Tag: new single

Seablite Share Breadcrumbs

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We’ve been big Seablite stans since the release of Grass Stains and Novocaine, and with that, it’s been really nice seeing the growth, in both their popularity and the quality of their songwriting; the band also features Andy of Chime School, so extra bonus points on all fronts. News just hit that they’ve got a remarkable new 7″ coming out via Emotional Response, and well, this first single doesn’t let us down one bit. I love how the pounding drums open up the track, setting this furious pace behind the cascading wall of guitars; it’s creating this contrasting tension that really drives home the melodic draw. And, while they’re nice and quiet, I think the setting and tones of the vocals are spot on perfect for the band; they seem to crest in just the right spots, so hats off to the final mix master on this jam. This 7″ will be available on January 1st.

Secret Shame Share Victoria Single

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We raved about Secret Shame when they dropped their Dissolve/Pure 7″, and now the band have jumped back in with this heavy bit of dark rock n’ roll. The band were approached by filmmaker Jamieson Ridenhour to write a tune for his new film, Bloodbath-Victoria’s Secret, which seems to have kickstarted the songwriting process…as we hear this track is also leading towards a new LP for next year. The riffs, as you’d expect for a horror film, are dark and edgy, though that shouldn’t surprise any fans of the band. I love how they’re still making this sound their own, turning in some light melodic moments in the chorus that keep me coming back to enjoy this Asheville act. We’ll keep you posted as we hear more on the new LP!

Me Rex Share Never Graduate Single

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You know when you just want something big and poppy, something that seems just perfectly built for you? Well, I present you with the new single from London’s Me Rex. If you’re into British pop rock like Martha, you’re going to want to spend some time here; you might also want to go back and revisit the band’s other releases. Here, we get a little synth into before the song hits hyperdrive into euphoria…backing vocals swell with these magical hooks that dig deep into your soul. Myles McCabe has this great delivery within the confines of the song to kind of tie it all together; it comes across as spoken and call, straining when it hits the song’s rising tension. If you dig this, look for the band’s Pterodactyl EP in February of next year via Big Scary Monsters. Also, fun fact. Pterodactyls are not dinosaurs. Duh.

Le Pain Drop Obvious to You

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When you drop names like Stereolab and Alvvays in your band description, you better be able to back it up. Le Pain did so with their first big single this past summer, and they’re back on the grind with a fresh single on the horizon. This single’s a little more open, using some more casual indie rock guitar notes akin to early Real Estate, creating this more expansive vibe as opposed to their early saccharine treats. But, the creamy vocals from sisters Madeline and Olivia intertwining still provide that intoxicating brand of pop that is sure to have folks salivating as they await news on a full length. We’ll let you know when we hear.

Zinskē Share Horseface Josey

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While the Chris Lipczynski and Zinskē might not be a household name just yet, I’d love to have a chance to change your mind as the band set up for the release of their debut LP, Murder Mart. For starters, Chris has this incredibly distinctive voice, bordering on grizzled, though careful to cling to melodic structures; his delivery, particularly in the chorus segments provides this extra layer of listener satisfaction. Musically, this is the spot on example of good old-fashioned indie rock. You get dueling guitar lines, riffs that drop between distorted speaker-busters and jangling angular cuts. I love how the song seems to get loud as possible without ever getting incredibly loud…plus you get this little guitar noodle just after the 1 minute mark. Everything about this, from the craft to the production just screams that this is perfect (from now on). Press play, there’s no need to go further, that other stuff just isn’t this cool!

Jessica’s Brother Share Finding Snowdrop Single

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The end of November will bring us the next Jessica’s Brother album, but on the way, perhaps we can enjoy this new single. This track has this sort communal psychedelia to it, which I’ll be honest, I wasn’t quite expecting. The song has this tendency to let the notes meander, going on a nice little musical walkabout, so to speak. It allows for the band, and their backing vocalists, to kind of create this sort of campfire seance, the sort of passionate performance where everyone, listener and musician, sinks into the fabric of the tune. Yet another reason to look forward to Just Rain, out November 26th via Fika Recordings.

The Acharis Share False Positive

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Feel like we should start our Monday’s coverage off by going super heavy, and there’s no better way to do that than by turning up this new track from the Acharis first. Their first single from their forthcoming LP had them sort of playing with the poppier side of the dream/gaze realm, but this new one is full-on heavy massacre shoegaze. You can hear the weight of those distorted guitars, crushing against your speaker, trying to get out into the world. Sure, the vocals have this central smoothness to them, but don’t be fooled. I love the breakdown in the end; you can hear these emphatic emotive howls from the background, adding further darkness to the tune. The band will release Blue Sky/Grey Heaven on November 5th.

Benz Shares Cave In Track

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I’ve heard a few tracks from Ebba Salomonsson’s Benz project, and they’ve been stellar, though I’m always late to the game on posting them, and then I forget. But, with her latest, “Cave In,” I just couldn’t pass up on the opportunity to get this one out into the world. The pacing of the tune is intoxicating, perfect for late night drives under starlit highways or maybe that time when you float in space with Shatner. There’s a delicacy to Ebba’s voice that just pulls you deep within to the song, even as things begin to get a little more exploratory, with rougher edges that rattle your speaker. A lovely tune from the lovely This Could Be the End EP, out November 5th via Rama Lama Records.

Rural France Share Hosepipe Ban

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We’ve been pretty supportive of Rural France in regards to their forthcoming RF LP, and today they’re sharing another single to tease us along before next week’s official release. According to the band’s Tom Brown, the riff had been bouncing around in his head for years, until one day he hit upon just the right line to tie it all together, leaving us with ‘one of those nostalgic, sad summer songs.’ Brown alludes to the Beach Boys, but in looking at more modern iterations, you can faintly hear the Wrens in this; things sound like they’re jumbled, stacking layer and layer, then all of a sudden your ear locks into the melody and you’re swept away. If ever a song encapsulated the dictionary definition of sunny wistfulness, this has to be the one! Look for RF next Friday via Meritorio Records.

Peli Gene Shares Old Tapes

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Starting off this Wednesday dreaming a little bit, perhaps wishing I was somewhere else entirely…so it works perfectly that I had this track from Peli Gene hanging about in the old inbox. There’s just something so satisfying about the emotive quality that drops in the moment the guitars crash into the synths in this song’s opening moments. The vocals come across so sedate, relying upon the angular notes of the guitar to force them into altered tones that maximize the melody. It’s pretty simple in its structure, but ultimately it was so satisfying that I just kept coming back to get the sweetness of those guitar tones.

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