Tag: new single

A Place to Bury Strangers Announce Hologram EP

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It’s been a couple of years since we’ve gotten fresh new music from A Place to Bury Strangers, but with the announcement of the Hologram EP, we welcome a new track from the band. It begins with some cymbal and snare work, burrowing into the background before the song erupts with squalling guitars; I keep thinking you can hear vocals from new drummer Sandra Fedowitz in there too, but then I go back and forth thinking I’ve been fooled by the group. Oliver Ackermann’s voice is this heavy haunt in the tracks front end, playing somewhere between J Spaceman and the Gallagher brothers (and I don’t mind that). Plus, you get the added bonus of a hypnotic video to accompany your listen! Hologram will be out July 16th via Dedstrange.

English Teacher Drop R&B Single

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When you first press play on this English Teacher jam, you’re going to definitely here some likeness with recent pop acts like Dry Cleaning; the band employ the same sort of spoken word delivery coiled up in this anxiety ridden cavern of bobbing bass lines. Once you drop into that 1 minute mark, however, the song decides you’re in need of a good kick to the teeth; it rips through your speakers, shooting out distorted chords and rambunctious energy, like a train hurtling over a cliff…will we make it alive?! As calming as they being, the Leeds outfit are intent on destroying everything in their wake. Look for this tune as part of the Nice Swan Records Introduces Volume 1.

Baby Combat Share No Stranger Thing

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I’ve really been enjoying the bobbing pop feels of Baby Combat and their latest single “No Stranger Thing,” an ode to the TV show. I’ll admit, that it moves in a bit slowly, almost as if the band are happy to sit back and let you come to them; it reminds me of Beulah at their very best, toying with us by luring us into their pop trappings. Here, Baby Combat erupts at the chorus with this really light-hearted pop twist that’s definitely undeniable, at least if you’re a sucker for all things pop. Plus, if you check the single version, it comes with a slew of remixes to see what other artists are thinking of the project.

Colourmusic Announce Thank Goodness Hell Is Easy to Get Into

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To be real honest, my friendship with Colourmusic members goes way way back, all the way into the late 90s, long before I ever considered dabbling in telling folks I cared about music. Through the years, they’ve added members, crafted brilliant noise, lost members, belted out sheer noise rock, and ultimately, refusing to succumb to the expectations of the indie rock cognoscenti. What I love about this new tune, coming with the album announcement, is that all their various influences and pasts seem to be colliding into one unique sound. The vocals have this cavernous feel, perfect for the sonic exploration that courses through the veins of the tune; you’ll hear this pulsating rhythm section bouncing and snapping to attention, but its buried beneath a wash of atmospherics. It’s great to know where they’ve been and to see the steps that led to this current recipe; they’ll release their new record Thank Goodness Hell is Easy to Get Into later this year!

Methyl Ethel Brings Another Hit

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Our Western Australian friend Jake Webb, and his musical project known as Methyl Ethel, has been praised many times on these here pages of ATH over the years. We are typically not much into straight pop music so we’ve always been down for the more alt-pop approach coming from the recordings of Webb. After the criminally underrated Hurts to Laugh EP from last year, Webb is back with this new banging single called “Neon Cheap”. This might be one of the most danceable tracks we’ve ever heard from Methyl Ethel and once again offers some incredible pop music for the more alternative/indie listeners. This should be on your weekend playlist.

Melby Return with Magic

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The song is titled “Magic,” but musically that seems a pretty apt descriptor, seeing how far Melby have come since their early days in the Sweden scene. This go round, they’ve really branched out, writing then heading into the studio to record right away; there’s no room for lots of thinking, so we get the freshest version of the tunes possible. I’m pretty sure Matilda Wiezell’s voice could carry this song on her own, tucking notes in at the edges to round out melody, then belting with these huge, compelling notes. Of course, the band’s bounding behind her, filling in little gaps of air with fuzz and tinkering, honing in on the experimental nature of their current writing process. As for now, this is just another great single on their label Rama Lama, but lets hope there’s a ripper of an LP hanging in wait.

Cross Wires Dop 24 Roehampton Street

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A lot of folks have had to turn to new techniques to get their music out there, which is where popular producer Rory Attwell comes into help East London outfit Cross Wires. The group, known for riotous live sets, had some live recordings of a handful of new tracks before the pandemic shut the world down. Attwell was able to use his wizardly tricks and create a new single, which will certainly have the band on your radar. At times, they sound like harnessed Hot Snakes, the rhythm section pounding as the vocals howl atop the mix. Still, when it comes down to it, the chorus and some of the early vocal moments hint at this rising pop sensibility, thus making me a steadfast supporter. It’s like ballsy rock you wanna scream to with your friends…so get to it.

Rosie Tucker Shares Habanero

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I’ve spent the last few days in anticipation of this new track from Rosie Tucker, knowing we’d get it in our hands today. There is just something about the songwriting that always seems to work for me; they take some artistic liberties in the songwriting formula, which for me, gives enough distinctive flavor to keep me coming back to their work. Opening with an analogy to my least favorite pepper, you immediately get introduced to the clever wordplay, and for all intents and purposes, it starts in some familiar territory. But, just after the 2 minute there’s a momentary instrumental breakdown, beginning to toy with their own established sound. Still, the musical turns aren’t over, as they slow the whole tune down to a crawl at 2:40, leaving us with this emphatic thematic push that closes the song in an utterly charming fashion. A new LP, Sucker Supreme, is on its way in April via Epitaph!

Ablebody Changes Name to Always You, Drop Hold Out Single

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It’s been about five years since we’ve heard from Ablebody, but in the interim, the band have been hard at work with new tunes…and a new name! The band, led by the Hochheim brothers, has formerly changed their name to Always You, then jumped right back into things with a new single courtesy of Shelflife Records. The tune’s offering is a bit of distance from the band’s indiepop inclinations, giving us a slightly elevated vibe; it’s almost like they’re offering up a really slow burning brand of pop, something that whets your appetite for what’s to come later. The vocals turn over and over in your mind, melodically drifting in a sort of dreamy trance-inducing fashion while the musical background just lounges, relaxing your soul. Nice to have this group back up and in the mix!

Paul Bergmann Shares The Other Side Single

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Through the years, we’ve been fortunate enough to watch the twists and turns of Paul Bergmann‘s musical development; his latest work seems to find him in rare form, with some notes that have me completely falling for his work all over again. If you were to simply listen to the musical elements in this one, you’d likely walk away claiming it as a fine piece of craft, one billowing with arrangements and minute details you’ve really got to have an ear to find. But, Paul’s voice has this struggling nature to it in this performance, like he’s constantly gasping to get his words out there; there are faint moments of roughness you might find on the early Bright Eyes efforts too, so you get that pained intimacy. Looking forward to hearing the whole of The Other Side on April 2nd.

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