speaking, which is clearly a gift in the songwriting. Today, we’ve got the news I’ve been waiting for, there’s a new LP headed our way real soon. This go round, we hear the project was meant to be a melting pot of synths, saxophones and violins; it’s like a chillwave playlist at the local club. As always, the songwriting craft is the perfect cocoon for the vocals, often spoken, then wrapped in the melodic texture. The saxophone work feels omnipresent, like its going to play in your head all night long, or, as I prefer to hear it, like the perfect musical accompaniment to a poetry reading. If you’re into Destoyer or the aforementioned Lekman, press play, slide back into your chair, and let the song dance inside you. Eight Waves in Search of an Ocean is out in November via Quindi and Soft Abuse.

Genuine Leather Share Genuine Love

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For almost ten years we’ve been throwing support by the shapeshifting styles of Chris Galis and Genuine Leather. While the early work of the band had Chris working with friends from the Austin scene, his later work reflects a bit more of a pop focus. Still, he’s always known his way around a huge hook, and that won’t change when he releases the Genuine Pleasure EP. I love the way this one slides in instantly, filling your ears with this sleek synthetic dreaminess; it puts the song in the current bedroom pop mold, only with a bit more bravado. Digging into the chorus, you can hear a bit of a funky R&B guitar slide, adding texture and style to the tune, clearly an indicator of how much time and dedication Galis put into his work for the LP. Think of acts like Tame Impala or Phoenix, sprinkling in just a bit more modern pop attitude. Genuine Pleasure is going to please a lot of ears on September 29th via The Animal Farm.

New Single from Waves of Dread

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I’m always down to get behind a Waves of Dread single, so here we are with the band’s latest tune, “Forevermore.” Honestly, when this song opened, I immediately jumped to the JaMC comparison, but that didn’t last long, as the vocal entry marks an adjacent touch. There, the calmed cool feels a bit like classic Pains of Being Pure at Heart, albeit through the lens of a heavier wash of guitars in the distance. Even with those nods, the band manages to turn a chorus into something entirely their own, which is a great marker for the band’s songwriting; they can bring you nostalgia and familiarity, then churn it into something that feels completely fresh. I’m sure we’ll hear more soon!

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