Emily Hines Joins Keeled Scales Roster

Austin-based label Keeled Scales has one of the strongest rosters around, particularly if you’re one that is inclined towards folk leaning songwriters. Over the years they’ve introduced us to Katy Kirby, Jordan Moser, Julia Lucille…and now they’ve signed Emily Hines. With her signing, she’s released the below single, with this beautiful warmth in the recording that immediately draws in the listener. The strum creates this reverberation that just hangs in the atmosphere while Hines voice gently wafts across the room; it’s a marvelously intimate performance that reveals the sincerity we can expect when a full length comes our way. If you’re in town for SXSW, she’s be playing at the Keeled Scales/First Date Touring Showcase at Chess Club.

Mould Share Snails Single

Have a feeling my listening is going to be all over the map today, so why not throw Mould‘s new riotous jam right in the mix? The immediacy of this track is felt almost instantly, with guitars and drums greeting you, shoving you right through the door before you even get a chance to catch your breath. They tie that into the vocals, with all pieces feeling like they’re running rampant about your living space, with those thunderous drum sounds pounding on your ear drums. But, it’s not all furious paced joy, as they break it all down for a gang vocal pop explosion, which is one of the things that makes this song so joyful. They release their Almost Feels Like a Purpose EP on April 24th via 5dB Records.

MIEN Share Empty Sun

Rock n’ roll supergroup MIEN have a new record dropping this Spring via Fuzz Club, and in today’s episode of songs that rock, we get to peek behind the magician’s curtain. As the song opens, it begins with a sampled bit of looped beat work, with Alex Maas (of Black Angels) working in his vocals; the drums begin to unravel, snapping into place as shrieks of guitar fill the background. In their press, the group claims that a great deal of their songs begin just as the aforementioned explanation, then they expand into the final product that we have before us. The story continues to unfold when they release Evil People into the world on April 18th.

Scrounge Share UTG Single

When we first heard new stuff from London punks Scrounge, I couldn’t get enough of “Higher.” Today, they’ve got a slightly softer side to share with some of us, though the song has its punchy moments where the tune kicks through, as it should! The jangling guitar lick that dominates the verses in this tune is absolutely perfect, with the mix balancing things perfectly so as to maximize Lucy Alexander’s voice and lyrics; this is an important aspect as Alexander is sending out a “reminder to look after and respect your queer and trans mates.” I love the eruption that lets her share a bit of a hook and a bit of a growl, as she’s finally able to unleash her restraint in the perfect fashion. The song rips and it’ll be on Almost Like You Could, which drops April 11th via Ba Da Bing.

Pia Fraus Offer New Single

I probably don’t listen to Pia Fraus as often as I ought, but when they sprinkle out a new tune, you’ll hear my fat flapping behind me as I run to press play! They’ve let slip a brand new single, displaying a matured brand of dream pop that you’d only get from vets who’ve been doing this for damned near 30 years. You’ll find a certain maturity within the confines of the pop structure, and although they still offer up some noisy elements, those moments feel muted a bit, letting the melody churn and roll in the front of the mix. Every little turn feels purposeful, and in that, it maximizes the balance between comfort and harsh, only making me thirst for more from the Estonian outfit in the near future!

Will Johnson Announces Diamond City

You ever fall in love with a musical voice that just breaks you? Well, many years ago a friend handed me an old Centro-matic CD, and I’ve been hooked on Will Johnson ever since. Today, we’re stoked to bring you the great news that Will’s got a new record on the horizon, with a single that perfectly exemplifies my fascination. This song features sort of off-the-rhythm percussion and a twanging guitar, all of it creating this full-to-the-brim backdrop, yet somehow clinging to this starkness that allows Johnson’s voice to succeed. I love how he can move in-between throated warble and intimate whisper, letting the song open up with these soaring backing harmonies that provide an amazing accent to the track. Diamond City will be out on April 4th via Keeled Scales.

Tropical Fuck Storm Share Goon Show + Sign to Fire Records

Seems as good a day as any to spend some times overseas with Aussie outfits, and here we are again with Melbourne’s Tropical Fuck Storm. The band have just announced their singing to Fire Records, along with a slew of tour dates and a brand new single. Gareth Liddiard vocals in the first half of the song set the tone, his voice marching to the thump of the percussion, intermittently offset by the backing chorus of Fiona and Erica for angelic contrast. Liddiard seems to be stomping out his notes, hitting metronomic stride as he delivers a world-weary viewpoint for this “golden age of assholes.” Those familiar with the group’s performances might also be curious as to the pop accessibility of the tune, but worry not, your moment comes in the tune’s latter half, as they offer up a barrage of noise and left-turns. Keep an eye out for the band as they make their way Stateside in June/July.

George Children Prep Kitchen Sink Drama

If you’re going to hit the road, one of the best ways to make a little extra cash is to have solid merch on hand. So, with a tour on the schedule for George Children, they’ve prepped the Kitchen Sink Drama EP, which will only be available on their West Coast tour…or via Dandy Boy Records! This song feels like looking out onto the world, searching for any signs of positivity (as I’m sure we’re all doing right now); it operates with this uplifting guitar strum, as Jordan Chipman narrates a car ride with a “beautiful stranger.” It’s light in nature, but some notes just dig deep into your soul, and this is one such song. You can grab the new EP by catching the band live, or grab the cassette before its February 20th release date.

Low Monroe Releases Deviant Hotline Video

While we admit to throwing certain generic modifiers into a lot of posts (unfairly so, occasionally), but as unfortunate as that can be, there’s no better way to turn you onto Low Monroe than by depicting them as the bastard child of Bauhaus and Joy Division. When listening to their new “Deviant Hotline” tune, you can hear the darkness, but like the aforementioned Manchester outfit, there’s a buoyancy to the shadows, particularly in the drive of the rhythm section. Guttural vocal tones give you that intoxicating stomach knot, built upon anxiety and primal desires, coating the tune in this ominous texture. You deserve post-punk like this. Go ahead, get lost in the darkened corners of this great jam.

Triathalon Announces Funeral Music

Out of a period of heartbreak, hardship and ruminating on memorial service music, Triathalon have come out swinging for their new album, Funeral Music. Their balancing act between heavy riffs and gently whisper-sung vocals is absolutely perfect; they even use these screaming squalls of feedback to shoot across like sonic stars of noise that break through. It’s like a metal song, but with personality; take the twinkling little key notes and the ebb/flow of vocal tones and there’s this brilliant heavy pop song just hang out there perfectly. Each crest and crash just fills every inch of space with absolute power, and if I’m being honest, this might be the jam of the week…and we’re just getting started! The new LP is out May 16th via Lex Records.

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