Tag: new single

No Monster Club Drop the Trundling Path

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If you thought that music of the indie sort had gone a bit stale, well, No Monster Club aim to kind of stretch your expectations. Their brand new single has this sort of chamber pop approach, utilizing horns and various arrangements that build the song, texturing note after note. As the track bounds along, it picks up a bit of a catchy, cacophonous stomp, like your favorite marching band hitting on the hooks you never knew you loved. And why wouldn’t they close it out with an exuberant jam to tie a bow around this brilliant piece of pop? Their album deadbeat effervescent is out on February 11th via Emotional Response.

Love, Burns Shares Something Good

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This week, we’re letting Phil from Love, Burns send us a blurb about various tracks on his forthcoming LP, It Should Have Been Tomorrow (which comes out Friday!). Today, we’ve got the closing track on the record, and a reminder the band are playing Pete’s Candy Store on February 10th, so here’s the words from Mr. Sutton:

“Gary Olson, who recorded and mixed the LP, said this was my Chris Isaak song. Its a very simple song, about not fitting in, and getting the hell out. Id say about 67% of my songs are about this subject. Comes of being raised in a small, conservative village, I think. This time the protagonist needs to be themselves, because the mad villagers dont like who he/she/they is. It could be that theyre gay, a Communist, a freak, a hippy, a beatnik, an artist, whatever. They need to go somewhere where they can belong, be appreciated, and loved. Bigots decry the notion of a safe space, but everyone needs one to flower. Kyles lead guitar is fantastic. Twang-tastic! Pretty much one take. Kenny Wachtel (Great Lakes) is playing lead guitar live, and also does a sublime job. If you come to Petes Candy Store, Brooklyn, NY February 10th, at 10pm, you can hear Something Good done Kenny-style!”

Skeggs Share New Single + Share US Dates

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I still can’t get “Bunny Man” out of my head right now, so getting a new track from Skeggs is never a bad thing. They’ve got a few singles out today, but this one just drops in this sick hook that I want to run on repeat. I love the way the band toys with the tension, never quite letting me into the tune, until they drop the drums and the chorus into play. I know they’ve probably been thrown into the garage meets punk category, but dammit if this isn’t one of the best pop rock writing acts out there right now. Plus, the video features drummer Jonny training to run a marathon, fueled by the support of his bandmates. The band will also be playing a slew of dates on the West in Mid-April as preparation for their Coachella set!

Love, Burns Share In a Long Time

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This Bandcamp Friday, we’ll be releasing a cassette version of the new LP from Love, Burns, the solo LP from Pale Lights songwriter (and ex-Comet Gain!) Phil Sutton. I talked Phil into giving me a single a day this week with a little blurb about the tracks…so here’s Phil:

The Triffids song “Do You Want Me Near You,” from In the Pines was a big influence on “In a Long Time,” along with Petula Clarks “Downtown.” The former has a fantastically melodic bass line, and then a great metallic, reverb-y guitar solo that makes me think of wide open spaces in (the) Australia (of my imagination). The lyrics capture loneliness and isolation very well, which is what I tried to do with my song. Where it differs, I think is that Ive tried to make “In a Long Time” a New York City song, rather than a relationship song; it’s a sort of upside down, melancholic version of “Downtown,” where someone new to the city is on the subway, looking at twinkling lights, and all the Saturday night people, but is quite alone. Nothing new, really, a classic trope. Alone in the big city, but still intrigued by and drawn to it. New York always looks its best at night. Alicia Jeanine plays some beautiful violins, Hampus plays a very subtle driving Subway beat, and Kyle Forester does a really great guitar solo – not the first one on this LP. Kyle plays most of the instruments on It Should Have Been Tomorrow. He’s a pop genius.

Fast Blood Release Pulling Teeth Video

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There’s no reason to shy away from my affection for big old pop rock of the post-emo sort, particularly if its coming from the UK, like Fast Blood. The band just dropped this new video today, and it’s just this enormous burst of heavy riffs and giant melodic hooks in the chorus. There’s a ton of moments that feel like you get that exuberant rock euphoria, especially when the song peaks in the chorus, recalling the best moments of Martha (to me anyways). Feel like you could all get a kick this Friday, so why not turn it up nice and loud and see if you can see along.

Ducks Ltd. Share Sheets of Grey Single

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If you talked to anyone that picked up Modern Fiction last year they’ll likely tell you there’s not a bad tune on the Ducks Ltd. LP; it’s non-stop jangling goodness. So if you go back to their debut EP, the band are currently operating at a high level, incapable of writing a bad song. Thus, they jump right back in with a brand new single to take on the road for their Spring tour with Nation of Language. Jumping off with a pounding rhythm and those swirly-whirly guitar jangles, they suck you right into the pop storm. My ear keeps getting drawn to this underlying guitar line that’s super bright, reminding me in a way of some Field Mice vibes.

Bnny Share I’m Just Fine

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If you haven’t had a chance to listen to Bnny‘s Everything LP from last year, then perhaps this tune might serve as a reminder of the band’s enchanting draw. On this number, I’m really drawn to the way the guitar lines seem to kind of have this trickling manner, like a quiet brook, steadily building a soft current of melody. Combine that with Jess Viscius’s voice, and you get this intoxicating escapism; it’s ethereal yet omnipresent, sort of keeping your listening brain in an in-between world of musical euphoria. Enjoy the new single, and please, go check out their LP, which, like this single, come courtesy of hard work and Fire Talk Records.

Lewsberg Join Speedy Wunderground Single Series

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Lewsberg have been on our radar pretty consistently since we were first introduced to the group by their work with 12XU. But, they just announced they’re joining on with Speedy Wunderground to be part of the label’s marvelous Single Series, which are always super limited. After last year’s sneakily strong In Your Hands, the group return with a bit more pace, pushing the rhythmic pulse that provides a backbone for everything in between. I love the way the vocals change between a sort of spoken call-and-response and overlapping commentary. Plus, the band are never afraid to ride that train and let the sonic exploration lead the way. The new single drops on Friday digitally, so hear the A-side now!

Gato Blanco Shares Hollywood

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There’s not too much information out there on Gato Blanco other than the artist working as a producer to craft some heavy post-punk vibes. Musically, on the latest single, the song’s got this definite darkness drawing from the shadowy side of post punk. What I found as a nice little twist was the way the vocals seem to kind of have this melodic resonance in their delivery. It sort of gives the tune this natural uneasiness, creating a tension that brings your ear to focus on one element or the other, then somehow it all melds together in your brain. Fun way to start things off this week.

Sad Eyed Beatniks Share Hysterical Rooters

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Kevin Linn’s Sad Eyed Beatniks project will be dropping the new album, Claudia’s Ethereal Weaver, next Friday, but there’s one more beautiful sample to grab your ears before the release date hits. This really feels like one of those perfect tunes written in a bedroom that surely drove the neighbors crazy; it’s got this intimacy and sharpness in the vocals, though the volume of the mix almost makes it feel like its a full-on rock n’ roll hit. There’s just something that swells in this song, as the jangling riffs and heavy beats come crashing billowing through your speaker; it’s like a lo-fi tape recording disguised as noise rock, and I absolutely love it! The new album is out January 28th via Meritorio Records.

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